Germano Haiut

Brezilya, 1970. Askeri yönetimin gölgesinde yaşayan Brezilya’da, siyasi suçlu olarak polis tarafından aranan Bia ve Daniel, 10 yaşındaki oğulları Mauro’yu dedesinin yanına bırakarak kaçmak zorunda kalır. Fakat Mauro’nun dedesi, torununun kendisini görmeye geldiği gün ölür. Anne babasının tatile gittiğini düşünen Mauro, Yahudi mahallesinde yer alan dedesinin evinde tek başına yaşamaya başlar. Babasının ailesinin Yahudi olmasına rağmen, kendi gelenekleri hakkında hiçbir şey bilmemektedir. Kısa sürede komşular tarafından sevilen Mauro, bir yandan heyecanla ailesinden haber beklerken, diğer yandan da bu yeni ve sıcak dünyanın insanlarına uyum sağlamaya çalışır. Ülkenin baskıcı askeri yönetiminin yansımaları, politikayla ilgilenmeyen Yahudi mahallesi sakinlerini de Mauro nedeniyle etkilemeye başlar.

After receiving a new blade, a blender suddenly gains consciousness. As it grapples with existential questions, it becomes the sole companion to the grieving wife of a missing man.

Friends of the recently deceased Quincas take their pal's body on one last tour of his favorite spots in Brazil's Bahia.

A Lebanese photographer living in Brazil in the '30s manages to film the band of Lampião, a legendary Brazilian bandit.

Cris, aged 12, and her brother are left at the side of the road by their parents. The punishment quickly turns into an even greater challenge.

Roberta is a renowned classical pianist battling a chronic kidney disease. However, an unexpected encounter with Father José will forever change her life.

The creepy stories and imaginaries from one of Brazil's most important cities.

The city outside and the city within. Inside: a couple starting to grow old. Outside: a city in constant flux - new buildings, a noisy airport, a troubling new neighbor, gossip. Things that never change amid things that change too fast. The fragmented everyday, seen through a lens that's indirect and selective. Rosa and Benjamin: What's absent or left unsaid tells as much as what comes inside a confining frame - what we put off-limits exposes what we take for granted.

Leandro is a young man frustrated by his job. His master’s thesis is on the military dictatorship in Brazil. That takes him into a search for recently deceased artist Jairo Mendes’ controversial film The Beheading Game, which was censored by Brazilian censors in 1973.

Account an important part of the history of Brazil, through its main character, Anayde Beiriz a poet, journalist and revolutionary and libertarian teacher of the early twentieth century, known for its sexual liberalism, which shocked the pre-Revolution in the state of Paraíba during 1930. His love for João Dantas eventually forge João Pessoa's death, at that time, governor of of Paraíba. These events served as a trigger for the a revolution.

Sérgio is determined to take over his family's construction company to pursue a long-buried dream. But when he uncovers a hidden chapter from his father's past, his ambitions are shaken, forcing him to confront the man he has truly become.

In the early 17th century, the Dutch have occupied Bom Jesus village, the last native stronghold in the Pernambuco captaincy. An adventurer, João Fernandes Vieira, sees himself in the middle of a conflict, torn between joining his friend Mauricio de Nassau alongside the ruling Dutch and siding with his lover Ana Paes in the fight to free his homeland.

Death Caetana, the terrible ounce winged, flying over the hinterland where a circus troupe led by an old clown comes to a village. The old clown open a thick book and begins the representation of an enigmatic novel, heroic and memorialistic: The Stone of the Kingdom. The clown is Pedro Dinis Quaderna, the protagonist of the novel, already aged, and the representation of the content will be his own memories. The old clown recalls the moment, "arrested and prematurely aged by suffering , after 41 years" wrote the novel in the public chain Taperoá.