Frank Beddor

Centered on a television station which features a 1950s-style sci-fi movie interspersed with a series of wild commercials, wacky shorts and weird specials, this lampoon of contemporary life and pop culture skewers some of the silliest spectacles ever created in the name of entertainment.

Two men from Pennsylvania give up hope in their small run down coal mining town, and head off in search of the beaches of California. The two steal cars as they travel across the USA and are joined by a wild young woman.

Dr. Alexander Brown arrives in Las Vegas, awarded for his recent medical invention. An ex-G.I. tells Brown he was a test subject during the 1950's, exposed to atomic bomb radiation in the Nevada desert-- will Brown help the man uncover the truth? In 1950's Nevada, Brown is a young psychiatrist and a guest of the U.S. Army, where soldiers were routinely exposed to excessive radiation. The young Brown and a colleague interview soldiers, who show their ignorance and insouciance in the face of this danger. The movie intercuts scenes between the young Alexander Brown and older Alexander Brown, some thirty years after the nuclear tests. Will the decorated psychiatrist finally speak out on the atrocity he witnessed?

A video store clerk stumbles onto an alien plot to take over earth by brainwashing people with a bad '50s science fiction movie. He and his friends race to stop the aliens before the tapes can be distributed world-wide.

L.A. Law is an American television legal drama series that ran for eight seasons on NBC from September 15, 1986, to May 19, 1994. Created by Steven Bochco and Terry Louise Fisher, it contained many of Bochco's trademark features including a large number of parallel storylines, social drama and off-the-wall humor. It reflected the social and cultural ideologies of the 1980s and early 1990s, and many of the cases featured on the show dealt with hot-topic issues such as abortion, racism, gay rights, homophobia, sexual harassment, AIDS, and domestic violence. The series often also reflected social tensions between the wealthy senior lawyer protagonists and their less well-paid junior staff. The show was popular with audiences and critics, and won 15 Emmy Awards throughout its run, four of which were for Outstanding Drama Series.