Nozha Khouadra

İki kardeş, aile bağlarına ve arkadaşlığa dair unutulmaz bir hikaye.“AYI” Filminin Yönetmeninden... Ormanın derinliklerinde bir yerlerde tapınak kalıntılarının arasında iki kaplan kardeş dünyaya gelir. Biri utangaç ve yumuşak diğeri yaramaz ve gözüpek. Birlikte tasasız ve mutlu bir hayat sürdürmektedirler ta ki yakalanana, birbirlerinden ve ailelerinden ayrılana kadar.

After a violent dispute with her mother, sixteen-years old Chloé ends up in the streets with nowhere to go. Then she finds Jean-Michel, a charming young man who will lead her to prostitution.

Filmin Paris’in Pantheon Hukuk Fakültesinde geçiyor. Birinci sınıf öğrencisi Neila Salah , okulun ilk gününde Pierre Mazard’ın sınıfına geç girer; yaptığı gürültü yüzünden provokatif ve sinik bir insan olan olan hocası tarafından sorgulanırken aşağılanır. Irkçı, ayrımcı ve hakaret içeren söylemi yüzünden üniversite yönetimi Mazard’dan bu durumu telafi etmesini ister. Bu konudaki kötü şöhreti yüzünden Mazard kovulma tehlikesiyle karşı karşıyadır. Zira talebelerin cep telefonlarıyla çektikleri videonun, internet üzerinden yayınlanması olay yaratmıştır. Mazard yetenekli öğrencisine özel dersler vererek kendisini geliştirmesi için büyük uğraş verir. Neila üniversiteyi birincilikle bitirir ve avukatlık hayalini gerçekleştirir. Ancak iki zıt kutbun sürtüşmesi, Neila’nın kendisine yapılan yardımın Mazard’ın kendisini kovulmaktan kurtarmak için olduğunu öğrenmesiyle tavan yapar. ‘Le Brio’, taşların yerine oturduğu görkemli bir final sekansıyla noktalanır

A young unemployed man finds work at a nuclear power plant and begins an illicit affair with the fiancée of one of his senior workmates.

A Mediterranean scrubland. The relentless noise of crickets. In the distance a highway and the procession of lorries travelling through the countryside at top speed. Among the green oaks and thorn bushes the construction of a leisure Centre is nearing completion. On the other side, from the building workers' prefabs can be heard the happy chaos of children shouting, families getting together and Ramadan celebrations. Moving incessantly between the two, are Fabienne, daughter of the manageress of the Centre, and Latifa, daughter of one of the workers. Fabienne and Latifa are friends, they tell each other everything, or almost... When you are 16 there are secrets that you don't share, even with your best friend. Then, there are questions which one would love to be able to answer and mysteries one would love to understand... The Centre's opening day approaches. It is the day of Fabienne's 16th birthday. But why do her mother Anne and her uncle Tom seem to be so fearful of that day?

Olaylar, bir kadının kendi evinde bıçaklanarak öldürülmesiyle başlar. Evde kadının kanıyla yazılmış, bahçıvanını işaret eden “Ömer beni öldürmek…” şeklinde bir not da bulunur. Ömer, işleri kolaylaştıran bir şüpheli; eğitimsiz, cahil ve mahkemede kendini savunamayan bir Faslı göçmen…

A woman living in the projects decides to run for mayor. At first she is taken as a joke but slowly picks up steam and is taken serious.

Philippe Seigner starts his career in business consulting at the posh Paris seat of McGregor. His first serious task is delicate: An audit at a factory, which is about to be taken over. As he soon realizes, this will mean sacking about 80 employees. However, his girl friend reproaches him collaborating with ruthless capitalism, as if any of the downsizing could be mitigated by him bowing out.

The movie, for the most part, charts the AIDS epidemic in France from 1980 – present through the microcosm of a family, but particularly through their gay son Nicolas, who narrates the story.

Famous TV news anchorman Pierre Nivel left Algiers for France in 1962. That's been a secret; his Paris co-workers have never known that he was formerly an Algerian pied noir. An Algerian delivers an urgent message to Pierre from a Leïla Jalal... Algiers, 1962. The Nivels live in the same apartment building as the Moslem Jalal family. Lycée student Pierre is in love with their daughter, Leïla. The civil unrest in Algeria is heating up and violence is spreading in Algiers. At school, Pierre is friends with a Moslem student, Issam, but he is made fun of for that... Pierre's jet arrives in Algiers. As a celebrity, Pierre is met on arrival by a government official, Nader Mansour. Because of the civil war raging between the government and Islamic terrorists, they drive into the city in a heavily armed convoy. Pierre does not tell Mansour his real reason for returning: Leïla has asked him to help her daughter Amina escape to safety in France.

Tunisia, early thirties, the young and plump Bajou, lives modestly with his parents. One day after a flood, his father suddenly disappears. Thanks to his uncle and his cousin Marcel, he moves with his mother Oumi to work for the wealthy landowner Mr. Scali, a talkative and boastful man.

A young Frenchman of Arab descent, Djamel, becomes convinced that his long-lost father is a rich factory owner in Grenoble. When the man coldly rejects him, Djamel plots a revenge that will implicate the man's closeted gay son.

Camille is an emancipated 30-something woman who has no desire to settle down and have a family, preferring to coast along on a succession of ephemeral relationships and one-night stands. However, her lifestyle fails to satisfy her fully, and in a moment of depression she runs into a complete stranger, Alexis, whom she instantly falls in love with. Alexis, alas, is married, with two children, and works for the Socialist Party. None of this is going to deter Camille though…

Bruno, a bus driver, lives in a problem estate. One day, a group of young people stab him. Since this moment, Bruno spends his time in a meeting point of extreme right-wing people. His only goal is to find the youngs who did that to him, even if he looses everything.

The idea for this film about a generation and its lost ideals came to Romain Goupil after attending several funerals of friends in the fall of 1996, where the '68 generation, now in influential positions in media or politics, kept meeting each other. It seemed as if the revolution that they had tried to make was being buried with each coffin. A MORT LA MORT is in some ways an homage to this generation, now in their fifties. They were a privileged generation that thought that they could change the world, doing everything that their parents failed to do. There were no actual deaths in France as there were in Germany or Italy, but the system was not ideal for personal issues or for love. There was always a scapegoat for the injustices of the world, be it capitalism or imperialism. That way the blame could be placed somewhere else. Some of the '68 generation are still faithful to the principles of their youth and still continue to fight for the illusions of the past.

Based on a novel by Jean-Claude Izzo, this melancholic movie focuses on three sailors being the last remaining crew members on their ship which is aground in the harbor of Marseille. After the owner has sold the "Aldébaran", only the Lebanese captain Aziz, the Greek Diamantis and the Turk Nelim are stuck on the boat for a lack of prospects. Aziz doesn't want to return to his wife, Diamantis tries to find a girl he left at the age of 20 and Nelim, young and foolish, just wants to have fun...

Captain Michel Blaney is an unconventional cop who does not have only friends within the police force. Before leaving to find his daughter, Louisiane, whom he hasn't seen in 15 years, the police officer is given a routine mission by his chief: to watch over a supermarket that is the scene of a major cash transfer. As a gunfight breaks out with the robbers, Blaney sees the two cashiers, Liliane and Malika, running away with the store's takings. He decides to follow them, even if it means missing his train. Very quickly, in the presence of the two young women, his paternal instinct will incite him to stay with them and help them to return to the right path.

Le match France - Algérie vient chambouler le train-train de Brahim et Mouloud. Cet évènement va diviser les deux amis : Brahim revendique son identité algérienne, Mouloud fustige son refus de la France, pays qui les a vu grandir.

This is the story of four French friends: the Greek (an osteopath), Fifi (who lives with his mother), Fortuné (a West Indian) and Freddy (a gambler). They meet up regularly at a Parisian bookmakers’, their favourite haunt. Tired of frittering away the little spare cash they have, they agree to give up gambling. But no sooner have they taken this pledge than Fate intervenes, in the guise of the turf king, Monsieur Paul. The latter persuades the four friends to buy a champion racehorse, not knowing that it is in fact an old nag…

His name is Nicolas, but she calls him “Calino”. She is Nejma, he calls her “Nej’, ma neige”. She just wants to be herself, but he wants her for himself. In him we see a combination of the desire to fit into society and the need for love. But they’re walking on thin ice, and despite all his efforts, his love becomes all-consuming and neither Nej nor reality can yield to his desires.

Four partners heist a fortune in gold ore from a North African airport & escape across the desert in a truck.

Set against the vibrant backdrop of contemporary North Africa, this drama follows three women as they navigate the complex interplay between tradition and modernity. Each woman, driven by her own desires for success and meaningful relationships, faces societal pressures and cultural constraints that test their resolve. As their lives unexpectedly intersect, they reveal the shared struggles and resilience needed to overcome the obstacles placed in their path.

At a dysfunctional hospital in Paris, three bumbling, eccentric medical employees embark on zany misadventures with surgical imprecision.

Netflix'in ilk Fransız dizisi Marsilya, Belediye Başkanlığı’nı 25 yıldır yürüten deneyimli bir politikacının seçimlerden önce genç ve hırslı bir aday karşısında yaşadıklarını ; liman kenti Marsilya'da güç, para ve yolsuzlukla mücadeleyi anlatıyor.

Through the fictionalized lives of two young Saint-Simonians, this television film presents the history of French colonization in Algeria from 1837 to the end of the Second Empire.

The miniseries, for the most part, charts the AIDS epidemic in France from 1980 – present through the microcosm of a family, but particularly through their gay son Nicolas, who narrates the story.