Sara Montiel

İki erkek çocuk, Ignacio ve Enrique, 60'lı yılların İspanya'sındaki bir katolik okulunda öğrencidirler. Burada geçirdikleri zaman boyunca aşkı, sinemayı ve korkuyu keşfederler. Okulun müdürü ve edebiyat öğretmeni Peder Manolo, bu keşiflerin hem şahidi olur, hem de bir parçası * Üç karakter yıllar sonra, 70'lerde ve 80'lerde, iki kez daha aynı mekanda bir araya gelecekler. Bu karşılaşmalar aralarından birinin yaşamı ve ölümü için belirleyici olacak * Pedro Almodóvar bir kez daha anavatanı İspanya'da gezdiriyor kamerası. İnsanların derilerinin altına giriyor, yaşananları ve yaşanamayanları bir arada anlatıyor * Kuşkusuz her sinemasever bir Almodovar filmini yönetmeninin kim olduğunu bilmeden izlediğinde gerek tutku ve ihtirasla yoğrulmuş karakterlerinden gerekse eski filmlerine nazaran stilize senaryosuyla bunun bir Pedro eseri olduğunu anlayabilirler.

1866 Meksika İsyanı sırasında, İmparator Maximilian'ın güçleri tarafından bir kontesi Vera Cruz'a götürmek üzere bir grup Amerikalı maceracı kiralanır.

When the South loses the war, Confederate veteran O'Meara goes West, joins the Sioux, takes a wife and refuses to be an American but he must choose a side when the Sioux go to war against the U.S. Army.

Antonio is the leader of an underground armed group fighting in the village of Ronda against Napoleon's troops which have imposed French rule in 1808 Spain. Micaela is madly in love with Antonio but he is devoted to Carmen, the region's most beautiful gypsy who lives and sings at a local inn.

A Spanish music hall performer gets caught up in espionage during the First World War.

A particular reading of the hard years of famine, repression and censorship after the massacre of the Spanish Civil War (1936-39), through popular culture: songs, newspapers and magazines, movies and newsreels.

Alejandro is a young composer from Madrid who, overwhelmed by a sentimental and artistic failure, decides to enlist as a volunteer soldier and go to war-torn Cuba, where he befriends Antonio, who becomes his best friend.

The old hidalgo Don Alonso Quijano, maddened by the excessive reading of books on chivalry and determined to become a famous and heroic knight-errant, leaves his village and sets out on the road in search of adventure, accompanied by his faithful friend Sancho Panza.

A woman murders her lover. Her husband and his mistress are also having murder-shaped thoughts, and their three counterplots all get tangled together. Everybody loses.

What was the role of women in Spanish cinema from the 1930s to the present explained through fragments of different films, both fiction and non-fiction. (Followed by “Manda huevos,” 2016.)

In Chile, during the mid 80s, a wave of young enthusiasts from different parts of the country decided to rebel against the regime and liberate themselves through rock. It was a new Chile, committed to fight for its ideals, and to have fun at any cost.

Spain 1930s. A troupe of performers travel from city to city entertaining audiences and earning a living. The cast includes a magician, a ventriloquist, muscle men, dancers, singers and a full orchestra. The star of the show is Carmen Soler (Trini Alonso) a celebrated singer, now way past her prime, who refuses to retire gracefully and defends her stardom ruthlessly. On her shadow lives and works Ana Marques (Sara Montiel) a younger singer who dreams of the big time and patiently waits for her break.

Mary Ellen travels abroad and ends up marrying a Count while she is intoxicated. The Count disappears and with the aid of her father, George, she tracks down his address in the Casbah, only to discover he was an impostor. The real count is Henri, a nondescript man with a shrewd business sense. Mary Ellen pays him to carry on the masquerade of being her husband so she can get a divorce.

Casablanca 1942. While French Police Chief Maurice Desjardins is busy having careless fun with some loose girls, members of the French Resistance kill a man at the harbor and steal his briefcase full of important documents from the Third Reich. At an apartment building in the distance, Andre Kuhn watches the whole operation through his powerful binoculars. He is posing as a businessman but actually working as a spy for the Germans a fact totally ignored by his live-in girlfriend Teresa Villar, a beautiful Spanish singer who works at El Dorado Night Club. Andre telephones Max von Stauffen, the head of German Intelligence in Casablanca, to inform him of what he has just witnessed. Max tells him to stay put until he arrives in order to get the information personally but, by the time he reaches Andres apartment, he finds him dead with a gun shot on his temple.

Isabel is a beautiful aspiring singer with great aspirations but persistent bad luck convicted of a crime she did not commit. Serving time in prison she is released under parole and lands a singing gig at a dive in Barcelona where she meets Sandro "The Greek" and his partner lover Gloria. The couple is posing as entertainment promoters but they are really running a prostitution ring based in Beirut. They offer Isabel a two-year contract to perform in "night clubs" in the Near and Mideast even after they learn that she cannot travel abroad due to her legal status. Upon arrival in Beirut, Isabel and the other girls are sped away to a luxurious villa where they discover the real intentions of the pseudo-promoters. They are expected to sing and dance but also to engage in sexual activities with the rich clients that patronize the place. Isabel pretends to go along with the situation but she has a plan to get away

Born in Campo de Criptana, a small village in the Spanish region of La Mancha, Sara Montiel (1928-2013) conquered Mexico, Hollywood, and the hearts of people. The recognition of an unparalleled professional career, an intimate dialogue with a tireless worker who took the stage at the age of twelve and never got off. A movie star who seduced millions of viewers around the world, a singer who reinvented a musical genre, a woman who broke the mold…

Barcelona 1967. The pop culture revolution. Jordi (Patrick Bauchau) is a rich playboy who runs around with a bunch of high-end hippies, smoking, drinking, dancing and daydreaming about Tuset Street, an effort to develop a popular street in the newer section of Barcelona after the models of Haight Ashbury Street in San Francisco and Carnaby Street in London. Jordi and his gang represent the new Barcelona, wealthy, artificial and striving for imported sophistication. On the older side of the city is El Paralelo, the theater district. At El Molino, one of its many music halls, performs Violeta (Sara Montiel), a showgirl in the old style tradition who supplements her singing income with prostitution. Somehow Violeta represents the old values, the "real world" living along side an artificial creation such as Tuset.

Nun Belen works as a spiritual guide in a women's prison. Is a very understanding woman, possibly due to her past. At the past she was Magda, the star of the cabaret "The Mill of Twenty." She was attractive, young and admired by the public, she had it all, but three very different men end up marking her destination. A fate that is inexorably opposed to her happiness.

A man makes a pact with Lucifer in order to gain the love of a beautiful singer. To achieve his goal, the devil endows him with the ability to become invisible at will.

The story of the big names that have shaped the musical genres, plus an occasional stopgap for the new rock 'n' roll - comedy.

A fascinating look at the life of trailblazing Hollywood icon Sara Montiel, widely considered Spain's first international star.

Kety is a divorced woman in her forties, penniless, living in a rented apartment surrounded by a "nosy concierge" and a "bothersome neighbor." However, Kety hasn't given up hope of finding new love.