Vittorio Storaro

Yönetmenin kurguladığı Final Cut versiyonu ile izleyici karşısına çıkan film, Vietnam'da görev alan bir Amerikan askerine verilen görev sonrasında yaşananları konu ediyor. Yüzbaşı Benjamin Willard, zorlu bir görevle karşı karşıyadır. Willard'dan, Vietnam Savaşı sırasında ordu emirlerini görmezden gelip kendisini tanrı ilan eden özel tim albayını öldürmesi istenir. Willard, gizli görevi yerine getirmeye çalışırken kendisini zorlu durumlarla karşı karşıya bulur.

"Apocalypse Now" filminin yapımı sırasında çevrede yaşanan sansasyonel olayları ve Francis Ford Coppola'nın doğa, hükümetler, aktörler ve içindeki şüphe ile olan mücadelesini anlatan bir belgesel. Yönetmenin eşi Elanor Coppola tarafından gizlice kaydedilmiş ses ve görüntü kayıtlarını da içeriyor.

Bu belgesel, eski ve dijital dönem filmlerin tarihini ve işleyişini inceliyor. Sinema sanatçılarının ve yönetmenlerinin yaratıcılıklarını dışavurmada yardımcı olan film dünyasını bu iki çağ boyunca, devrimleriyle işliyor ve günümüzdeki imkanlarını gösteriyoru. Yönetmen, sinematograf, colorist, bilim adamı, mühendis ve oyuncuların tecrübelerini, görüşlerini ve iki dönem sineması hakkındaki yorumlarını, sinemanın bugünkü hâle nasıl geldiğini ve neler getirebileceğini görüyoruz

Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.

In his early days as an actor, Marlon Brando (1924-2004) was a shy young man with theatrical ambitions, like many others; but his charisma and superb acting skills made him truly unique, so that the doors to the starry sky of Hollywood opened for him. However, his peculiar manners, political commitment and complicated love life always overshadowed his artistic success.

The artistry, triumph and lifelong friendship of the great cinematographers Laszlo Kovacs and Vilmos Zsigmond. With film school equipment, they shoot the Soviet crackdown of the 1956 Hungarian Revolution. As refugees they struggle in Hollywood, finally breaking into the mainstream with their pivotal contribution to the "American New Wave."

Carl-Gustaf Nykvist's documentary about his father, Sven Nykvist. The film is based on Sven's memoirs with Sven himself as narrator. A journey to the place of birth, Moheda, constitutes the hub of the film and during the journey friends and memories emerge. Written by Fredrik Klasson

Documentary of the making of Michael Jackson's Captain EO film for the Disney theme parks.

The history of color photography in motion pictures, in particular the Technicolor company's work.

A very special encounter between legendary American cinematographer Vilmos Zsigmond and young French director Pierre Filmon. A personal journey with the brightest shadowmaker and his friends.

A video derived from footage Godard kept from his 1981 visit to Francis Ford Coppola's Zoetrope Studios at the time he was making Passion.

A short documentary on the Francis Ford Coppola musical One From the Heart.

A behind the scenes look at Bernardo Bertolucci’s classic film about the dark side of the sexual revolution: Last Tango in Paris, starring Marlon Brando and Maria Schneider.

The relations between Parma and cinema were so strong for almost the whole of the twentieth century that this city became an early laboratory of ideas and theories on cinema and a set chosen by some of the greatest Italian authors and beyond. Furthermore, a considerable number of directors, actors, screenwriters and set designers were born in Parma who have made their way internationally, testifying to the fact that in this small city in Northern Italy there was a decidedly cinematic air. Red armchairs takes up the thread of this story, wondering why, unique among the Italian provincial cities, Parma has given so much to the cinema, accompanying the viewer on a journey backwards that from the first projections of the Lumière cinema reaches the ultramodern experience of new multiplexes. During this journey we will meet the characters who created the conditions for this diffusion of cinematographic culture in Parma.

A documentary chronicling director Paul Schrader's ride through hell and back while making film history with his prequel to The Exorcist. Schrader, after being fired from the production and his version of the film shelved, is brought back 2 years later to complete it on a shoestring budget. In true cinéma vérité style we watch as Schrader and editor Tim Silano work all the angles to get the film on its feet and over to Europe for the world premiere.

Documentary about Vittorio Storaro, cinematographer of Apocalypse Now, The Last Emperor, Reds, Il Confimista, 1900. Vittorio Storaro talks about his work, along with collaborators like Warren Beatty and Bernardo Bertolucci and peers like Nestor Almendros. On-set footage from Dick Tracy and The Sheltering Sky. Storaro explains his zany theories about light and colour, and gives a potted history of lighting in the cinema. Sublime.

Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

The career of the famous production designer Miljen Kljaković – Kreka and reveals all the beauty and importance of film scenography.

Interviews with Franco Nero and Vittorio Storaro about the film The Fifth Cord.

Cast and crew of "Reds" revisit their memories and stories while making the film.

A talk show presented by Michel Drucker