Ernesto Malbrán

Santiago, capital of Chile during the Marxist government of elected, highly controversial president Salvador Allende. Father McEnroe supports his leftist views by introducing a program at the prestigious "collegio" (Catholic prep school) St. Patrick to allow free admission of some proletarian kids. One of them is Pedro Machuca, slum-raised son of the cleaning lady in Gonzalo Infante's liberal-bourgeois home. Yet the new classmates become buddies, paradoxically protesting together as Gonzalo gets adopted by Pedro's slum family and gang. But the adults spoil that too, not in the least when general Pinochet's coup ousts Allende, and supporters such as McEnroe.

A group of tenants facing eviction due to a city renovation unite to fight back, but as they clash with the landlord and his ruthless attorney, they each transform into the opposite of who they once were.

55 yaşındaki Mario, bir morgda otopsi raporu sekreteri olarak çalışan biridir. 11 Eylül'de gerçekleşen darbe ile; oldukça hoşlandığı komşusu kabare dansçısı Nancy gizemli bir şekilde ortadan kaybolur. Ailesinin evine düzenlenen bir baskınla da kardeşinin ve babasının Salvador Allende destekçisi birer komünist oldukları gerekçesi ile tutuklandıklarını öğrenir. Allende hükümetinin düşmesiyle yaşanan kargaşada birçok insan sokaklarda insafsızca katledilmektedir ve ordu Mario'nun çalıştığı morgu zorla zaptederek cesetleri buraya yığmaya başlar. Mario'nun aklında olan tek şey ise aşık olduğu Nancy'i cesetler arasından bulabilmektir ve bir gün...

Lota, 1897. In the depths of the largest coal mine in the world, a great rebellion is brewing inside a man's heart.

Niki and his friends are members of the marginalised underclass living on the outskirts of Santiago. During Chile's transition from dictatorship to democracy (1988-1990), they forge a path from drug- and drink-fuelled nihilism and petty crime into the world of market-driven illegality and Niki begins a seemingly predestined relationship with the middle-class "loca", Manuela. Memorable episodes and characters, quotable dialogue and a mix of earthy national portrait and surrealistic flourish make this one of the key Chilean films of the Nineties.

This was a man. He lived with his mother. He cared a manor house in the countryside of Chile. One day the man found a bone in the garden. The bone was bored. That was a bone flute. The man with the flute music play. And music song became. The voice of the song begging to seek the other bones of his scattered body. The man and his mother were in those ways of God and hell, looking for the bones that make up the skeleton of that Christian. And give him a Christian burial. And they saw what they saw, they lived what they lived. Many stories lived. And although they did not tell anyone, others told them.

This was a man. He lived with his mother. He cared a manor house in the countryside of Chile. One day the man found a bone in the garden. The bone was bored. That was a bone flute. The man with the flute music play. And music song became. The voice of the song begging to seek the other bones of his scattered body. The man and his mother were in those ways of God and hell, looking for the bones that make up the skeleton of that Christian. And give him a Christian burial. And they saw what they saw, they lived what they lived. Many stories lived. And although they did not tell anyone, others told them.