Bruno S.

The film follows Kaspar Hauser, who lived the first seventeen years of his life chained in a tiny cellar with only a toy horse to occupy his time, devoid of all human contact except for a man who wears a black overcoat and top hat who feeds him.

Film Bruno'nun Berlin'de bir hapishaneden tahliye olma sahneleriyle başlar. Hapishane müdürünün sert nasihatlerinden Bruno'nun bir alkolik olduğunu ve işlemiş olduğu bütün suçların alkolizmden kaynaklandığı anlarız. Müdürün alkolden uzak durması gerektiğiyle ilgili uyarılarını kayıtsızca dinleyen Bruno, dışarı çıkar çıkmaz gördüğü ilk bara dalar. Burada iki kadın satıcısının darp ettiği Eva adlı bir fahişeyi teselli eder ve evine davet eder. Evde onları çok yaşlı komşusu Scheitz karşılar. Bruno'nun yokluğunda evine göz kulak olmuş olan bu ufak tefek eksantrik ihtiyar eski bir bilim adamıdır ve Almanya'daki hayatından bıktığı için Wisconsin'e, bir araba tamircisi Amerikalı yeğeni Clayton'ın yanına göçmeyi planlamaktadır. Bruno ise sokaklarda akordeon çalarak hayatını kazanmaya çalışır. İki kadın satıcısının Eva'nın izini bularak eve gelmeleri ve tacizlerini sürdürmeleri üzerine ihtiyar Scheitz Bruno ve Eva'ya Amerika'ya birlikte gitmelerini önerir.

Interview film with German director Werner Herzog revisiting the films he made up to ca. 1977.

The gentle inhabitants of a quaint Berlin apartment house, damaged by the Second World War but possessing an elegance of its own, love the place where they live, with its motto Liebe das Leben-Lebe das Lieben (Love Living, Live Loving) emblazoned above the door. Their love for it only increases when they learn that it is threatened by a bank redevelopment project. Among the apartment-dwellers are an elderly couple (Brigitte Mira and Erhardt Dhein) who have toured the world together.

Larry is a misfit stranded in Berlin, the pilgrim capital of the lost and haunted. Whatever he does goes wrong. Yet he still can't help acting like a smartass in order to make him feel self-important about his desolate life. But Larry's life is on downward spiral… Pressurised by his girlfriend Lilly, who drives him crazy with her obsession about having a baby, threatened by Kokser, a man to whom he owns money, and trying to dodge an ominous preacher called Klaus, who takes the words of Bible as literal truth, Larry seeks help from Bruno, a homeless drifter, crossing the border between dreams and reality...

Bulgar yönetmen Konstantin Bojanov'dan karanlık bir yol filmi... Kamen otostop çekerken Avé ile tanışır. İkisi de Bulgaristan'ın kuzey doğu sınırındaki Ruse'ye gitmeye çalışmaktadırlar. Kamen başta tereddüt etse de birlikte otostop çekmeye başlarlar. Bir arabaya bindiklerinde Ave sanki daha önce tanışıyormuşlarcasına hikayeler anlatmaya başlar. Yalanların dozu arttıkça Kamen de gitgide öfkelenir.

Lutz Eisholz’s first feature film was produced at West Berlin’s German Film and TV Academy. In an experimental documentary he portrays the working class outcast Bruno S., who prowls the city as a street musician, performing his own songs. The film unfolds Bruno’s story: abandoned by his mother as a child, he was maltreated in correctional institutions in Nazi Germany. On release after WWII he found work but started performing at the same time as a self-taught musician and poet. Although incapable of “normal” human bonding, he was still able to rejoice in life. When Werner Herzog saw this film he recognized Bruno’s potential and hired him to play starring roles in The Enigma of Kaspar Hauser (1974) and Stroszek (1977).

A portrait of Bruno S., who became famous as an actor in Werner Herzog's films The Enigma of Kaspar Hauser and Stroszek and was forgotten all too quickly.

Bruno S., musician and actor in several films by Werner Herzog (Kaspar Hauser, Stroszek), leads us round along the former front lines in Berlin. A film about the division of a city.

Documentary about Bruno Schleinstein (Bruno S.) and his art, in which he experiments with a newly acquired laptop and scanner

Midi Première is a French variety show presented by Danièle Gilbert, directed by Jacques Pierre and broadcast from January 6, 1975 until January 1, 1982 on TF1. The program was generally broadcast between 12:15 p.m. and 12:55 p.m., then giving way to the 1:00 p.m. TV news. However, the broadcast schedule could change, depending on the guests, and the setting where the recording of the program was shot. Certain performances by artists who have become cult like the one where Ringo jostles with a demonstrator in interpretation (1977), that of Dalida with the title There is always a song with the soundtrack that does not start, twice, at the right speed (1978), Claude François and his Clodettes, who, in the provinces, are unable to join "the set" in order to interpret his song, the latter being taken by the crowd of delirious fans (summer 1977) . The group Supertramp performed there with the title "Dreamer" on March 8, 1975.