Mei Fang

Üç yıllık sürgünün ardından evine geri dönen genç kadın ustası tarafından kuzenini ve beşik kertmesini öldürmesi için görevlendirilince kuzeni ve onu yetiştirenlere duyduğu sadakat arasında seçim yapmak zorunda kalır. Genç kadın 13 yıl sonra ailesiyle, anılarıyla ve uzun yıllar bastırdığı duygularıyla yüzleşecektir. Rahibenin kölesine dönüşen Yinniang'ın iki seçeneği vardır: Ya sevdiği adamı feda edecektir ya da erdemli suikastçıların kutsal yolundan sonsuza dek sapacaktır.

Filmde, tek bir aile üzerinden Tayvan tarihinin en karışık dönemi anlatılıyor: Japon istilasının bitmesine tanıklık eden dört yılı, anakaradan yapılan toplu göçleri, ve sıkı yönetimin ilan edilmesini konu alıyor...

Tayvan'ın ekonomik kriz yılları... Film ana eksenine 30'lu yaşlarının ortalarında eski bir beyzbol oyuncusu Lung ve onun okul yıllarından beri birlikte olduğu sevgilisi Chin'i ele alıyor. Lung gençliğinde sporda istediği başarıyı yakalayamamış, daha sonra ticarete atılmış, kırgın ve kızgın bir adamdır. Chin ise karşı taraftan beklediği ilgiyi göremeyen, bu boşluğu evli iş arkadaşıyla yakınlaşarak gidermeye çalışan bir kadındır. İkisinin de en büyük hayali, Amerika'ya gitmektir...

An autobiographical film based on Taiwanese director Hou Hsiao-hsien's memories of his youth growing up in Taiwan after emigrating from mainland China.

In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.

A coming-of-age story about a young brother and sister whom spend a pivotal summer in the country with their grandparents.

Two friends who haven't seen each other for thirteen years reunite. One is a successful concert pianist just back from a European tour and the other has just started a new business.

10+10 is a project initiated by the Taipei Golden Horse Film Festival to demonstrate the solidarity between Taiwanese film-makers. 20 directors are invited to make a 5-minute short film each on the theme of the “Uniqueness of Taiwan,” but allowed total freedom in all other aspects.

A substitute teacher from Taipei arrives in a country village to teach a class of mischievous students. He soon falls in love with nature, country life and a fellow teacher at the school.

A-yuan and A-yun are both from the small mining town of Jio-fen. They move to Taipei, where A-yuan is an apprentice by day and goes to night school, and A-yun works as a helper at a tailors. Everyone thinks they are meant for each other, and so do they. They fail to see time and fate are beyond their control.

The daughter of a wealthy man takes French lessons so she can go to France with her fiancée, but ends up falling for a poor man who studies civil engineering.

A crime drama directed by Cheung Chi-Chiu.

An actress preparing to play in a historical epic is terrorized by someone faxing her pages from her stolen diary; has colorful flashbacks of her affair with a now-deceased man; and imagines black-and-white film-within-a-film scenes of the movie she is about to appear in.

A photographer travels with her boyfriend to a seaside village in Penghu. There she strikes up a relationship with a blind man. When they reencounter one another back in Taipei, where he is preparing to undergo an operation to restore his sight, their connection intensifies.

On Chen Ah Shui's wedding night, his bride was kidnapped by a jiaoren, the merpeople from Chinese mythology who produce pearls from tears. He promises the village chief to capture one alive. He sets sail to a small island in the South China Sea and finds out the true reason for the jiaoren's violence toward humans.

Taiwanese romantic drama set in a mining town starring Brigitte Lin.

Romantic drama by Karen Yang Chia-Yun

A tale of two islands and growing up as a stranger in a strange land, told with an artistry that recalls Hou Hsiao-Hsien at his best. Based on Ryunosuke Akutagawa’s short story of the same title (1922), Kawaguchi’s film moves the original early 20th-century Izu Peninsula to present-day Taiwan, where the strength of family ties is singularly put to the test. Yumiko (Machiko Ono), who married against her parents' wishes, has struggled on in stubborn determination since her husband’s death, moving her family from their Tokyo home to the verdant, rural Taiwan village of her in-laws. Her son Atsushi, strongly conscious that in ethnocentric Japan he is "different," is in a state of rebellion against both the society in which he has grown up and his mother. In their new home the family rediscovers the bonds that unite it.

A girl, who was sold by her stepfather at the age of 14, has had been a prostitute for 14 years. Her family, despite enjoying a comfortable life with her help, avoids her. She thus decides to have a son of her own and succeeds by sheer determination. She is now hopeful that her son will have a life better than hers.

Color blind girl A-Kuei feels alienated and misunderstood. She is raised by her grandmother who would rather believe she is possessed than hear her feelings. The only person in the village who understands her is her bookworm cousin A-Hsien. He tells her that there is an island far away in the South Pacific where everyone is also color blind due to a genetic mutation.

More than just naughty, they play tricks on classmates, tease girls at school, fight with other boys, and lie to everyone until their teacher breaks down. They are named Liar No. 1 and Liar No. 2. The most important act planned in their life is to go to the mysterious water park, where they can leap through the portal at the end of the water slide to the fairy-tale world OZ and live as grown-ups happily ever after. However, the commitment is torn by a careless betrayal.

Cop Abula arrests a pregnant illegal immigrant, Xiao Qing, who came from mainland China to look for the father of her baby. Upon arrest, Xiao Qing gives birth to a baby girl in the police station, causing disorder in the place. Abula takes care of her and even helps to search for the father. On the other hand, Abula has to face other worries, like the problem between him and his son, Ah Yi. In addition, there is the Mafia who makes life difficult for Abula as he refuses to accept bribery. In the end, Abula resorts to the improper way of solving the problem, resulting in a hilarious ending to the story.

A Taipei doctor and a San Francisco engineer swap homes in a daring pact, embarking on journeys filled with trials, secrets and unexpected encounters.