Emmanuel Mouret

Günümüz modern ve karmaşık kadın-erkek ilişkilerinin masaya yatırıldığı romantik komedide ilişkilerin çıkmaz sokakları ve bolca aşk üçgeni mevcut. Eğlenceli aşk aksilikleriyle dolu filmin yönetmenliği ve senaristliğini de üstlenen oyuncu Emmanuel Mouret bize “aşk sanatını” öğretiyor.

Kadınlar karşısında iki kelimeyi bir araya getiremeyen utangaç Clément, mucize eseri hayranı olduğu Alicia adındaki güzel oyuncuyla birlikte olmaya başlar. Tam da hayatta başına bir kez gelebilecek bu olayın keyfini sürecekken sevgilisinin oyunlarından birinde genç ve güzel Caprice ile tanışınca tehlike çanları çalmaya başlar. Acemi bir çapkın olan Clément ne kadar uzak durmak istese de, Caprice'in ona olan ilgisi gitgide artar. En yakın arkadaşı Thomas'tan tavsiye isteyen Clément, olaylara onun da dahil olmasıyla kontrolü iyice kaybedecek, tesadüflerin ve yanlış anlamaların arasında doğru yolu bulmaya çalışacaktır.

When Gabriel and Emilie meet by chance, he offers her a ride, and they spend the evening talking, laughing and getting along famously. At the end of the night, Emilie declines Gabriel's offer of "a kiss without consequences". Emilie admonishes him that the kiss could have unexpected consequences, and tells him a story, unfolding in flashbacks, about the impossibility of indulging your desires without affecting someone else's life.

Genç ve hamile kadınlara yardım etmeye gönüllü bir kuruluşun başına her gün farklı olaylar gelmektedir.

Ariane is convinced that her boyfriend, Jean-Jacques, is having fantasies about another woman, Élisabeth. In an attempt to save their relationship, Ariane encourages Jean-Jacques to pursue Élisabeth, believing that this is the best way to free him from his own desires. Jean-Jacques presents himself at Élisabeth's house, not realising that she is the daughter of the French President.

Apprentice director Emmanuel Mouret submits a group of apprentice actors to a series of experiences: to what extent are they ready to expose themselves, either physically or psychologically, in the eyes of their director first, and then of the viewers?

For a residency organized by the University, Miranda Ackerman, a writer, returns to Caen where she lived a decade earlier. She is astonished to discover that the University is hosting her in the very house where she lived with Richard, her partner at the time. Richard now teaches at the university. As they reconnect, she begins to be disturbed by presences in the house.

In Paris, the emotional and professional tribulations of a musician and his roommate. Freshly installed in Paris, David, a shy and clumsy musician, falls madly in love with his student, Julia. He tries everything to seduce her. His roommate, Anne, encourages, advises, and consoles... passionately!

Mevsimlerden yaz mevsimi... Denize yakın,sessiz,sakin bir ev... iki genç kız... Fleur, Marsilya’da yaşayan utangaç bir parisli genç kızdır ve alımlı,ateşli fakat kaybolmuş bir Rus kızı olan Venüs ile tanışır. ikisininde ilişkileri yoktur, ideal erkeği beklemeyi dilerler. Fleur , ağırbaşlı çekingen pek sosyal olmayan bir kız, aşkı bekleyen aksine Venüs, dışa dönük sosyal bir tanrıça, aşkı vahşice arayan. Aşkı beklemek mi doğru yoksa onun peşinde koşmak mı?

Three female friends recall their misadventures (more sexual than cinematical) attending the Locarno Film Festival.

Everything would be perfect between Stéphanie and Clément if only he would accept to walk before her naked.

Lucie makes her living selling bathing costumes on the beach at Marseilles. She would like that her ten-year long boyfriend, Lucien, becomes her best friend. But this requires truth. For Lucien, newly made secret agent who has to play a young idler, it is mission impossible. Even more so when a young american beauty will ask him to initiate her into sensual pleasures.

Two twenty-somethings from Latvia meet in the south of France. Leo studies restoration, Anna has lived in Marseille for some time and works as a hairdresser. Also, she looks very much like the image of a girl that Leo has uncovered restoring an altar painting.

Caresse, a young woman, tells a former classmate a dream that deeply troubles her.

As long as there is cinema, LE CERCLE will be there. It is the only television program of critical debates 100% devoted to cinema. Each week, it offers fiery, joyful and non-condescending jousts on the films on the bill; and invites with "Le questionnaire du CERCLE" directors to come and share their passion for cinema.