Eddie Chen

The childhood exploits of the 4 adolescent Hsu brothers orbit around the family's love and indulgence of their spoiled youngest son.

Based on a real murder case where a dismembered corpse of a murdered 16-year-old prostitute girl was found in Hong Kong in 2008.

The decades spanning story of two very different policemen who rise to power in Hong Kong during British rule, and end up at odds with both organised crime groups and the anti-corruption unit vowing to bring them down.

A father seeks revenge from a gang of thugs who raped his daughter and murdered his son.

A killer wears women's clothing and stalks women that wear white fish-net stockings

After a couple purchases an antique vase at a market, the woman is possessed and killed by a demonic creature. Twelve years later, the demon returns to possess the woman's nephew and wreak more havoc.

Contains four separate stories about modern love and lust relationships.

An undercover cop goes deep undercover to inside one of Hong Kong's most notorious Triad gangs only to find him getting consumed by a life of crime and seediness.

Chan Chuen directed this story about the many problems besetting Hong Kong youth when they reach that "energetic" age of 21.

A gang of several girls who operate as pickpockets in a busy and popular tourist area of Hong Kong preys on men who are attracted by their beauty.

Piao resigns from his job as a mechanic in disgust, after the boss grovels to that ubiquitous stock character of HK action movies, a belligerent American. Piao joins a gang and quickly takes over, leading them into a robbery which unexpectedly nets a huge shipment of guns, which "belong" to an associate of the 36th Tong. This event also brings Piao in contact with the sworn enemy of the head of the 36th Tong.

Young punk Eddy Fong is having an affair with Joyce Ho, who is unhappily married to dull and middle aged office manager Ho Sun.

After years of running away avoiding her drug kingpin father and family, she returns to assume her position in the family. A mysterious woman appears claiming she is also a sister of the family. A prodigal daughter who came back to settle a score for something that has happened two decades ago.

Chief B (Danny Lee) is an unconventional CID member who relies more on instincts rather than by the book to resolve situations. He's a down-to-earth fellow who's a mamma's boy, not too well-educated, and an outstanding member of the CID. Police Officer Kit (Eddie Chan) has just been promoted from the rank-and-file to CID, and at the same time is studying for the test to become an Inspector. Chief B takes him under his wings to investigate numerous gang-related cases. Kit, previously a by-the-book type of police officer, learns a lot from Chief B.

Chen is a dedicated social worker who has allowed her job to dominate her personal life. Inadvertently, she neglects her devoted husband Lo-Wei and their young son. Although he dislikes his wife's patients ("they're just street trash"), Lo-Wei is tolerant of his wife's workaholic situation and he takes the opportunity to develop a strong unity with his son, Chia-Pu. Then, Lo-Wei's sister offers to babysit the child while the parents respond to an emergency case. While they're gone, one of Chen's "delinquents" breaks into the house and rapes the sister. During the assault, baby Chia-Pu climbs out of the window and falls to his death. Lo-Wei is over-the-edge with grief. His brain snaps. He withdraws into himself, except at night when he stalks the "street trash," gruesomly killing them...

Ling's parents has been separated when she was small, however, she always miss her brother, Ding. Ling's boyfriend is a social worker. One day, he sees a youngster who looks like Ling's brother and loves drinking cream soda and milk. Nevertheless, Ding doesn't want to meet his sister..

As befits the telling of the story of perhaps the most universally beloved hero of modern-day Chinese history Dr. Sun Yat-Sen (1866-1925), this lavishly produced biographical film uses techniques culled from Chinese Opera to dramatize the great man's political history. Concentrating on the period following his rise to political prominence in 1894 until his death in 1925, the movie is couched in terms of heroes who look heroic and villains who look villainous. Huge numbers of extras and vast battle scenes dot this production, and well-known Hong Kong and Taiwan-based movie stars appear in many cameos.

After her six year old son is kidnapped, a successful fashion designer must work with a detective to clear up the terrifying mystery and get her son back.

Eddie Chan plays Fa, a psychotic loser, always between jobs, who never seems to have his prerogative s straight. His girlfriend at the time, Ah Hsia (Chiang Li Ping) even starts to think he is psycho and decides to call off their relationship. Fa, being a psycho that he is, is unable to take the word "no" for answer as he constantly hounds Ah Hsia and her family and practically stalks her. (Why doesn't Ah Hsia knee this guy in the nuts??) Worse comes to worst, as Ah Hsia cannot stand Fa any longer and practically disappears off the face of the earth and starts another life, albeit in Hong Kong, but far enough from the crazy Fa. Fa, still thinking of Ah Hsia, manages to get involved in a relationship with a PR girl named Hsing (Elaine Kam), to soothe over his desire for a female companion. Eventually, Fa spots Ah Hsia again, and this time he will not let her go. Man! This Fa is crazy.

Hong Kong horror film.

In this gossipy film, the rise of several well-known Chinese actresses to local movie prominence is recounted, although in fictional form. Their encounters with well-known Hong Kong business and film celebrities are alluded to as well.

Ah Wei used to be a policeman but his many battle scars and bullet wounds have demoted him to the daily grind of a sercurity guard. His existence is anything but boring, however, as this Hong Kong film like all the others, thrives on shoot-outs, chases, and enough violence to keep an audience awake.

In anger, a toy factory owner throws a sub-standard toy car out the window of his sweatshop. The toy nearly hits schoolgirl Siu Ching, but she is saved by the fast response of Fatty Cheng. Siu Ching's eighth birthday soon arrives, but her ill and overworked mother has a sudden attack, and Siu Ching must go out in the rain to buy more medicine. By coincidence, the managers of the same toy factory are in the car who knock her over on the road and then run away, without reporting the accident. The little girl is killed, and her mother dies in grief. Fatty Cheng accuses the factory people, who are his bosses. Then, one by one, Siu Ching's ghost wreaks horrible revenge on them.

The Taipei Golden Horse Film Festival and Awards (Chinese: 台北金馬影展; pinyin: Táiběi Jīnmǎ Yǐngzhǎn; Pe̍h-ōe-jī: Tâi-pak Kim-má iáⁿ-tián) is a film festival and awards ceremony held annually in Taiwan. It was founded in 1962 by the Government Information Office of the Republic of China (ROC) in Taiwan. The awards ceremony is usually held in November or December in Taipei, although the event has also been held in other locations in Taiwan in recent times