Paul Livingston

John Murdock, bir sabah nasıl geldiğini bilmediği yabancı bir otel odasında uyanır ve vahşice işlenmiş cinayetlerin katili olarak arandığını fark eder. Hafızasını kaybetmiş olduğu için cinayetleri işleyip işlemediğini dahi hatırlıyamamaktadır. Yeraltında yaşayan garip canlılarla karşılaşır. The Strangers olarak tanımlanan, zamanı durdurma ve dünyanın fiziksel yapısını değiştirme gücüne sahip olan bu yaratıklar, direkt olarak insan beynine hakim olabilmekte ve olayları istedikleri şekilde yönlendirebilmektedirler. Bu yaratıkların bir şekilde yokedilmesi gerekmektedir ve bunu yapabilecek tek kişi de Murdocktur. Esrarengiz Dr. Schreber'in yardımıyla bir adım ileri giderek çocukluğundan ve karısı Emma ile ilgili anılardan birşeyler hatırlamaya başlayan Murdock, bu anılar sayesinde suçlandığı cinayetlerle ilgili kendisine yardımcı olacak bir takım ipuçları elde etmeyi başarır.

Küçük bir domuzcuğun çobanlık kariyerini gözler önüne seren Bebe'nin (Babe) devamı niteliğindeki filmde bu sefer yönetmen koltuğunda George Miller yer alıyor. Müzikleri ile Oscar'a aday gösterilen filmde küçük domuzcuk çiftçi Hogget'a (James Cromwell) yardım etmek için bambaşka bir maceraya atılacak. Çobanlıkta gösterdiği üstün başarı sayesinde sahibine çok şey kazandırmış ta olsa çiftliğin geleceği tehlikeye girince Bebe, New York'a yola koyulur. Burada hem çiftliği kurtarmak için uğraşacak hem de yeni arkadaşlar edinecek.

Şimdiye kadar karşılaştıklarınıza benzemeyen, bir bahçe dolusu çekici kahraman karşınızda! Çiftçi Hoggett, köpek Fly, çoban köpeği sevgilisi Rex, ördek Ferdinand, Hoggett çiftliğinin en son üyesi Maa ve son derece olağandışı bir Yorkshire domuz yavrusu olan Babe...

In 1999, a woman's life is forever changed after she survives a car crash with two bank robbers, who enlist her help to take the money to a drop in Paris. On the way, she runs into another fugitive from the law — an American doctor on the run from the CIA. They want to confiscate his father's invention – a device which allows anyone to record their dreams and visions.

The buttoned-down, superstitious Kay is attempting to lead a normal existence with her new boyfriend Louis. That’s until Sweetie, her rampaging, devil-may-care sister, returns home after an absence, exposing the rotten roots of their family and placing a strain on Kay and Louis’ relationship.

Cumberland, 1348. The plague is spreading in medieval England. The remote village of little Griffin is also threatened. But the 9-year-old boy has a recurring dream that holds the key to a tiny hope of survival: a lake with a coffin floating on it. A white church with an iron cross. A falling glove. A falling silhouette. A torch tumble through a dark shaft into infinity. With his brother he recognizes in it a prophecy to escape the Black Death. So they embark with a few men on a journey to a distant cathedral, where they want to set up an iron cross as an offering to God. Her path leads them through a deep and dark mine shaft into an unknown land and completely outlandish time - into the present-day New Zealand of the 1980s.

Judy Davis’in canlandırdığı Joan Fraser, 1950’lerde fanatik bir komünisttir ve Joseph Stalin’e (F. Murray Abraham) hayrandır. Stalin’e yazdığı mektuplar dikkat çeker ve Moskova’ya davet edilir. Orada Stalin’le bir gece geçirir, Stalin aynı gece ölür ve Joan hamile kalarak Avustralya’ya döner. Çocuğunun babasının Stalin mi yoksa aynı gece birlikte olduğu ajan Nine (David Ogden Stiers) mı olduğundan emin değildir. Joan, oğlu Joe’yu (Richard Roxburgh) devrimci ideallerle yetiştirir, ancak Joe annesinin sol siyasetine isyan eder ve polis sendikası lideri olur, Avustralya’yı 1989’da iç savaşın eşiğine getirir. Mockumentary tarzındaki film, absürt komediyle politik taşlama sunar. Judy Davis’in performansı ve güçlü kadro (Sam Neill, Geoffrey Rush) öne çıkar, ancak yavaş tempo eleştirilmiştir.

Everyone loves Babyface and everyone loves to hate the Heel. However, feelings are not so clear inside the wrestling ring. As the final showdown unfolds our two favourite personas must grapple with their feelings in an attempt to rewrite their own storyline.

A satirical take on a modern day Ned Kelly who is forced to Hollywood in order to make enough money to save his family's land. As it goes against his belief, he cannot simply rob banks for his own benefit (all money goes to the poor). Ned is forced to find another way to come up with the $1 million required to save his family island.

In a post-apocalyptic world, a group of children move from one uncertain world to another in their quest for sanctuary.

A very clumsy man and his UFO-obsessed girlfriend discover a plan made by his boss to market eggs laced with nicotine.

Bob's got a problem. He spent most of his childhood indoors. His Aunt Eileen didn't see the sense in him hangin' around with other kids, bringin' home their germs and filthy ideas.

Four unsuspecting victims are hurled into a twisted and altered reality: ... a young woman tries to flee a hit-and-run with destiny... an ex-ballroom champion hides a mysterious secret from the past in his bedroom... a routine job for a hitman takes an unusual turn... and a woman finds herself trapped in a train station with a bizarre railway clerk. All four soon discover that their preconceived notions of reality couldn't be further from the truth.

Five friends set off on an adventure in a small boat. They discover a mysterious island, where, one by one, they die a terrible death.

Stories of the bizarre and the supernatural, as introduced by Bryan Brown. Sometimes serious, often comical, but always with a twist at the end of the story.

Good News Weekend, a ten-week special, focussed more strongly on popular culture than the news and frequently featured musical guests and stand-up performers. The shows were broadcast live, with the exception of a few prerecorded sketches. From Wikipedia.

This two-part series chronicles the story of the Doug Anthony Allstars. For the first time they confront how Tim Ferguson's Multiple Sclerosis (MS) has impacted on their friendships at each step to international stardom.

The Sideshow was an Australian television programme that was broadcast on ABC TV in 2007. The show was a mixture of stand-up comedy, sketches, live music, circus stunts, cabaret and burlesque. The hour long show was hosted by Paul McDermott. It reused the multiple-stage presentation style of the short-lived ABC show The 10:30 Slot, and remnants of the set of former GNW series The Glass House. The show began its life as a family variety show, airing at 7:30 pm on Saturday evenings. After 10 episodes beginning in April 2007, it took a few months off. Returning in August at the later time of 9:25 pm allowed the show to move from a PG to an M rating, and include a more adult-oriented humour. Similar to other shows produced by GNW TV, it had a cult following, and was regularly watched by 300,000 to 400,000 viewers. The series finale aired on 1 December 2007. The show was shot in a very loose style and it was not uncommon for cameras and crew members to be seen in a shot. All floor cameras and the two Jimmy Jibs had oversized Christmas lights attached to them, and become part of the scenery rather than something never to be seen. The series was created by Ted Robinson and was a GNW TV Production. It was a recreation of a show that Robinson was a part of in the early '90s called the Big Gig and would quite often recycle the stars from that show as "guests". It was pre-recorded in Studio 22 at the ABC's Ultimo studios in Sydney on Thursday nights for air on Saturdays.

The Big Gig was a popular Australian TV comedy series from 1989-92 originally named Tuesday Night Live and based on the British TV series Saturday Live. It was broadcast by the ABC and was produced and directed by Ted Robinson, who started his career as the director of the second series of the acclaimed The Aunty Jack Show in the early 1970s and Neil Wilson who has worked for more than a decade throughout Asia and recently was consultant Producer and Director of Dancing with the Stars in Mumbai, India. Largely based around performers sourced from the thriving Melbourne stand-up comedy scene of that time, the series brought a number of new comedy acts to national prominence and made major stars of its host, stand-up comedian Wendy Harmer, who later became a top-rating host on morning radio in Sydney in the 1990s, and the regularly featured act, The Doug Anthony All-Stars.