Michal Kožuch

Frantisek Vlâcil’in, 18. yüzyıl Bohemya ormanlarında geçen, iddialı ve çok katmanlı ortaçağ epiğinin teması, paganizmden Hıristiyanlığa geçiştir. Filmde, masum, manastıra bağlı klan liderinin önder kızının (Magda Vâsâryovâ), vahşi pagan savaşçısı Mikolos Kozlik’e (Frantisek Veleck) esir düşüşü ve cinsel sömürüye maruz kalışı anlatılır.

The film is a historic parable about the topicality of revolution. 1514. The peasants' uprising is over, Dózsa has been arrested. Werbőczy tries to get the imprisoned peasant leader deny the revolution and offers him the lives of his people in exchange.

Pavel is a Czech partisan fighter in the waning days of the war. Just as peace is declared, Pavel is shot in the spine and sent to the hospital emergency ward. As he fades in and out of consciousness, he recalls the events that led to his participation in the underground. Holding German occupation commander Engelchen responsible for all the horrors and deprivations heaped upon his comrades, Pavel is kept alive by the possibility of recovering and exacting vengeance upon the Nazi officer - no matter how long it takes.

Cast out by his father, young Ondrej joins the Order of the Teutonic Knights, where he is raised by strict monk Armin. After years of hardship, Ondrej escapes from the Order when he is wrongly punished, and sets out for his former home. Arriving to discover his father to be dead, Ondrej now not only assumes control of his father's properties, but seeks to marry his former stepmother.

A story of a man threatened by a fatal illness evaluating his life (the number 322 in the film title stands for the diagnosis of one kind of cancer). He understands his illness as a form of punishment for his cruel deeds in the 1950s. In the face of reality and his efforts to cleanse himself he hits a barrier of indifference, lack of interest, and individual and collective selfishness. He has to find his own reconciliation with his illness and his past and present life.

A drama from the period of village collectivisation in 1947-1948, it depicts the life of former beggars who, after the war and land reform, acquire land and dream of becoming wealthy landlords. New social conditions, the onset of collectivisation, but also the great drought bring with them unwelcome changes.

Major Kalas from the Prague criminal intelligence service has been sent to a small town of Dubá in North Bohemia to help with the investigation of the puzzling death of a child. A gypsy boy has been killed three weeks ago and his body found under a rock. As the investigation continues, another dead boy is found. The boy has bled to death after someone cut his artery with a handsaw. Both deaths are obviously the work of a murderer - a perverted pedophile, sadist who gets sexual satisfaction from the sight of a young boy's blood.

The story of a peasant whose harshness and bluntness only provoke disputes and anger, and his honesty and sense of truth and honor in conjunction with the previous qualities only exacerbate these disputes. The Slovak village with its collective farming, confronted with the habits of a square nature, raised by private farming, creates the main plot and conflict. In parallel, there is a lyrical motif of the young generation, whose love relationships do not care about the old ridiculous anger of the old generation.

The tragic fate of a mentally disabled girl with the mental capacity of a child, who is taken in by her older brother Ondrej after her mother's death. Ondrej resolves complicated and disharmonious situations in their coexistence by telling various stories.

Štefan Padych loses a lawsuit against Šulgan, a local innkeeper to whom he owes money. Not wanting his wife and three-year-old daughter to starve, he decides to leave for France. However, after his departure, his wife Katarína Padych commits infidelity and becomes pregnant...

This five-part TV film tells the story of Jan Daňo, a shepherd, and his two daughters.