Rolando Villazón

Every evening at 6:45 p.m. sharp, a prominent guest takes a seat on the red sofa—and DAS! provides daily updates on what's hot in the north.

The Berliner Abendschau is the news magazine for Berlin.

Kim bilir? Kai Pflaume tarafından yönetilen bir bilgi yarışmasıdır. Her bölümde, Elton ve Bernhard Hoëcker tarafından yönetilen ve birbirlerine karşı yarışan iki takım var. Stüdyoda oturan seyirciler hangi takıma katılacağına karar verebilir. Bir takım kazanırsa, kazanılan para bu takımı seçen seyirci sayısına bölünür.

A long-running German-language entertainment television show based on the format of the British show You Bet! and the American show Wanna Bet?.

A late-night show featuring Northern German cabaret artist, singer and presenter Ina Müller - done "Müller-style": talk, comedy and lots and lots of music.

Durch die Nacht mit … is a German documentary film television series produced by ZDF for Franco-German television channel ARTE. Locations are mainly in France or Germany. The title of the French version is Au cœur de la nuit. Two Celebrities spend an filmed evening together. One of them is the host who sets the location and the program. There is no moderator.

Klein gegen Groß – Das unglaubliche Duell is a family game show that has been broadcast on the first channel since 2011, on ORF 1 since March 2017 and on SRF 1 since November 2020. The format is produced by i&u TV. Kai Pflaume acts as host and moderator.

On yedi yaşında bir çocuk, efsanevi Mozart yatılı okuluna gitmek için Londra'dan Avusturya Alpleri'ne gider. Orada, Mozart'ın "Sihirli Flüt"ünün fantastik dünyasına giden asırlık unutulmuş bir geçidi keşfeder.

İtalyan göçmen Francesca Cabrini, 1889'da New York'a vardığında hastalık, suç ve yoksul çocuklarla karşılaşır. Cabrini, toplumun en savunmasız kesimleri için barınma ve sağlık hizmeti sağlaması konusunda düşmanca davranan belediye başkanını ikna etmek için cesur bir misyona atılır. Kıt İngilizcesi ve zayıf sağlığına rağmen Cabrini, girişimci zekasını kullanarak dünyanın daha önce hiç görmediği bir umut imparatorluğu inşa eder.

Yıl 1914. İnsanlık tarihinin en kanlı savaşı Birinci Dünya Savaşı başlamış. Ancak Noel Gecesi batı cephelerinden birinde müziğin de gücü ile o geceye özel bir barış ilan edilir sessizce, Almanlar ve İskoç-Fransız birlikleri arasında.

Giacomo Puccini's immortal opera, in a high budget feature-film version directed by Academy Award nominee Robert Dornhelm, stars opera's 'Golden Couple', Rolando Villazon and Anna Netrebko as the protagonists, Rodolfo and Mimi. The chemistry between them is electric, unrivalled in the theatre today. Russian soprano Anna Netrebko is not only beautiful but has a marvelous voice and technique; Mexican tenor Rolando Villazon, has a wonderful voice and an incredible charisma. The director not only wanted to remain steadfastly faithful to Puccini's design but also document two of the leading singers of the modern age rather than embarking on a 'trendy' contemporary re-creation.

Massenet's opera centres on its charming but contrary heroine, the vivacious young Manon who longs for luxury and excitement. We first encounter her en route to a convent, where her family are sending her to be educated. Along the way, she falls in love with the young student Des Grieux, and, impetuously, runs off with him. She soon leaves him, however, to become the mistress of a rich nobleman. Thus begins her descent into criminality and depravity, all too soon dragging the besotted Des Grieux with her, until she is imprisoned. Despite its tragic story, the opera is full of French charm and vitality – typified by the ambiguous Manon herself. Her plight is touching because of the subtle play of innocence and calculation in her character. The score contains many sparkling arias and ensembles, moving rapidly from moods of exuberance to tenderness, with perfect dramatic timing. Recorded live at the Staatsoper Unter den Linden, Berlin, April/May 2007.

This documentary tells the story of the creation and cultural impact of the world's most famous Christmas carol, composed in 1818 in Salzburg, Austria, and since then translated into about 140 languages.

Rolando Villazón Triumphantly Returns To The Stage As Don Carlo In The 2007/2008 Royal Opera House'S Producton Of Don Carlo. National Theatre director Nicholas Hytner's new staging of Verdi's grandest-- and arguably greatest -- opera, Don Carlo, was the highlight of the 2007/2008 Royal Opera House season. This new production marked Rolando Villazón's much anticipated and triumphant return. Set amidst the political, religious and sexual intrigue of the 16th century Spanish court, this epic work tells the tragic story of Don Carlo, a virtuous young prince who is pitted against the powers of a dominant, corrupt society. First staged at The Royal Opera House in 1886, this new production is the first new version of the 5-Act complete opera to be staged at Covent Garden in 50 years. With sets and costumes by Bob Crowley, direction by Nicholas Hytner, and an enviable cast, this production of Don Carlo is worthy of the greatness of Verdi's original, masterful work.

What happens when famous directors stage an opera? Eckhart Schmidt shows successful and failed attempts.

The sensational hit of Salzburg's 2008 festival season arrives on DVD! Starring tenor Rolando Villazón in a stunning performance, this was the must have ticket of the season. Soprano Nino Machaidze, only 25 years old, burst upon the Salzburg stage with an emotionally vulnerable and vocally spectacular performance. With movie star good looks and a large, warm voice, Machaidze wowed the press and audiences alike. Tony Award winner (South Pacific) Bartlett Sher directs this production of Gounod's classic opera. With sets by Michael Yeargan and costumes by Catherine Zuber, the visually vibrant production is sure to become the benchmark. Bonus materials includes "Salzburg Impressions--Behind the Scenes of Roméo et Juliette," "Love and Death in Verona" and Villazón giving an introduction to the opera.

Violetta, a courtesan much wooed by Parisian society, organizes a grand party that is attended, amongst others, by the young Alfredo Germont. He confesses his feelings to Violetta, who is already suffering from consumption. She vacillates between genuine affection and a realistic assessment of her situation as a "fallen woman", which precludes any lasting relationship with a man. The Willy Decker production of La Traviata, recorded live at the Salzburger Festspiele in August, 2005. Anna Netrebko stars as Violetta Valéry, with Rolando Villazón as Alfredo Germont and Thomas Hampson as Giorgio Germont. Carlo Rizzi conducts the Wiener Philharmoniker.

Donizetti's L'Elisir d'Amore is one of the staples of the comic opera repertory. The plot hinges on whether earnest but dim-witted Nemorino will snag Adina, the flirtatious heroine. She's a tease who takes up with Belcore, an army sergeant, to make Nemorino jealous. After numerous (and humorous) plot twists that include a phony love potion, it all ends happily. Adina and Nemorino declare their love for each other, Belcore is dumped, and the fraudulent Dulcamara does a landslide business in love potions. It's all a fast-moving bundle of fun, especially with the star-filled cast of this 2005 Vienna State Opera performance.

This superb 2006 production of the Los Angeles Opera's La Traviata stars Renée Fleming, who joins the ranks of the elite handful of sopranos whose vocal and acting talents make their portrayals memorable. Her Violetta Valéry is a vulnerable figure torn between self-indulgence and love, sacrificing personal happiness to become a victim of the social mores of mid-19th-century bourgeois France. Fleming's acting captures the complexity of the character and her vocalism is flawless. She negotiates the wild coloratura of Act One with aplomb, and is stunning in the lyric passages that pervade the opera, and touching in her scenes with her lover, Alfredo, and his father. Her singing is free of the mannerisms that have sometimes crept into her work and at the same time she brings countless personal touches to the role, phrasing and verbal emphases that shed fresh light on the character.