Marta Rašlová

Television adaptation of F. Kárinthyho's story about how important it is to have a sense of home. The apricot jam symbolizes the home, family well-being, which the little boy Ferko, living with his parents in a Hungarian town of the 30's of the 20th century, desperately hopes for. A mother with an unfulfilled desire to become a famous pianist and a father with an even more distant dream to be a world-famous and wealthy writer to a son have no time or even a loving word. His loving companion is only Manci, who, however, leaves for misunderstanding with his lords. Ferko remains alone, disappointed and reluctant to accept the friendship of a new maid of Rózy. But he also has his great dream, and Róza will help him meet him.

In Slovakia, they often and gladly honored those soldiers who refused to serve the fascist regime and stood against it. Lieutenant Kukorelli also rejected the tempting career of a pilot, instead helping the resistance fighters and later participating in the Slovak National Uprising.

A film about the uncertainties faced by a man in post-Communist Slovakia, his relationship with a teenage son and English teacher girlfriend who's soon to return home to England.

Hayatı çıkmaza girince büyükbabasının kır evine yerleşen ve bütün gün yataktan çıkmayan Jakub, kendini ve hayatı tanımaya çalışmaktadır.

Maria, an inn keeper, is always a bride but never a wife. She meets newcomer Pierre, who disturbs the peace of the small village and teaches the locals how to enjoy life. E. Havetta's debut was inspired by naïve art, French impressionism, silent slap-stick and Western Slovakian folk traditions.

Pepe and Prengel, returning from war, meet Ester and both fall in love with the girl and live together in a deserted house. Fanatic communist, Zelmira, wants to turn their world upside-down.

A story of a man threatened by a fatal illness evaluating his life (the number 322 in the film title stands for the diagnosis of one kind of cancer). He understands his illness as a form of punishment for his cruel deeds in the 1950s. In the face of reality and his efforts to cleanse himself he hits a barrier of indifference, lack of interest, and individual and collective selfishness. He has to find his own reconciliation with his illness and his past and present life.

The Slippers of Happiness is another film made by the Slovak Film Production in co-production with West German companies based on classic world fairy tales. After Slovak folk tales [The Greatest Peck in the World, Salt Over Gold] and the works of German fairy tale writers Wilhelm Hauff [The False Prince] and the Brothers Grimm [The Land of the Thrush's Beard, Perinbaba], screenwriter Alex Koenigsmark and director Juraj Herz were inspired by the famous fairy tale by Hans Christian Andersen. It tells the story of slippers that the Fairy of Fortune enchanted so that they would fulfill every human wish and thus bring people happiness. The filmmakers humorously transferred the plot from Copenhagen to old Prague.

In the royal castle, Prince Matthias feels like a prisoner. His father forces him to get engaged to Princess Beatrix, whom he does not love. Matthias takes advantage of a chance encounter with the rogue Tomas, who is his identical double. The boys swap clothes and agree to try on each other's lives for a day. In the morning, Matej is wrongly accused of theft and imprisoned. Tomas has to stay in the castle and although he tries to convince the king that he is not the true prince, no one believes him. The two boys must face a world they have never known before, grow up and learn to take responsibility for their decisions. Their reward will be that they both find true love.

Impressionistic film based on a Maupassant story about five friends who fall in love with the same beautiful girl one summer.

Based on Hans Christian Andersen's fairy tale "Mikula and Mikulka".

Heinz is a well-stocked veterinarian in Klückow and his Jana in quite firm, although not always present hands. And now - as Aunt Alma is slowly getting rid of the concern for her beloved nephew - Dr. Kröpelin finally got his chance: he makes a marriage proposal to Alma. She would not be averse if it had not been his "bloodthirsty" hobby, the hunt. A get-together on the high seat is still not a desirable prospect for Alma. But the more she refuses, the tighter Kröpelin bites into his intention to marry her anyway, whatever the cost.

A comedy about five students who are un-justly suspected of trying to lose their virginity before their graduation. The five girls first try to defend themselves, but when they find out that nobody believes them - neither the school principal nor even their own parents - they decide to accomplish what they have been falsely accused of. And although their clumsy attempts are mostly comic, at one point they almost cause a big tragedy.

Alma Krause is the proud owner of a thoroughbred French bully. Even otherwise, she nurses and harbors several two- and four-legged friends in her apartment - just as one would expect from a veterinarian's widow. Her nephew Heinz, on the other hand, is kind of beaten. Not as for the love of animals, that would fit badly to a nascent vet, but for a small animal practice, as the blessed uncle operated, he seems to have no ambitions. A future as a "Bazillenscheuche" in the cowshed would like to spare him again Aunt Alma. And she takes her appropriate action.

Ten short unrelated stories that move chronologically through Slovakia's twentieth-century history as seen from the perspective of life in small towns and villages.

The fifteen year old Maruska starts as a new staff in the porcelain warehouse. For the boss Svetla it is the last straw. She asked to extend her staff consisting of four girls and a retired lady by a man, not a child. The kind and ever fussy Svetla, battling in vain with overweight decides to leave her position and to take another one in the office. As soon as she finds out that the position will be taken by Arnost Jarolím, she insists on a hand over inventory.

A tragicomic story about the "hug" that all the characters long for, especially sociologist Oskar, an indecisive loser whose daily bizarre encounters with old people in nursing homes lead to feelings of futility, emptiness, and loss of vital energy, which reinforce his refusal to bring a child into this meaningless world. However, his wife's desire for motherhood grows.