Sripriya

Muniyandi makes a honest living as a Rickshaw driver and supports his family consisting of his sister, Kaveri. Their lives take a turn for the worst when Muniyandi is arrested for murder and jailed for three years. Muniyandi breaks out of jail and vows to bring the real culprit to justice.

Vayasu Pilichindi (lit. Youth is Calling) is a 1978 Telugu-language film directed by C. V. Sridhar. It is a remake of his own Tamil film Ilamai Oonjal Aadukirathu (1978). Sridhar remade the film in Hindi as Dil-e-Nadaan (1982), starring Rajesh Khanna, Shatrughan Sinha, Smita Patil, and Jayapradha

Vidya, a school student, is an aspiring dancer who is neglected by her family. She faces challenges in her life when she loses her eyesight in an unfortunate accident.

Murli (Rajnikanth) and Prabhu (Kamal) are owner and manager respectively, of an advertising agency in Madras. Prabhu has been raised by Murli's family, and feels greatly indebted to them. Prabhu is in love with Padma (Sripriya), but a misunderstanding leads them apart. In the meantime, Murli meets and falls in love with Padma.

Kannan, a cab driver, is raised by his miserly uncle with no inkling of his inheritance or parentage. His kindness and humility aid him on his journey through life

Tragedy strikes a family of four when the train they are travelling in meets with an accident and separates them from each other.

Selvam, an estate manager, and his family move into a new house based in a remote village. There, Selvam falls in love with Annam, a jolly village girl. Disturbed by a ghost, Selvam's grandfather dies from a heart attack.

A rendering of the classic Arabian tale of Aladdin and his magic lamp.

A young boy belonging to a poverty-stricken family in a rural Indian village fights against several adversities caused by their selfish landlord in order to survive.

Geeta, the sister of a tailor falls in love with Kumar who belongs to an affluent family. Geeta becomes pregnant and she requests Kumar to save her honour. But Kumar has no intention to marry her.

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Manju, a modern woman who works for a male chauvinist boss, helps Arun to film a documentary on the lifestyle of women from different backgrounds. As their work progresses, he falls in love with her.

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Many contestants live in a purpose-built house and are isolated from the rest of the world. Every week, housemates nominate two of their fellow housemates for eviction.