Song Dandan

A social experiment reality show about the cultivation of an ideal community, inviting 15 guests to Taohuawu, 15KM away from the city center, to live together for 21 days, creating an ideal society in their hearts. See how they live, work, and live in harmony in friction and cooperation. It is also a journey to explore the source of material and spiritual consensus.

The show documents the simplistic lifestyle of living away from the bustling city centers. Each season takes place in a different rural part of China. The cast members are only provided with the basic life necessities and have to take care of everything else such as cooking their own meals and building their own furniture. To "buy" different cooking ingredients and other tools, they have to complete certain tasks assigned by the production crew, such as planting and harvesting crops. Different guests join the cast in each episode and help out with the daily chores. The goal of the program is to bring the audience along on a slower pace of life and to illustrate the joys of a simple lifestyle.

Xia Donghai returns to China with his son to reunite with his daughter and marries Liu Mei, a nurse with her own son. The blended family navigates different parenting styles and the mischievous behavior of their children, leading to both humorous and challenging situations.

The first Mandarin-language sitcom.

Set in the city of Beiping during the 22 days before the founding of the People's Republic of China in 1949 is a story about the drastic changes in the lives of three brothers Jin Hai, Tie Lin, and Xu Tian as well as a romance between Xu Tian and Tian Dan. In investigating the murder that claimed the life of his fiancee, policeman Xu Tian starts on a trail that will eventually lead to his involvement in the liberation of Beiping. Jin Hai, Tie Lin, and Xu Tian are three friends who are as close as brothers. In the face of historic changes and conflicting beliefs, they make choices that take them on diverging paths. Xu Tian and communist member Tian Dan meet during their lowest moments and find a common goal that brings them together.

Living the life that others want, but also finding the ideal life for yourself. A panoramic view of the internal and external crises faced by the mature generation, and a “Ukiyo-e” style opening of the warmth and sadness of Chinese families.

When your parents don’t approve of your spouse, is a happy life possible? Mi Xiao Mi is a reporter for a Beijing news agency who meets and falls in love with Jin Liang, a gynecologist. When Xiao Mi insists on marrying Liang, a “bei piao” (a non-native Beijing resident), Xiao Mi’s single mother, Wang Shu Hua, nearly has a heart attack but is forced to accept the relationship. But when living with Liang’s father, Jin Tai Zhu, turns out to be more difficult than imagined, Xiao Mi’s mother refuses to just stand by and just watch. “We Love You, Mr. Jin,” also known as “Jin Tai Lang’s Happy Life,” is a 2012 Chinese drama series directed by Yu Chun.

A daughter from a loving family learns that she has two dads when she meets her birth father in the most unexpected way and realizes that the father she knows and respects is actually her stepfather. When she graduated from university, Wang Xiao Mi has already fallen in love with the talk shows industry in China. She manages to impress investor Ke Lei during an open mic session and gets hired for a job. Wang Xiao Mi invites her parents to watch her performance. However, her mom Luo Qing catches a glimpse of Ke Lei who turns out to be her ex-husband that she hasn't seen in twenty years.

In his middle age, he is surrounded by many people. His fierce eldest daughter Ju Hua who is spoiled and stubborn, his non-blood-related second daughter Mei who is innocent and kind, his big brother Diao Da Jun who has wandered about for half a lifetime and finally, the kind-hearted Cai Su Fen who suddenly appears in his life.

It is a story about a Chinese restaurant named Furong Hall in Seoul. To extend the renting contract, Pu Shan Ji has to present excellent Chinese cuisine to convince the landlord. Pu Shan Ji quits her job and flies to China to find a brilliant chef, Master Lin, for some recipes. Unexpectedly, there is a subtle spark between them. Will Pu Shan Ji save the restaurant in the end?

859 yılı... Çin... Ülkeye hükmetmekte olan Tang Hanedanı büyük bir güç kaybına uğramış ve düşüş yaşamaktadır. Ülkenin hertarafında asilerin oluşturduğu birlikler, imparatorluğa karşı savaş açmış ve halkı örgütlemektedirler. Asi birlikler içinde en büyük olanı ve her gün daha fazla sempatizan kaybetmemiştir. Hatta kimliği belli olmayan yeni bir lider örgütün başına geçmiş ve asilerin daha da güçlenmesini sağlamıştır.Hükümet adına çalışan ajanlar, yaptıkları tüm araştırmalara rağmen örgütün yeni liderinin kim olduğunu öğrenemezler. İmparator için çalışan iki asker, Leo ve Jin, yeni lideri yakalamakla görevlendirilirler. Ancak normal yollardan sonuca ulaşamayacaklarını anlayan ikili, kendilerini House of Flying Daggers'la bağlantıya sokacağına inandıkları bir plan yaparlar. Jin, Wind adını kullanarak, isyancıları destekleyen bir savaşçı kılığına girecek ve eski liderin kızı olduğunu düşündükleri Mei ile ilişki kuracaktır...

Zhao ve Liu, ellili yaşlarında iki iş arkadaşıdır. Birlikte içki içip sarhoş oldukları bir gece, Liu ansızın ölüverir. Dostuna geçmişte verdiği sözü tutmak isteyen Zhao, Liu’nun cesedini doğduğu topraklara götürmek için Çin boyunca binlerce mil yol almayı göze alır. Yolculuk esnasında bir çok zorlukla karşılaşır. İnatçı köylü ülkeyi bir baştan diğerine kat edecek bir otobüse atlar fakat otobüs soyguncular tarafından durdurulur. Bir otelde geçirdiği gecenin ardından Zhao bu defa yolculuk için ayırdığı paranın çalındığını görür ve umutsuzluğa düşerek ağlamaya başlar. Ancak kararlılığı, gayreti ve nüktedan dili sayesinde her türlü zorluğun üstesinden gelir. Çin’in olağanüstü güzelliklerine tanıklık edeceği seyahati boyunca Zhao pek çok farklı karakter ile karşı karşıya gelecektir.

A story centered on a company that grants wishes to people looking for a day away from their ordinary lives.

A young woman in the 1920s has a hard life and learns sympathy for her own mother's situation.

Erzhi has problems managing the Bijimei Hotel.

Set in modern-day Shanghai, the film follows Lu Min (played by Xiao Bo), a high school student facing the pressure of the college entrance exam. Without a privileged background, his hopes for a better future rest entirely on getting into a top university. His mother, Fangfang (played by Song Dandan), is a thrifty housewife obsessed with winning prizes from TV quiz shows—nearly every appliance in their home comes from her efforts. His father, Dayi (played by Fu Biao), struggles to find stable work after being laid off, failing one re-employment program after another. After briefly landing a job as a bar companion, he ends up in the hospital due to poor alcohol tolerance. Each member of the family is caught in their own test of life, navigating hardship with resilience, like countless ordinary families striving to hold on.

Modern-day urban problems like unemployment and teenage depression come under the microscope. Husband and wife lose their jobs, and their daughter is under considerable stress studying for her college exams. Meanwhile, grandmother is having an unexpected romantic liaison. Will the family be able to pull together to solve their problems?

As Chinese New Year nears, a community doctor’s planned marriage to a neighbor unravels when a new arrival stirs up trouble; the three work through their issues and reconcile before the holiday.

After laying bare backward village mentalities in Bloody Morning, Li Shaohong turns her attention to China’s urban middle class. Cao is a photographer, married to an opera singer and with an infant son, caught in the usual professional morass of political compromise. His life starts to fall apart when he learns that his ex-wife also bore him a son some months after their divorce – and when the boy turns up looking for his father. Nothing wildly dramatic, just believable people in believable situations. If the ending seems a touch forced, this is nevertheless a sign that ‘Fifth Generation’ cinema is changing and coming to terms with up-to-date realities.