Caja Heimann

In the year 1646, Denmark is at peace. Only recently have the last occupying troops left Jutland, leaving behind the sad traces of iron heels. The administration has partially collapsed, the kingdom is short of money, and what money there is is unevenly distributed. This is the unusual and sad background to this unpretentious account.

She loves to ride in the bus and read smart book ... He likes to sit by the water and drink soda ... She loves to write down their thoughts on the fly and be glad that they do not end ... He likes to watch as boats come and invent passengers biography ... She loves ice cream and menthol cigarettes ... And he - horses and storefronts ... She had to roam the streets at night, even if you do not want to ... he loves the city nightlife, which helps him to dream ... and one day ... quite by accident ... They meet ... hE and SHE ...

Kjeld Petersen plays a merchant who has stolen his clothes when he is out take a dip in the Sound. He stopped by the police, and they find a call to military service in his pocket, after further complications lands him at the barracks, where he came under the loving care of 66 (Dirch compatible) and 65 (Ove Sprogø). So the stage is set for lots of fun and games, in the right old style.

In inner Copenhagen, in the real old town, in greengrocer Mortensen's property right under Tagskægget, live three good friends: painter Richard Hansen, painter Steffen, sculptor Max, and their friend Louise Mørch. All three have something very boring in common: they are unknown and penniless. Suddenly, it seems that luck is smiling on them. Charlottenborg has accepted the painting that Richard submitted. Excited, he heads to the exhibition, only to discover that the selection committee has accepted the two packing box lids he used to protect his painting, lids that he uses every day to wipe his brushes on.

Following a nuclear power debate in Parliament, a shot rings out. Was the Minister of Energy the gunman's target? And who was the would-be assassin? Police and Secret Service come under pressure to solve the case quickly. In this clearly political thriller, implications of power abuse and trampling of citizens' right are rife, but one calm police inspector brings everything down to earth.

A comedy about a Danish private detective, normally just occupied with cases about unfaithful spouses, is suddenly involved in murder, arms deal, revolution in Guateragua, briefcase full of money and the Danish intelligence agency.

Eight old school friends meet at Tove's to discuss what has happened in the last 10 years. Some have made careers, others have become homemakers, some are married and others alone. The community is intact, but what no one knows is that Tove is hiding a big, unhappy secret.

In the early 1940s, there were a couple of guys who traveled around the country from market to market with their tent. It contained only one thing: a boxing ring. The big, strong boxer challenged the local farmhands to a quick three-round boxing match and promised a large cash reward to anyone who could knock him out.

In a hospital's five-bed room—room number 13—there are five very different men with very different backgrounds: District Court Judge Winther, fashion designer Philip André, bank teller Madsen, the incorrigible burglar Herluf "Smukke Arne" Jensen, and legation secretary Konrad Konradsen. The legation secretary has done something foolish and fallen into the clutches of the blackmailer Helmer Gamtofte. He is in possession of some compromising photographs, which he keeps in a safe deposit box at the bank where Madsen works. The camaraderie that develops in room 13 becomes the driving force that prompts the district court judge to suggest that "Smukke Arne" help Konradsen break into the bank and steal the photos.

A film director sends his director and two screenwriters out into the city to find out what a film should contain in order for the person in question to want to see it. This results in many different episodes. The film includes the famous scene where Dirch Passer and Kjeld Petersen wallpaper a room.

Denmark, 1967. In the midst of a cultural renaissance, all cultured people want to support Danish cinema, especially when it receives funding from the film fund to shoot scenes on location in a bank. The respectable bankers naturally agree to play extras in their own bank and be a little cultured for just one evening. No one suspects that the film's script is the work of "Grosserer Nielsen" from Vesterport, alias "Smukke Arne." No one suspects why "Karate Smutti" is having a field day teaching physical exercises. No one suspects why little Mrs. Jensen in the attic across from Aktiebanken has two nice lodgers. No one knows why Rosa—Dad's own pet—is fussing over her window boxes in the porch. WHO relieved Aktiebanken of 2 million stray dollars is a mystery—except to Judge Vinter. But Handsome Arne and Rose are enjoying an expensive and wonderful vacation—far, far, far away from Denmark.

Herbert and Bitten live in a lovely house, happily married with two children. Herbert is a teacher at a secondary school, and he writes poetry in his spare time. Bitten is an engineer at a tie factory. Their home only functions thanks to their housekeeper, Mrs. Jørgensen. When Mrs. Jørgensen is confronted with her greatest fear—a live mouse—she leaves the home, never to return. Now there is only one thing to do: Herbert must give up his job and become a stay-at-home dad.

Hidden among the dunes on the west coast of Jutland lies HU, where fishermen struggle to earn a living. The hard and dangerous work combines HU's small population with a peculiar madness that gives free rein to emotions and intensity in all aspects of life. One day, three Copenhageners arrive in the windswept village and are both astonished and fascinated by the local free spirit.

What would you do if you found 20,000 Danish kroner? Just like that? In a woman's purse? And what if no one was looking for it? In other words, if you had the chance to pocket 20,000 Danish kroner, tax-free? Wouldn't you be tempted? The main character in this film is tempted. He is a taxi driver and has a happy family life, but he is struggling financially.

In the future, Denmark has been made a nuclear waste dump and the Danish language is banned.

When a young woman falls in love with a gown in a shop window it leads to adventure and romance exceeding even her own vivid imagination.

Claus celebrates his promotion with a night out on the town. Ebbesen wants to close a workshop and Allan gets fired. Ulla, who is bored in her marriage, rekindles her old relationship with Allan and tries to find evidence against Ebbesen's shady dealings. Ulla and Allan flee together and make plans against Ebbesen, but the police are ready for them when they arrive.

Caretaker Alf Thomsen's very effective "alarm clock" comes once again in operation, and has again succeeded in getting him up to speed, despite their incessant discussions back and forth. Everything is peaceful and idyllic. Sleeping city housing block, with the famous staircase is to embark on a new day

A different kind of Danish film about Denmark, the Danes, and everyday life in Denmark. An episodic film consisting of different storylines, which are linked together by several smaller scenes.

A just-fired chorus girl gets a ride from a rich shipowner's driver. By the time the gossip reaches the cash-strapped theater director, she's engaged to the shipowner. The girl gets promoted to the lead. Other misunderstandings follow.

In one of Copenhagen's suburbs stands a large house, a villa-like property. The house is owned by the widow Elise Thomsen, who lives on the ground floor with her adult son, Eigil. Mrs. Thomsen rents out most of the villa. On the first floor lives the author Stefan Donner with his wife Lili and their 9-year-old son, Peter. Donner is talented but poor. The financial pressure on him and his family is getting on his nerves.

The Royal privileged ferry inn in Hørby is owned and operated by the two good friends Erik Hansen and Lars Tofte. In addition to the inn they own the small ferry, which keeps them in touch with the mainland.

On his journey around the country, Volle has reached Copenhagen with his skarperbør. Volle is an old vagabond who loves his freedom everywhere in the world. His work provides him with just enough for the day and the road, and now and then a shot of schnapps as a bonus, and he does not demand more from life. A coincidence or one of the whims of fate if you will, makes Volle the foster father of 11-year-old Peter, son of the young widow Grete Jensen. Grete is in love with the young removal man Max Jørgensen and he with her. Peter happens to witness Max kissing his mother, he feels betrayed and runs away from home without a word. On the road he meets Volle and tells him a little lie that he has run away from guardianship...

The series follows the residents of an apartment building on Copenhagen's Christianshavn, as they go about their daily lives and challenges. There is Olsen, a mover with an old fashion view of the world, Clausen who runs the local pet shop, Egon the career focused assistant, their wives who work hard to keep their spouses lives together, the young couple Tue and Rikke who recently moved in, the hard working caretaker Meyer, who never puts in to much effort, and of course Emma, the innkeeper of Rottehullet, where all the important decisions are made while running up the bar tab. The series was produced by Nordisk Film for Danmarks Radio TV station between the years 1970-77. The series' first director was Ebbe Langberg, then Erik Balling and Tom Hedegaard respectively. The series was conceived by an author team of well-known Danish authors such Leif Panduro, Benny Andersen, and Lise Nørgaard.

In 1970s Denmark, the criminal police in a provincial town solve different criminal cases, when the police was dominated by men and DNA was not yet a tool in investigation.

A crime-series in six parts. A woman has been killed in a apartment. The murder squad are on the case.