Gabriela Vránová

Frantisek Vlâcil’in, 18. yüzyıl Bohemya ormanlarında geçen, iddialı ve çok katmanlı ortaçağ epiğinin teması, paganizmden Hıristiyanlığa geçiştir. Filmde, masum, manastıra bağlı klan liderinin önder kızının (Magda Vâsâryovâ), vahşi pagan savaşçısı Mikolos Kozlik’e (Frantisek Veleck) esir düşüşü ve cinsel sömürüye maruz kalışı anlatılır.

Three retired soldiers - veterans who wander the world - receive magical gifts from elves - a bottomless bag of gold coins, a hat for any wish, and a harp for conjuring giants. The soldiers, thus gifted, set off for a kingdom that is a bit strange. King Pikola lives there with his daughter Bosana, with whom Bimbác falls in love. Bosana is not only beautiful, but also treacherous and gradually deprives the soldiers of all their gifts and has them banished...

Vasek, 8 years old boy is desperate to find a new "father" for his mother.

Adventures of the "How to Rip Whale Tooth" (1977) heroes continue... The story takes place in the countryside, where little Vashko's dad takes him and his mother, and where another surprise awaits them: not only an excellent holiday in the setting of a rock town, but also the figure of a grandfather, understanding all the dangerous beliefs in the turbulent surface of the renewed relationship of the three closest people. Vasek's other wish comes true - his dad teaches him the secrets of rock climbing. This shared passion, however, causes further conflicts between the two parents - much to the chagrin of both Vasek and his grandfather.

Franěk from the mill loves Anička, the daughter of a poor widow, but his father, a miserly miller, is against their marriage. Anička turns to God for help, and soon after, two mysterious poor pilgrims visit her...

The fisherman Fuksa fishes in the creek an old bottle and he sells it to innkeeper Merta. When Merta opens it, a genie appears, who can fulfill all his wishes.

The difference in personalities and lifestyles is the core of Zdeněk Svěrák's hilarious comedy. The story of two elderly gentlemen begins in a hospital, where they are both hospitalized. Former tram driver Havlík discovers that his new acquaintance Chouň does not have an apartment and offers him that he can temporarily live with him. The latter happily accepts the offer and soon changes Havlík's proper and honorable life as a widower. The old conductor realizes that he can also live differently: cheerfully and carefree. The idyll is ruined when Chouň robs Havlík...

Marie, an active modern woman at work, has resigned herself to everything after a disappointment in life and allows herself to be completely used by her own family. The moment she comes home, she becomes a passive servant for the entire family, a good daughter and aunt. By the age of thirty-six, she has not managed to find her own happiness. Some time ago, her mother ruined Marie's wedding to architect Honza, who therefore preferred to leave the city. But Marie is determined to try to live her own life again and not let others drag her down. However, she only finds support in her father, who once betrayed his own young dreams for the good of the family. Will she find enough strength in herself to do it?

Gabriela Preissová wrote her two most famous dramas, Gazdina roba and Její pastorkyňa, when she was not yet thirty. Both were set to music and became famous. The first opera, entitled Eva, was written by J. B. Foerster, and the second by Leoš Janáček. The fame of Janáček's work greatly overshadowed the original. On the other hand, "Gazdina roba," the author's debut work, is still performed on Czech stages, regardless of the era. That is how powerful and impressive this drama is. The production by director Zdeněk Kaloč premiered at the Vinohrady Theater in May 1992. Dagmar Veškrnová endowed the title role of Eva the seamstress with warmth, temperament, pride, and tragic shadows.

The film is essentially a feature-length commercial for an exhibition to mark the 40th anniversary of the nationalisation of the Czechoslovak film industry, to be held at the Prague U Hybernu venue. The protagonists of the piece are comedians Oldrich Kaiser and Jirí Lábus, who are set to accept an award from Japanese television representatives at the exhibition. At the same time, five gangsters plot to seize a revolutionary invention devised by professor Suzuki - a super holograph, which enables any figure from television to be transported in the flesh into the real world, and vice-versa.

Sanin, an aging Russian nobleman, recalls his unfulfilled love for a simple girl with whom he fell in love during his youthful travels, but left her for a short-lived love affair with a selfish high society beauty.

Little boy considers to have discovered traces of the aliens but in fact comes across the activity of small thieves.

Thirty Cases of Major Zeman is a Czechoslovak action-drama television show intended as a political propaganda to support the official attitude of the communist party. The series were filmed in the 1970s. Each episode encompasses one year, and investigations are stylized to that year. Most are inspired by real cases. The series follows the life of police investigator Jan Zeman during his career from 1945 to 1975.

Chalupáři is a Czechoslovak comedy TV series filmed in 1974 and 1975 by František Filip.

Stories from a daily life of children attending a regular school.

Sňatky z rozumu was a Czechoslovak television programme which was first broadcast in 1968. The programme was directed by František Filip.