Nicolás Condito

It tells the story of four Jewish boys during a few summer days at the country club where their parents take them, on the outskirts of Buenos Aires, in 1993. Within the club, the four define themselves as outsiders, since they do not participate in the sports activities that are practiced there, and therefore do not fit into the logic that governs the place, being permanently bothered and mocked by the rest of the children of their age.

A separated yet self-sufficient craftswoman puts up a friend who is also separating. The hostess has three teenage children, and the arrival of her guest will interfere with their domestic harmony, apart from slowly but surely causing a hormonal surge in one of the boys.

Leo and Ana were a very happy couple until she decides to travel to Spain to try her luck as a chef and Leo prefers to stay in Buenos Aires. They separate, but four years later, they meet again.

After twelve years away, Martina and her mother travel to Villa Mercedes where their relatives live, including cousins she has not seen since childhood. Their mothers have a distant relationship due to problems in the family business. A tragedy allows the cousins to bond as they embark on a journey to reconnect with one another.

A small town, two families joined together over time. A man who does not forget the values ​​of honor and fraternal friendship. From the director of The Journey to the Sea, history proposes the coalition of two worlds or, perhaps, the same but with different ways of understanding it.

Hernán, married to Mariela, father of a son and owner of a furniture store, meets Gabriel, a young man with HIV, as a result of a car accident, whom he shelters in his home as if he were a member of the family. Various characters who, at first glance, seem to be free from prejudice, when faced directly with the disease, will have to overcome fear, lack of information, and the tendency to discriminate against this type of patient.

En una ciudad desconocida, en un edificio a través de las ventanas se puede ver el momento exacto en el que las cosas cambian. El antes comienza a ser el después y viceversa. Y nada vuelve a ser como antes. En este universo idéntico y diferente a la vez, se ve como los personajes cambian para siempre. In an unknown city, in a building through the windows you can see the exact moment when things change. The before begins to be the after and vice versa. And nothing goes back to the way it was before. In this identical and different universe at the same time, it is seen how the characters change forever.

The story tells of four moments in the lives of four women: Vera, rising journalist but dissatisfied with life, trying to be the best without knowing where; Lina, always surroended by incense and saints, looking for the love of his life in a television character; Mara Bestelli, who is artificially inseminated without telling her partner that lives abroad; and Inés, whose only goal in life is to marry regardless of the reason for this decision.

Jaime has lost his job and has to provide for his wife, son and daughter. Pressured by this circumstances, he visits his mom, who lives in an apartment he owns, to ask her to move with him so he can sell the apartment. But she is not going to cooperate. And, to Jaime's surprise, she also has a boyfriend!

Julian plans to leave a legacy to society. The murder of genocidal dictator Jorge Rafael Videla. Result of a violent society, making a decision violent, Julian run huge risks, but the key is to not become the same monster that wants to kill.

Thirty years after living in Spain, Paco returns to Argentina to sponsor the wedding of a friend. Retired and separated from his Spanish wife, he is reunited with his affections. As always, in the last thirty years, Margarita, and retired as a teacher, life creeps forward. In the wedding party, best man and Paco Margarita like in charge of catering, intersect again but not found, until he discovers a video of the party. Love truncated by the absence and her refusal to answer his letters, reborn in a search for lost time.

Unit 9 was the prison where the brutal military dictatorship held thousands of political prisoners, separating their leaders into two Death Rows, only to murder them without trial. Not only would the prisoners be murdered by the army, but their families as well. The struggle for life and dignity was renewed every day, and will, ingenuity, and humor were weapons of resistance.

Leo and María are expecting their first child and are about to move. María wants to give birth in her hometown, but Leo, upon learning that his father urgently needs a heart transplant, postpones the trip, takes him to live with him, and takes over the family business. His obsession with saving his father distances him from his own fatherhood and plunges him into a period of waiting that encompasses life, death, mourning for what was never, and the hope of what is still possible.

Merlo was the place chosen by the López Araújo for their last family vacations. The day that the holidays end and they return to Buenos Aires, the parents will be separated. And the children will alternately see their father and mother. During the holidays the wife tries to live as if they were still a happy marriage.

Buenos Aires. 1928. Midnight at the editorial department of the mythical newspaper 'Critica'. Once again, Roberto Arlt (one of the most renowned Argentine writers) must go on the hunt for a sensationalist story.

A day of fishing between a father and a son. Love, power, a failed fantasy, and a childhood song that continues to play like constant, repetitive music.

Anthology series, in which every episode introduces fictionalized versions of real cases about women who, for different reasons, ended up committing murder.

This drama based on a true story follows the Puccios, a criminal family who kidnaps wealthy people and holds them hostage in their home.

It tells the story of Julio Brigante, a prosecutors secretary of a high IQ, who goes to facts corresponding to his prosecutors office. The plot presents the cases that Brigante must reconstruct from the scene of the crime for the subsequent assembly of the judicial file. This "reconstruction" is projected from the imaginary of Brigante who, from evidence in the scene, imagines in his mind the passing of the facts.

Bingo and Luciano are brothers and lead a gang, a group of street kids with a rough past, struggling to survive day by day in the concrete jungle.