Dani Ornellas

1960’larda inşa edilmiş ve 80’lerin başında Rio De Janeiro’nun en tehlikeli mahallelerinden birine dönüşmüş, sosyal konutlardan oluşan “Tanrıkent”te organize suçun destansı tarihi. Film 60’larda iki kenar mahalle çocuğunun seçtiği iki ayrı yolu takip eder.Fotoğrafçı olma hayalleri kurar ama fotoğraf makinesi alacak parası yoktur. Öte yandan, Küçük Ze çocukluğundan beri tam bir suçlu özellikleri taşır; acımasız, akıllı ve hırslıdır. Küçük yaşta planladığı bir genelev soygunu sırasında öldürmenin tadını alır, gün geçtikçe bu konudaki iştahı giderek artar. 70’lerde Ze, sakin ve becerikli Bee’nin desteğiyle, favela’nın (mahallenin) uyuşturucu ticareti üzerindeki kontrolünü sağlamlaştırır. 80’lerin başlarında “Tanrıkent”i çetelerarası savaş sarar ve amansız genç suçlulardan oluşan yeni bir kuşak çıkıp “eskilerin” yerini almaya çalışırken, artık bir fotoğraf makinesine sahip olan Rocket, onu bu bitmek tükenmek bilmez katliam döngüsünü belgelemede kullanır...

Sosyal medya fenomeni Ana, telefonda konuşurken arabasını çarpınca huysuz büyükbabasının çiftliğine gönderilir ve dijital detoks yapmaya zorlanır.

Joana has the same dream as all young Brazilian girls in the 80s: she wants to be a Paquita, a dancer on Xuxa's TV show. Her family is wealthy, and will support her. However, there is a problem; she is black and Xuxa never had a black Paquita on her team.

Dona Hermínia will have to rediscover and reinvent herself because her children are forming new families. This supermom will have to deal with a new life scenario: Marcelina is pregnant and Juliano is getting married.

Everything seems to be going well in the stable relationship between Mari and Rafa, until Isis and Fred move into the apartment next door. The new neighbors make no secret of the fact that they are in an open relationship.

Simone is a young law student who studies criminal law and advocates for women's rights. On her free time, she's a cam girl that makes live sexual performances on the Internet. One night, she watches a video that awakens her interest in BDSM-related activities, leading her into a series of conflicts dominated by violence and eroticism.

In a dystopian future, the Brazilian government decrees a measure that forces black citizens to migrate to Africa in an attempt to return to their origins. Seeing themselves in the center of terror, two cousins take refuge in an apartment, where they debate social and racial issues, and share the same yearning for the change of country.

A science fiction and suspense feature that presents a frighteningly possible future, where things got even more out of control and what would be just a "quarantine" became the new and totally bizarre normal.

Based on the biography of Luiz Gama, one of the most important characters in Brazilian history, a black man who used the laws and courts to free more than 500 slaves. Born of a free womb, Gama was sold into slavery at the age of 10 to pay off his father's gambling debts. Even as a slave, he became literate, studied and earned his own freedom, becoming one of the most respected lawyers of his time. An abolitionist and republican who inspired an entire country.

Sisters Mirian and Mirelly were born in the interior of Goiás, but live in different cities. When their mother disappears, the two put aside their differences and come together to look for her, on a journey that could change their lives.

Centered on two young boys, an aristocrat and a native, chronicles the period in which Brazil went from colony to the center of the Portuguese Empire.

In a small town in the State of Minas Gerais, Brazil, two sisters meet again after years apart.

The documentary addresses the social erasure of black female bodies based on the personal and artistic experience of 11 black women, who debate identity, collective memory, ancestry, affections and motherhood.

Ruth de Souza inaugurates the existence of black actresses on stage, television and cinema in Brazil. She carries within her the genesis of an important part of the achievements for black women over almost a century of life. At the age of 95, surpassing 70 in her career, amidst reflections and memories, a dialogue was born between two generations of black artists, Ruth and the director.

Poet Cruz e Souza was a black man, born in the State of Santa Catarina, Brazil, where the majority of the population are blonde. He was also poor and fell a prey to the racism of his time. Died young, at 37, and dragged the great love of his life, Gavíria, into a path of great suffering.

A typical kid from the suburbs of Rio de Janeiro starts to support the team that his idol, Neymar, plays for. To his father, this is an unforgivable betrayal.

Two moments in the life of Pedro. First in 1997, he lives with his family in Rio de Janeiro and works at Gás do Brasil, a company that is undergoing a tough restructuring process, with layoffs and early retirements. Soon, privatization will come. In the second moment, two years later, Pedro lives retired in his hometown Barbosa, in the company of his childhood memories, his dog and his girlfriend. By interweaving these two moments in time, we put ourselves in Pedro's skin and experience his fears and delights.

A phenomenon of popularity in the 1960s, Wilson Simonal saw his meteoric career fall apart when he was accused of collaborating with the Brazilian military dictatorship.

Finding shelter in an abandoned mansion, a group faces the challenges of coexistence. Free from traditional power structures, the black women experience power, love, and the possibility of dreaming about the future, while the white women resist learning to help with household chores, take care of themselves, and face their mistakes. When an old threat resurfaces, however, they all must band together to survive.

In the past, as Adalberto Rangel, he met and seduced Maria Paula. With a calculated coldheart, he married her, stole her fortune, then abandoned her, unaware she was pregnant at the time. Ten years later, accompanied by her son Renato, Maria Paula plots to recover her dignity and to find justice by getting revenge against the indignities done to her.

A Padroeira was a Brazilian soap opera produced and displayed at the time of 18 hours by Rede Globo, between June 18, 2001 and February 23, 2002, and presented in 215 chapters. It was written by Walcyr Carrasco collaboration with Duca Rachid and directed by Walter Avancini, and had Deborah Secco, Luigi Baricelli, Elizabeth Savalla and Maurício Mattar in leading roles.

In 1856, the emperor Dom Pedro II lived a marriage of appearances with Teresa Cristina, with whom he was forced to marry at a young age by his parents' political alliance, having two daughters with her: Isabel and Leopoldina. He truly loves Countess Luisa, a cultured and time-ahead woman who fights for the abolitionist cause and women's rights, married to Eugenio, the emperor Napoleon's cousin. At the same time there are sisters Pilar and Dolores: the first went to a convent after her mother's death in childhood, growing up among books and dreaming of studying medicine - inspired by the story of Elizabeth Blackwell, the first doctor in the world -, while the second stayed at home to take care of her father, Colonel Eudoro, growing up repressed, illiterate and without vanity.

The colorful village of Santa Fé frequently has its peace disturbed by the conflicts between Colonel Epa and Pedro Falcão, an honest man involved in the city's politics.

Az rastlanan bir olgu sonucu hamile kalan bir kadın, iki farklı adamdan ikiz çocuk beklediğini fark eder. Ancak hem ailesini hem de sırlarını koruması gittikçe daha da zorlaşır.

A group of women gets together on social media to expose the sexual harassment they all suffered from a renowned specialist in reproductive medicine. The saga of perseverance and courage of these women begins when one of them decides to talk and reveal what was until then confined by the doctor’s office walls.

Conceição is a poor girl that left Minas Gerais in search for a new life, away from the coal ovens. She runs away on a cargo train to Rio de Janeiro, where later she takes shelter with a loving family in Rio's suburbs. She falls in love with Cleiton, a hard working and rebel young man, who grew up without a father and lives between good and evil. Conceição becomes a brazilian funk star, but she doesn't loose her pure nature, reassuring her integrity before the obstacles of life. These common people face a recurring dilemma to all of us: How to maintain your notion of justice, ethics and morals, in times of violence, inequity and decadence of values?