Hans Kern

After two students are caught doing “extra-curricular” activities in an abandoned school classroom, they plead their case to the student council. To the headmaster’s surprise, the teen lovers expose what’s really going on in their school behind closed doors....

Another Ernst Hofbauer schoolgirl exploiter in the same vein as his Schoolgirl Report films, but for this one he raised the sleaze level to new heights with non-pornographic scenes of rape, pedophilia, satanic rituals, virgin sacrifice and golden showers. Despite how it sounds, these acts are played for silly comedy rather than any harsh depictions.

A department manager has to defend himself in court against charges of harassment in the workplace. Looking back, he describes his tough day at work to the judge.

Two sisters and their lovers try to make sure their older sister is deflowered by every man in town. They make a potency pill so every man chases her, but the use of the pills turn into a disaster.

One of the many German "report" sexploitation films from the early 1970s, with the only distinction that it focuses on female apprentices instead of schoolgirls.

German sex comedy

On the street, students conduct surveys on the behavior of housewives.

An episodic battle of the sexes inspired by the best-selling book of the same name.

The young ice skating talent, Liesl, lands a part in a new Revue at the Palast Theatre simply because she is confused with someone else. In reality, the roll was to be awarded to Lu Panther, the untalented girlfriend of the theatre's owner, Wildner. After a series of accidents and little disasters, Wildner shuts down the theatre before the Revue can take place. But the Revue's director, Ernst Eder, decides shortly thereafter to present the Revue on an ice skating rink belonging to Liesl's uncle. After a successful run, at first at the Wiener Prater, the performers move on to Spain, Hungary, and a night club with a Jazz orchestra. The Revue becomes a huge success ... and, of course, Ernst and Liesl end up together, too.

A nervous private investigator, his bumbling boss, a woman in love, 10,000 Reichsmark and two reversed cases. A crime comedy directed by E. W. Emo.

The young, pretty Miriam is invited by her boyfriend to a group sex party in the club of the permissive. When she realizes what it's about, she refuses and gets into a disagreement with Joan. Joan simply leaves her in the woods. Miriam finds refuge with an open-minded couple, who initiate her into the secrets of pleasure in threesomes. Now she has a taste for it, she can live out her sexual fantasies and gets to know herself from a whole new side. Even your girlfriends, who incidentally also have it fist thick behind the ears, enjoy a real fountain of pleasure.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.