Štefan Kvietik

A family saga taking place mostly in a small Slovak village over a period of thirty years (1887–1917). The first part captures the life of Martin Pichandu in the development of his craft, masonry; in the second part, his son is center stage living in a period of socio-political crisis, which ultimately results in the first World War. After originally airing on Czechoslovakian television in 1983 as a four-part 226-minute mini-series, this production received a 163-minute theatrical release in 1984.

The plot begins in the Soviet Union showing first efforts to establish the Czechoslovak legion in 1942. The film also shows the assassination of Heydrich and the subsequent annihilation of Lidice. The main topis of the film is battles with German troops for Sokolovo.

The year is 1943. The war is raging between the Germans and the Allies in North Africa. A truck with a Czech crew, Lieutenant Navara and six soldiers, escapes from the Foreign Legion fortress. Their aim is to reach the Allies and fight against Nazism. The truck is destroyed by a German army plane, which is hit by enemy fire in its turn. One Czech soldier dies in the attack, the driver is badly wounded, and Navara has serious burns on his face. The group has very little water and must reach an oasis that is 60 km away.

"Using the same, three times repeating dialogue – dramatic conversation between man and woman – Jerzy Skolimowski from Poland, Slovak director Peter Solan and Czech director Zbynìk Brynych shot three different stories. The result was an extraordinary experiment in the world cinema, which we can call an insight in the relationships of men and women of different age groups, an analysis of love and marriage of those who are at the beginning, in the middle or going towards the end of their life."

A dramatic story of three friends happily spending time on their own in a mountain cottage in the High Tatras. On the arrival of the wife of one of them their perfect friendship is put to a test.

The heart of this dramatic story based on the novel by Leopold Lahola is the search for the principle of humanism. The story plays in a single day towards the end of World War II in a rough, snow-covered landscape where a German soldier escorts his prisoner with orders to shoot him. The background of the story is formed by the flashbacks of the partisan soldier being interrogated by a Russian commissar who wants to know all about him being taken prisoner. The German soldier Helmut Kampen escorts the captive partisan who is condemned to death but finally manages to flee. The commissar wants to know why the Germans did not kill him and accuses the partisan soldier of collaboration

Slovakian villagers towards the end of WW II are despairing as German troops fall back to their village.

In one royal forest, where coal miner Patočka lives and works, the friendly dragon Mrak settles down. The king's lackeys come across him while hunting and, terrified, go to sell the news to the king. He is currently organizing his daughter Viola's birthday party. The hunters describe the dragon in terrifying colors, and so the king concludes that the dragon will, according to tradition, want the king's daughter. So he announces a reward for killing the dragon, but no one wants to fight him. The only one who applies is the princess's favorite, the lutenist Marian, but the king does not like him, so he throws him out. Her brother Jan wants to save the princess, but the king doesn't want to allow it...

The production is based on the famous novella of the same name by M. Kukučín. The author knew his characters well, their joys, pains and desires, and his knowledge and human message are still valid today.

A fairy-tale about the power of love. The old king Pravoslav feels it is time to entrust the rule over his kingdom to one of his three daughters - the one that loves him the most. The youngest, Maruška, fails her father's expectations about proving how deep her love him is. He misunderstands her and she is made to leave the castle. She faces many dangers on the way to her loved one, the Salt Prince.

A lyrical story about first love, death and disappointment, based on a poem of the same title.

During the Rákóczi War of Independence, noblewoman Julianna Géczy becomes caught between warring factions as the city of Lőcse falls under siege.

After her divorce leaves her feeling depressed and aimless, a disciplined forty-year-old woman named Teréz wanders through Budapest while grappling with a profound sense of isolation. She visits former lovers and estranged acquaintances in a desperate attempt to find a meaningful connection and reclaim the stability she has lost.

Thirty Cases of Major Zeman is a Czechoslovak action-drama television show intended as a political propaganda to support the official attitude of the communist party. The series were filmed in the 1970s. Each episode encompasses one year, and investigations are stylized to that year. Most are inspired by real cases. The series follows the life of police investigator Jan Zeman during his career from 1945 to 1975.

The action of the epic film takes place in the second half of World War II. The plot focuses on the liberation of European countries from German occupation and the anti-fascist activities of the communist parties of these countries. After the victory at Stalingrad, a decisive turn occurred during the war. The main aim is the rallying of all patriotic forces, the creation of a national anti-fascist front in the struggling countries. The swift offensive of the Soviet troops, problems with the opening of a second front, major operations and the offensive of the Soviet army lead to the liberation of Europe. Rebellions are rising in different countries - such as the heroic uprising in Warsaw, in Slovenia, Bucharest and other cities. Brave heroes who performed immortal feats in the name of the happiness of mankind and freedom.

6-part television film based on the historical novel of the same name by Hana Zelinova.

An epic saga of the Habdza family of vineyard keepers set in western Slovakian countryside at the beginning of the 20th century. Director Andrej Lettrich's novel adaptation talks of plotting, forbidden love. family discord, and struggle for heritage and power. The story is engaging thanks to the impressive performances of popular actors, dramatic situations, and sensitive music. Red Wine is not so much inventive in terms of auteurship as it is a work of excellent craftsmanship. The resulting picture is a costume production neatly adapted to the character of Slovak rural life in the past.