Paul-Emile Van Royen

In the Belgian hamlet of Verbrande Brug, former lovers Monique and Louis reconnect at a carnival, stirring up drama with their current partners.

The second movie version, now in color, of Flemish (heimat-)author Ernest Claes' classical novel, titled after the nickname (Dutch 'the White', referring to a blond male) of the main character. The smart but naughty farmhands son's eternal mischief, pranks and disobedience drive his elders (especially teachers, family and father's grumpy employer, a rich farmer, but also neighbors and even the kind curate whose liturgical server he is) and classmates to despair in a time when a boy's punishment was still inevitable, swift and often severe; thus when his mother catches him skinny dipping she takes all his clothes home, forcing him to a long walk of shame, dreading dad's wrath all the way. This version also stresses the story's social and Flamingant aspects.

Gaston and Leo are active in Antwerp's motorbike brigade. But the two are demoted to simple neighbourhood cops. When they track down a dangerous woman kidnapper and his accomplice, the pair soon find themselves back in favour. Before they can complete their sleuthing, they must escape the attentions of their wives.

Gaston grew up on the fringes of society and interacts with other people as little as possible. Leo, on the other hand, is a very bourgeois person. He lives way above his station, but has a heart of gold. Using forged cheques and unsecured credit cards, he tries to keep up appearances. By a coincidence, Gaston's fate is linked to Leo's.

Plop and his friends find a puppy in the woods. They adore him immediately, but when they hear that Kwispel has a human owner, they decide to bring the dog back..

This picture is a mixture of musical, adventure, science fiction and comedy with the popular singer Bobbejaan Schoepen and several famous Flemish actors.

The Bomans, Bastiaens, Verbeeck, and de Grote families must navigate personal and romantic relationships while dealing with the challenges of their daily lives.

RIP was about the funeral company Vingerhoets. This business is losing its paterfamilias and boss. The widow Victorine Vingerhoets and her nephew, Willie Haezevoets, who live at home, have to take over the business and keep it going. Willie is patronized as a son and doesn't feel like going through life as an undertaker because he is desperately looking for a wife. The input of friend of the house Raymond van Derre (also known as Raymondke) often ensured that things never went the way they should.