Juliette Faber

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

Father Birotteau and Father Troubert, both of whom are priests at Tours, have separate lodgings in the house belonging to the crabby spinster Sophie Gamard in that city. Birotteau is an other-worldly, gentle, introspective type; Troubert, who is ten years younger than his fellow boarder, is very much of the world: he is a careerist devoured by ambition.

François Donge, a rich industrialist and womaniser, meets a girl nicknamed Bébé who he marries. Ten years later, poisoned by his wife and dying in hospital, he recalls his married life and understands how his wife who adored him suffered from his many affairs and indifference.

Loursat, a lawyer, lives with his daughter Nicole in a sinister and vast bourgeois residence. Abandoned for nearly twenty years by his wife, the brilliant lawyer has sunk into alcoholism and his relationship with his daughter is virtually non-existent. However, one day the corpse of a stranger is discovered in the residence of Loursat. Nicole, who frequents a gang of young people who escape boredom by stealing cars and other objects, is immediately suspected.

Daniel Gelin and Juliette Faber star as a blissfully happy honeymooning couple. They are so happy that they arouse the jealous attentions of Satan. The Dark Prince sends an emissary to beak up the romance, but his advocate is promptly challenged by a representative from "up above."

The struggles of a small business owner come to light in this film by director André Cayatte. The proprietor of a fabric shop, M. Baudu faces stiff competition when a department store moves in across the street, the first of its kind in 1860s Paris. On top of the stresses associated with the rival retailer, Baudu’s niece and two nephews take up residence with him after recently being orphaned. The niece, Denise Baudu, sees the writing on the wall for her uncle’s business so she takes a job as a shop girl with his competitor and despite her success the decision does not register well with the family.

Simone and Jean have just married and, looking for a home in the Paris region, are lucky enough to find a house with a garden in a residential suburb. Expecting their first child, the young couple began to observe how the parents of neighboring families were raising theirs.

In her small village in Vendée, Ludvine, an orphan, is in love with Jean-Pierre, but he is jealously guarded by her woman employer. On the day of the "Fair of Women", a traditional event where young men can choose the girl they fancy, Jean-Pierre picks out Ludvine.

While the Easter holidays are over, a young woman named Cécile and her brother Pierre return to the family home. There they meet their grandfather Léon, an old communist militant who has shaken Lenin's hand.

Madame Guérin, who has been suffering from cancer, benefits from a period of remission and she tries to regain health at any price. That is why she decides to consult a healer. But when her friend, also affected by cancer, is saved by an operation, she hesitates between traditional and parallel medicine.

Elsa Lundenstein is accused of having murdered her lover. The jury discusses the case vividly. All members are somehow prejudiced because of personal life experience and subsequently each member reads something different into the presented facts.

On the Franco-Belgian border, large and small traffickers engage in their illicit activities. For his part, a policeman is working to put an end to smuggling in the area.

Picpus is a street and a subway stop where a number of murders have been committed. Maigret tries to find the killer.

Pierre, who is a Fine Arts student, and Denise, who is a chemistry student, work for a department store where, wearing wedding suits, they distribute flyers to passers-by. The store manager, Bernard, falls in love with Denise and arranges to take her to an inn not far from Paris, run by the handsome Robert. This one opens Denise's eyes who ends up returning to her home. After a fight between Pierre and Bernard, Denise ends up choosing to stay with Pierre.

1920, in a small village in Provence. Monsieur Pascal, a young schoolteacher, is faced with a lack of interest from his pupils. He decides to radically change the methods employed by his predecessor. He listens to the children, draws inspiration from their discoveries and takes them out into nature. The pupils will rediscover the pleasure of learning, and he will rediscover the pleasure of teaching. But some parents and notables don't take kindly to this little revolution.

The practice of Dr. Julien, a GP of Marseilles, consists mainly of drug-addicts. One day, one of his patient dies at his surgery and Julien yields to the temptation : he steals the dead man's money and hides the corpse in a trunk. But the whole thing is discovered and ... misinterpreted. The doctor is condemned for killing the junkie and sent to the Cayenne convict prison, from which he escapes. The Indians give him shelter and he is soon given the opportunity to return their good deed when a yellow fever epidemic strikes their tribe. A young woman helps to fight the disease and, thanks to her, Julien starts considering that a new life is possible for him.

Monsieur Octave, a good man who has retired from the French national railway company, wants to have his house built. To this end he contacts a loan company. They ask him to credit them with 100,000 francs. Which he does. From then on, Octave starts waiting, waiting, waiting...

Five young people - brothers, sisters, cousins ​​- are on vacation in the countryside. Pernette suggests to Marianne, who wants to be appreciated by her cousin Olivier, to make him jealous by inventing an aviator in love. At this announcement, Olivier bursts out laughing, but an airman knocks on their door, his private plane having had a breakdown. The mirage then becomes reality, and thanks to this unexpected visit many feelings will come to light.

A middle-aged Parisian lawyer meets a young girl and falls in love with her. The girl's mother discovers the affair and the couple must flee.