Anna Lizaran

Genç bir kadının annesi 15 yıl sonra kızını bulmak için geri döner, kızı annesinin eski erkek arkadaşlarından biriyle evlenmiştir. Aynı anda hem paramparça olan anne/kız ilişkilerini onarmaya çalışırlar hem de ortak aşkları ile başa çıkmaya gayret ederler.

In order to prepare for her role as a certain well-known actress, a young woman has lengthy conversations with three different actresses who were good friends with the famous star. Emerging from these conversations are three equally different versions of the past and the events that shaped their lives and careers. This cinematic adaptation of a theatrical work is true to the original, but does not stray far from a theatrical rendering of the story.

Minimalistic frieze fifteen episodes about human behavior (desire, submission, love, jealousy, wisdom, honesty, sincerity, passion, faith, ...) located between two fantastic stories about the will and doubt.

In a small Catalan village take advantage of the visit of an ecclesiastical authority of Rome, during vacations, to organize a conference on the topic of religion and sex. This causes the people to divide into two camps, those who favor and those against the "Congress", until finally after a series of negotiations between both sides, we arrive at consensus. A large mosaic of characters carry the story to end happily, through critical situations with the conservative church.

Comedy about a marriage guidance counselor whose own marriage is on the rocks.

Colometa is an average housewife with two children to care for in the late 1930's, as the Spanish Civil War is starting and her husband goes off to fight. She had been an ordinary woman working in a shop when she met the lively carpenter who married her, and their life together was without major problems. But now she is forced to raise her children under straitened circumstances, and after her husband dies, her life undergoes another major change as she marries for the second time. Underneath Colometa's acquiescent, forebearing exterior must lie just a few discontents, a few unrealized dreams - but they never surface as she blithely moves from one episode in her life to another.

The story is about a couple that sets out for a dinner party on the millennium eve. The woman is pregnant, the guy has no money and no car and has borrowed one from a friend of his. The car of course is not exactly top class and crashes down after few miles. And that's where the film really starts. The couple start fighting and trying to find a way to the parents' house before midnight, hitchhiking on the way and getting into several cars and get themselves involved in the funniest situations.

If one person's destiny were altered (in this case, not dying), how might that event change the lives of numerous other people, or in this case, prevent seven others from dying.

Yoshio, a young Japanese loner travelling through Europe, falls for a flight attendant en route to Barcelona. After a mix-up, Yoshio's red suitcase ends up in the hands of his new crush.

In 1909, the Rigau brothers are the owners of the most important textile factory in Feixes. When Francesc dies, Julià, a dark and ambitious ex-military man, takes over the steamer and confronts everyone to make uniforms for the Spanish army that is fighting the war in Morocco.

A family seen at two different periods, some 40 years having passed between the two. A dysfunctional family marked by what used to be called an ugly illness, cancer and death. The characters quarrel, hate each other, and refuse to accept in their predecessors what they will eventually, inevitably repeat in themselves. A family marked by relations of rejection, love and hate of the other, the upstairs neighbors, those strangers from a far-off land, Andalusia in the 1960s, Morocco at present, who will also form part of this repetitive game that is life. To what point is everything a metaphor or symbol of our society? Are we really strangers to ourselves?