Mireille Perrier

Cezayir, 1938. Otuzlu yaşlarının başında, sessiz ve gösterişsiz bir çalışan olan Meursault, annesinin cenazesine tek damla gözyaşı dökmeden katılır. Ertesi gün, iş arkadaşı Marie ile sıradan bir ilişkiye başlar ve kısa sürede alışılmış rutinine geri döner. Ancak günlük yaşamı, onu karanlık işlerine sürükleyen komşusu Raymond Sintès yüzünden altüst olur. Ta ki kavurucu derecede sıcak bir günde, bir plajda trajik bir olay yaşanana kadar…

Two aging crooks are given two weeks to repay a debt to a woman named The American. They recruit their recently deceased partner's son to help them break into a laboratory and steal the vaccine against STBO, a sexually transmitted disease that is sweeping the country. It's spread by having sex without emotional involvement, and most of its victims are teenagers who make love out of curiosity rather than commitment.

Rachel hayatını, öğrencilerini, arkadaşlarını, eski sevgilisini, gitar derslerini seviyor. Ali'ye aşık olduğunda, onun 4 yaşındaki kızı Leila'ya yakınlaşıyor. Onu yatağa yatırıyor, ona bakıyor ve bir anne gibi seviyor... ki o öyle değil. Henüz değil. Rachel 40 yaşında. Kendi ailesine sahip olma isteği giderek güçleniyor ve zaman daralıyor. Çok mu geç?

Samuel ve Nadia için hayat güzel sürüyordur. İlk bebeklerinin doğmasına çok az kalmıştır. Sağlık görevlisi belgesini almak için çalışan Samuel’in hayatı bir gün tamamen değişir... Nadia, Samuel’e saldıran adamlar tarafından kaçırılır. Samuel kendine geldiğinde telefonu çalmaktadır. Polis gözetiminde hastanede yatan adamı oradan çıkarmak için sadece üç saati vardır. Samuel’in kaderi, polisin hırsızlık suçundan peşinde olduğu Sartet’e bağlıdır. Eğer karısını bir daha görmek istiyorsa çok hızlı davranmak zorundadır.

80-year-old Thomas recounts his childhood and middle age through a series of flashbacks and dream sequences. Thomas believes he’s been taken away from a better life at birth; following a hospital fire, he vividly recalls being swapped with another new-born, and subsequently grows up in a poorer neighbouring household.

1950lerin Batı Afrikasında yaşayan fransız bir genç kızın duygusal çatışmalarını ve dönemin koloni hayatını ele alınmaktadır... Chocolatda, izleyiciyi yıllar sonra çocukluğunun geçtiği Kameruna geri dönen ve geçmişi anımsayan bir kadının yaşadıklarına tanık ediyor. Küçüklüğünde farklı değerlendirdiği Kamerunun aslında Fransız sömürüsü altında ne acılar çektiğini anlayan kahramanımız, geri dönüşlerle ilerleyen film boyunca sömürgeci sistemin vahşetinin farkına varıyor

A young woman travels to Moscow, speaking with the people she meets of the region's recent past.

The image of a mysterious, solitary filmmaker - a cineaste maudit - who flees from both the media and the public, is unrelentingly bound to the figure of Leos Carax, in France. Elsewhere, the real focus is on his films and he is considered to be an icon of world cinema. Mr.X dives into the poetic and visionary world of an artist who was already a cult figure from his very first film. Punctuated by interviews and unseen footage, this documentary is most of all a fine-tuned exploration of the poetic and visionary world of Leos Carax, alias "Mr.X".

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.

Max, Paul and Simon have been friends for 35 years. They take great pleasure in their one vacation a year together without their partners and meet-up regularly to spend evenings drinking or playing cards. Each has a successful career and they all appear to have perfect lives until the night Simon announces to his friends that he has just strangled his wife, Estelle after a blazing row. Max and Paul are horrified by Simon's confession, but worse is to come when Simon asks them to lie and provide him with an alibi for the time Estelle was killed. Both men are torn between lying or turning over their best friend to the police.

Aline Issermann's "Shades of Doubt" ("L'Ombre du Doute"), a French film about a wrenching family crisis, is set forth with remarkable restraint. The subject is incest, but the story's potential for tawdriness is never exploited. Instead, Ms. Issermann presents a discreet, methodical account of how 12-year-old Alexandrine comes to bring and then recant charges against her father, Jean.

Quiet 16-year-old Louis, the high school headmaster’s son, has never been in trouble. His best friend, 18-year-old Greg, however, is his polar opposite: provocative, angry, violent, he has been kicked out of school for physically threatening young English teacher Camille. When Greg asks Louis to help him take revenge on Camille, Louis accepts, fascinated...

A bistro counter will decide the fate of two women. The first, Marie, the owner of a cafe for forty years in a Breton village, wants to realize her dream and go to the city. The second, Joelle, wants to leave town for the countryside.

A picture of humankind in Paris: singers, shows, social gatherings, businessmen, nightclub barmen, bums, shoppers.

“I am a woman who does not know where she is going, but who, always, looks for beauty. As long as she does not flee me. Moritz, your beauty fled me. But I caught it and I carry it in me.”

A filmmaker and his crew try to enter the passionate world of Port-Royal and of Jansenism. Another Age of Louis XIV comes to life, the age of Pascal, Racine and of the “Friends of Truth”. The film itself comes up against the unanswerable question of grace.

Territorial dispute have always been in the center of most human conflicts. The territorial notion thrives for possession and power, resulting in invasive actions and occupation. UIP is the abbreviation for "United Israel Palestine". It is a title referring to a possible future scenario for Israel and Palestine set in the year 2027. In this scenario the international society, governed by the United Nations, is the new occupational power and therefore an international court administers the conflicts. Through this court the film unfolds and it is from a juridical perspective that all territories, bodies, ownerships and legacies are viewed. In contrast psychological relations, both private and public, appears painfully clear.

25 year-old Hippo doesn't have a job, doesn't study either but lives from the money his younger brother earns with dealing and from occasional Poker winnings.

Harry is a silent and fragile man. Full of fear. He works at a consulate, lives with his teenage daughter Ingrid and nourish a relationship with Anna.

This certificate was formerly obtained by pupils at the end of primary school. The teacher of a small village has a dream: he wants his son to get his certificate and to be the best in the district ("Canton"). His younger son is less gifted: he is ashamed of him and treats him like a dunce. His obsession is so strong his marriage (his wife is a schoolteacher too) is soon on the rocks.

Freshly landed in Paris, Daniel Laurençon, who calls himself Netchaïev, who was believed dead five years ago in Gibraltar, warns a commercial center of a bomb attack a few minutes before its completion.

After the war, in Bucharest, a young Romanian poet arrested for having written an article denouncing Stalinist crimes, will save his life by accepting to become a hostage of the regime.

Sevgililerinden yeni ayrılmış ve mutsuz iki kişinin, sinemacı genç bir adam ve yaşını almaya başlamış bir aktrisin bir binanın diyafon sistemi sayesinde tuhaf bir şekilde tanışmaları bir davette aynı masada karşılaşıp sohbet etmeleriyle devam eder. Hayatın acıtan gerçeklerinden kaçmak için birbirlerine ihtiyaçları vardır ve bir ilişkiye başlarlar. Leos Carax'ın henüz 22 yaşındayken çektiği bu siyah beyaz ve epeyce Yeni Dalga film, Denis Lavant'lı Alex üçlemesinin de ilk ayağını oluşturuyor.

Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen... the biggest stars in cinema were welcomed by Christian Defaye on his show Spécial cinéma. Between intimate confessions from actors and immersion in the world of the greatest filmmakers, Christian Defaye took viewers on a journey into the fascinating world of cinema for nearly thirty years.

Beneath her eccentric appearance, Captain Marleau is a formidable detective. Her Sherlock Holmes deerstalker cap, her character, her unusual appearance, her humor, her unpredictable behavior--Captain Marleau is not your average gendarme. She never rushes an investigation; she becomes the investigation and relentlessly pursues the suspects.