Ira Sachs
Yönetmen · d. 1965 · Memphis, Tennessee, USA
Ira Sachs (born November 21, 1965) is an American filmmaker. Sachs began his career directing short films, including Vaudeville (1991) and Lady (1993), before making his feature film debut with The Delta (1997). Sachs later won acclaim for his dramatic independent films, including Forty Shades of Blue (2005), Keep the Lights On (2012), Love Is Strange (2014), Little Men (2016), and Passages (2023). Description above from the Wikipedia article Ira Sachs, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Filmler7
Film7.1BelgeselBu yaratıcı portreyle yönetmen Kirsten Johnson, 86 yaşındaki babasını sonsuza kadar hayatta tutmanın bir yolunu arıyor. Film yapımcılığının sihrini ve ailesinin kara mizahını kullanarak, Dr. Dick Johnson'ın son yıllarını ölüm ve ötesiyle ilgili fanteziler kurarak kutluyor. Baba ve kız birlikte, hepimizi bekleyen büyük kaçınılmazlıkla yüzleşirler.
FilmBelgeselReflection of the society and vector of the occidental culture, American cinema influences the entire world since its debuts.
Film9.0BelgeselA New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep the Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.
Film5.8An unnamed woman in a red wig welcomes a documentary crew into her New York apartment. The crew captures her everyday life, as she fights with her boyfriend and gossips with her friend. These scenes alternate with black-and-white footage of a woman in a red wig escaping a suburban existence.
Lady
1993 · 13 votes
- Film4.4Belgesel
What do filmmakers as disparate as Kevin Smith, Ed Burns, Rob Epstein, and Barbara Hammer have in common? A secret weapon known as Bob Hawk. As a veteran of the American independent film scene since its inception, the cinephile and consultant has been a regular, cherished presence at film festivals and markets for over three decades. Hawk saw promise in scrappy, independently produced films like Clerks and The Brothers McMullen when no one else even knew to look, and he brought these films to the attention of the Sundance Film Festival, thereby launching multiple careers in the process. An unsung champion of new voices, he has discovered innovative work, nurtured new talents, and brokered relationships with film festivals and critics alike, while staying out of the spotlight—until now. At 75, Bob Hawk looks back on a still-vibrant life in independent film, exploring how the rebellious gay son of a preacher found his calling as a behind-the-scenes film impresario.
Film Hawk
2016 · 8 votes
FilmBelgeselVelvet Vision is a raw and intimate portrait of James Bidgood, the visionary artist behind the cult classic Pink Narcissus, who’s groundbreaking 1960s homoerotic imagery helped redefine queer aesthetics.
Film6.0BelgeselFrom 1984 to 2019, Lynne Sachs shot film of her father, a bon vivant and pioneering businessman. This documentary is her attempt to understand the web that connects a child to her parent and a sister to her siblings. As the startling facts mount, Sachs as a daughter discovers more about her father than she had ever hoped to reveal.
Film About a Father Who
2020 · 1 votes