Stephanie Allain

The epic life story of Alice Guy-Blaché (1873–1968), a French screenwriter, director and producer, true pioneer of cinema, the first person who made a narrative fiction film; author of hundreds of movies, but banished from history books. Ignored and forgotten. At last remembered.

After a run-in with the law, an angry maladjusted young man starts calling himself "Hate". One night he saves a girl from a lusty Assistant District Attorney. He falsely accuses them of robbery, so they go on the run and make things worse.

A wonderful retrospective supplement that features much of the primary cast cast as well as Writer/Director John Singleton looking back at the picture's history and legacy. They speak on the themes of the film, the casting process, its importance then and now, its reception upon release, the project's novelty, its placing in the National Film Registry, and more. There's no shortage of good insight here and the piece does a fine job of encapsulating what Boyz n the Hood is all about.

Cast and crew offer up a nice overview piece, discussing the picture's authenticity, real life in the time of "Boyz n the Hood," the parallels between Singleton's real life and his film, the process of making the film, the casting process, the quality of the script, the film's reception, its Oscar nominations, and its legacy.

Explores the careers of twenty black women working as film directors.

The epic story of the actors, writers, directors, and producers who fought for their place on the page, behind the camera and on the screen. From blackface to Black Panther, this series is a definitive chronicle of more than a century of the black experience in Hollywood and a powerful reexamination of a quintessentially American story – in brilliant color.