Catherine Aymerie

In 1988, Figaro magazine asked a few famous directors to direct a series of short movies to celebrate the 10 years of the revue. The movies have been released for the French revolution bicentenary. Includes: Werner Herzog's Les Gaulois, David Lynch's The Cowboy and the Frenchman, Andrzej Wajda's Proust contre la déchéance, Luigi Comencini's Pèlerinage à Agen, Jean-Luc Godard's Le dernier mot.

A young teacher is the victim of a cruel joke. When she enters the classroom, all her pupils are naked, standing near their bench. Their clothes are heaped up on the podium.

A large family gathers in the country side for their very elderly grannies' birthday. One gift happens to be from their ostracized, black sheep nephew, and upon opening it, the two loveable grannies turn into rabid, flesh-eating monsters.

A young man, Eliot, comes back in his childhood district with the aim of preparing a movie for the Film School's admission exams. He meets up with Florence, a girl he hasn't seen for years. Together they recall the days when Eliot lived to the full thanks only to the super 8 camera his understanding father had offered him, sweeping along in his cinematographic adventures his best friend Maxime, who is wholly different from him and so lively, as well as Florence, whom he secretly had fallen for. The discord will soon lead to competition between the two boys until the day Eliot gets humiliated and changes his film roles in order to gain Florence's favors. But nothing runs as expected.

After a distinguished career in the French Navy, 77-year-old Régis Morel spends most of his time on his own boat, a 12-meter sailboat. But one day, a significant event abruptly confronts him with his past, abruptly disrupting his tranquility. Sixty years later, he finally has the opportunity to have his paternity recognized in the name of the child he once was, and to exercise the rights that come with it. But Régis finds himself facing a family of provincial notables clinging to their fortune and their high opinion of themselves.

Magali plays in a brass band. Guillaume drives a small tourist train. Both spin a perfect love, they share modest dreams and their baby is about to come. But an unexpected news upsets their routine: a man appears and announces that he is Guillaume's estranged father and also reveals that Guillaume is his legitimate heir of a kingdom offshore of France and England. Guillaume and Magali start to dream of a life as monarchs, surrounded by faithful subjects in their castle, enjoying their wealth. But reality is often different to what you can imagine.

August 1917. Two pilots whose aircraft was shot down by the Germans hide in a castle. They meet Justin, the employee, who has just killed his master.

Marc Delvaux, a famous retired police commissioner, lives alone in a large building in the Lyon countryside on the banks of the Saône. When a lawyer friend asks him to house Emma for a while, a young woman who has to testify, he accepts without suspecting that he has just signed his return to the field.

Florence and Bruno thought they had finally found balance in their relationship with their children when suddenly they had to face a new threat: parents! First, Bruno's mother, Monique, showed up. She had broken her leg and could no longer take care of herself. Her son naturally offered to take her in until she recovered. Then it's the turn of Florence's father, Henri, who has just been left by his partner. Now homeless, he is deeply depressed. His daughter has no choice but to offer him hospitality. Florence and Bruno's routine is disrupted, but they remain optimistic.

Based on the real life story of Sagawa, a Japanese student who killed, dismembered and ate a young Dutch girl in Paris.

During World War II, a woman aboard a railroad car full of deportees slips French railway worker Julien a note with an address and a simple message: "I am alive, and I love you," and he decides to track down the intended recipients. When he finds the woman's Jewish family, he is inspired to do what he can to protect them from the Nazi atrocities.

Vincent is a 17-year old ecologist who drives his family crazy with his attempts to reduce their carbon footprint. Vincent‘s giddy French aunt Nikki takes him on a trip to France, convinced that the boy‘s obsession is related to his suffocating mother. But on their road-trip, Vincent proves to be much more than Nikki can handle.

The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.

A short commissioned piece on 'famous last words' set in WWII.

The pragmatic, reserved and refined Maigret investigates murders in his singular unhurried manner and inevitably discovers the truth.