Kitu Gidwani

Is love compatible with coupledom? And what of freedom and fidelity? These are some of the questions facing two married men.

Emmy adayı "Lust Stories"in yönetmenleri Zoya Akhtar, Anurag Kashyap, Dibakar Banerjee ve Karan Johar, dört gerilim öyküsüyle yeniden bir arada. Ghost Stories, gerilim dolu dört farklı hikayeden oluşuyor. Film, beklenmedik şekilde gelişen olayların yaşandığı korku alemine yolculuğa çıkarıyor.

Nandu and Vijay are brothers who were abused by their stepmother during their younger days. Nandhu, who is mentally ill, decides to kill Vijay's fiancee as he visualizes her as his stepmother.

Her ne olursa olsun - karmaşık, güzel, erişilemez - aşk, yolundaki tüm engellerin üstesinden gelebilir ve geride her şeyi tüketen bir mutluluk hissi bırakır. Seven iki kalbin arasında ne zorluklar vardır, onun için ne fedakarlıklar yapılır, sizi sevdiren şeyler - bunlar ve çok daha fazlası bu romantik film hakkında anlatılır. Filmin ana karakterleri oyun geliştirme üzerine çalışan çapkın Adi ve Tara'dır. Birbirlerine ilk görüşte aşık olan bir mimarlık üniversitesi öğrencisi. Damgalı gençlik melodramlarının aksine, bu kaset, burada yeri olmayan karakterlerin esprili diyalogları, kendi sağlıklı kinizmleri ve kara mizahıyla tatlandırılmıştır.

Mumbai'de, Dhobi Ghat oldukça iyi bilinen bir yerdir: burada dhobi çamaşırhaneleri yerel otel ve hastane sakinlerinin kıyafetlerini yıkar. Ana karakter, yetenekli sanatçı Arun da dahil olmak üzere tüm müşterilerini iyi tanıyan Munna adında bir dhobi. Munna sayesinde Hintli-Amerikalı bir kadın olan Shai ile tanışır ve ona tutkuyla aşık olur. Shai ayrıca, geceyi birlikte geçirdiği sanatçıya karşı da duygular geliştirmeye başlar. Kısa süre sonra Arun, eski sahiplerinin eski eşyaları arasında birkaç video kaset keşfettiği yeni bir daireye taşınır. Yasmin adında, tanımadığı bir kızın hayatından bölümler gösterirler. Bu videoda Arun'u tekrar tekrar izlemeye çeken bir şey var. Yavaş yavaş Yasmin, sanatçının düşüncelerini ele geçirmeye başlar... Sonuç kaçınılmazdır ve şimdiden bir fırtına kopmuştur, çünkü Mumbai insan kaderini çok kolay ve acımasızca öğütür...

In a typical college in a typical Indian city, the hostel boys Madan Sharma (Aamir Khan) and his friend are a rowdy lot. The teaching staff suffer from the common apathy of most teachers in similar colleges. The administration has the usual problems, with ill-paid employees periodically going on strike. On the whole, the college is a very normal place. But on this particular day, when Madan and his friends rise from their slumber, some with the customary hangover, they are not so perturbed to find no water in the taps again, as when they hear that it is not going to be a holiday after all. Instead there will be a lecture in the auditorium by the Chairman of the Board (Dr. Shriram Lagoo), on the day of the festival of fire, Holi, and the boys decide not to attend the classes. The hostel superintendent Professor Singh (Naseeruddin Shah), the only lecturer with some human links with the students...

She (Mrunmayee Lagoo) has posters of Jim Morrison and Bob Marley on her walls: rather belated icons for someone her age. She stuffs her drawer with Kama Sutra condoms, and keeps her room locked from parents. During the day, she goes out shoplifting, when not discussing men. The fakeness of cool fries your brains up. On a random night-out — “Can we go to the disc tonight?” — a stranger offers her a drink. She gulps it down. On another night at a club, upset with her friends, she meets the same fellow again — “Come on, we shall have a nice drink! Let’s dance… Just relax. Just take a chill pill.” She snorts coke, gets hammered; few days later, even moves out of her parents’.

In 1947, the borderlines between India and Pakistan are being drawn. A young girl bears witnesses to tragedy as her ayah is caught between the love of two men and the rising tide of political and religious violence.

Film Jai ve Aditi'nin hikayesini anlatıyor. Büyük ve arkadaş canlısı bir genç şirketin parçası olmalarına rağmen, sadece ikisi özellikle yakın. Boş zamanlarını sürekli birlikte geçirirler, telefonda konuşurlar ve genellikle her şeyi birlikte yaparlar. Bu nedenle, etrafındaki herkes aralarında bir romantizm olduğuna inanıyor. Üniversiteden mezun olduktan sonra, Aditi'nin ebeveynleri çiftle evlenmeye karar vererek gençleri şoke eder. Jai ve Aditi birbirlerine karşı hiçbir şey hissetmediklerini ve evlenmeyeceklerini iddia ederler. Sözlerinin kanıtı olarak, kendileri için mükemmel olacak hayat arkadaşları bulmaya karar verirler...

Moda ve cazibe dünyası, ülkenin her yerinden genç ve hala masum kızları kendine çekiyor. Chandigarth'tan büyüleyici bir kız olan Meghna Mathur'un hırslı bir hayali vardır. Sadece bir model değil, ilkler arasında ilk olun. Ve işte o Mumbai'de! Moda endüstrisinin ters yüzü onu şok eder ama o inatla hedefe gider ve başarıya ulaşır. Tasarımcıların dünyası ayaklarının altında. Ancak kader ona bir sürpriz yapar...

An emotional thriller based on a road trip from Mumbai to Pune. Inspired from the real events that happened in Chennai.

The first Hindi film to deal openly with the subject of homosexuality. It's the story of a journalist who has an affair with an ageing industrialist.

Saahil'in kendi işi var: küçük bir seyahat acentesi. Ancak işler pek iyi gitmemektedir, zorlukla bir şekilde geçimini sağlamak ve annenin tedavisini karşılamak mümkündür. Ve işte ailesiyle birlikte seyahat etmeye karar veren Neha için İngiltere'ye bir gezi ayarlama şansı.Kazanılan miktar annenin hayatını kurtarmaya yetecektir. Saahil, müşteriye olağanüstü bir özenle hizmet eder, ancak Neha'nın güzelliğinin parlaklığı onu şaşırtır. Kısa süre sonra Neha ve Saahil o kadar yakınlaşır ki kalplerinde aşk alevlenir. Beklenmedik bir şekilde Saahil, annesinin durumunun kritik olduğu haberini alır. Kederden aklını kaybeder ve para uğruna Nehu'ya ihanet etmekten başka bir çıkış yolu bulamaz. Saahil, soğukkanlı, ihtiyatlı ve acımasız bir adam olan büyük bir mafya patronu olan Kunal Malik ile temasa geçer. Hiçbir şeyden şüphelenmeyen Neha, Kunal'ın malı olur.Bu sırada Saahil parayı teslim edip annesini kurtarmayı başarır ama kalbine yerleşen aşkı hayatından silemeyeceğini anlar.

Jumping around in time, this wildly campy Bollywood melodrama follows the relationship that develops between Aryan and Ashley, two childhood friends who found their way into one another’s open arms. When their partnership is cut short by an unexpected tragedy, an otherworldly intervention is required to bring perspective and closure to their complicated love affair.

Wedding Pullav shows the story of two best friends Adi (Diganth) and Anushka (Anushka Ranjan) who are in love but they themselves are unaware of it. When Anushka is invited to attend the wedding of Diganth this love confusion further increases. On one hand Diganth is jealous with Anushkas boyfriend while on other side Anushka do not like Diganth to marry another girl whom she initially praises. The story then moves to a stage where they know their feelings but not sure what to do next.

The story revolves around Dhananjay Mane, an aspiring actor, who works as a watchman to make a living. One night, he comes across Manini, a resident of the building, who is on the verge of committing suicide. Can Dhananjay use his charm and acting skills to save a life?

A young woman looks after her aging grandmother to receive her wisdom.

An overnight train journey, from London into France, business class, is comfortable and expensive. The premise where two of the film's protagonists,'strangers' to each other, meet, talk and decide to eliminate each other's spouses to alleviate themselves of the hell they are trapped in.

The mother of the Indian female singer Pallavi (Kitu Gidwani) is at the end of her life. She was master and teacher for her daughter for the art of Indian singing. But she will not be able to complete her lessons. So Pallavi experiences the lack of the guru of her mother. Finally she finds him in a very young street-girl who is able to sing marvelously. But this girl keeps disappearing again and again...

The hopes and woes of a theater company in Africa.

A young man decides to be a film director against the wishes of his family. Even after witnessing his father's downfall in the film industry, he doesn't give up on his dream. His love interest further separates him from the family. Without losing hope, he goes on to direct his autobiographical film 'Aathmakatha'. Will the success of the film reunite him with his lost soul and family?

Ill-fated love set against the epic canvas of India's partition into Hindu Indian and Pakistan. Lajma, a beautiful school teacher with greying hair, leaves Pakistan for her childhood home in India. There she discovers that the home is in ruin, her aging aunt is half senile, and her cousin Gautam is bitter and defeated. Flashback to 1947 when India splits in two - a proud old Muslim man, along with his grieving daughter-in-law, take in a couple of impoverished Hindus, Chand and Bhagwati, into their home. Later, Chand's mute sister Lajjo arrives with her young daughter Lajma. Suffering from some unnamed past trauma, Lajjo is eventually sent to an asylum, leaving Lajma with her uncle. Lajma recalls her aborted relationship with the childhood friend and her inability to understand what her lover was going through, as well as her lover's inability to acknowledge a latent bisexuality. But the most difficult memory to deal with is that of her mother, brutalised during the riots.

When darkness get strengthened to destroy the world, Suryanshis chose Shaktimaan in order to fight against the forces of evil.

Kulvaddhu is an Indian television drama serial produced by Anuj Saxena's production house, Maverick Productions. It first aired on Sony TV on 25 December 2006 and ended three months after its launch date.

Free-spirited Surilii lives a modest life while Shivendra is brought up in the strict traditions of Ranakgarh's royal family. Their worlds collide when the two fall madly in love with each other.

Persuaded by the family patriarch, the Shastris come together for weekly Potluck meals, albeit reluctantly. Set in upper-middle-class Mumbai, each episode is a comical potpourri of opinions, conflicts, dilemmas and unsaid assumptions as the Shastri's try hard to believe, “the family that eats together, stays together.” But do they really?

Swaabhimaan was an Indian afternoon soap opera aired in 1995, directed by Mahesh Bhatt, and scripted by Shobha De and Vinod Ranganath.