Haris Veramon

You Can’t Take From One Who Does No Have (Ouk an lavois para tou mi ehontos) is a Greek animated mini-series that aired in the 2010-2011 season on Mega. Ouk an lavois para tou mi ehontos develops in modern Athens where Charos goes, wanting to withdraw from his obligations. However, he is short an obolus on his books, what Menippus owes since he died. Hermes, as the carrier of souls and responsible for Menippus not having the obolus, together with Charus try to help Menippus make money to pay him the obolus. The series was scheduled to begin in the 2009–2010 season, but was eventually rescheduled for the following season’s schedule. The series consists of a total of one cycle with 14 episodes.

The series follows the lives and loves of three 30-something professionals in modern day Athens. Elli (Faidra Douka) is a junior executive in a record company, having to deal with a highly demanding bitch-of-a-boss. Following the end of a serious relationship, Elli is worried about never having a chance to marry or have kids. Her search for new partners mostly results in the entry of weirdos in her life. Mitsaki (Mirto Alikaki) is a radio producer with a love-hate-relationship with her own boss. A life-long party girl with a tendency towards short-lived relationships and an aversion to taking any short of responsibility, Mitsaki has to come to grips with the idea of growing up. Billy (Giorgos Pyrpassopoulos) is a reporter with a rather unsteady love-life. He is a homosexual, but tends to be turned-off by the quirks of his various partners and has yet to fully commit to a relationship.

A Harvard law graduate, a souvlaki advertiser, a physicist studying Bozonia, an unemployed psychologist, a lifelong student studying sex, and a Chernobyl immigrant outline the 592-euro generation.

Series of 2012

There is a shipwreck. Where are her parents? We hear the story of a refugee who is waiting to meet her parents. A short film based on a real interview.

In a city - with heavy metal music haunting the heroes and the voice of Maria Callas being heard, an aged man, ex-terrorist, who dresses like a woman, the "red Maria", lives without any law and is hiding in the social shadows as a prostitute and performer, dancing in the streets, old and out-dated dances, for the passersby who give him money. In the street he meets a young boy, who lives there as a street urchin, at deaths door after a neo-fascists attack. The boy, alcohol addicted, hears the voice of Maria Callas, speaks with the dead diva, with the mother he misses. In overdose he dreams of the perfect world. "Red Maria" saves the boy and teaches him the "job". In order to survive they invade cafes, giving performances that talk for a new, political God, for the political mistake of God, for the end of the ideology