Harry Baur

Captain Justin Mollenard works for a company that sells armaments to the Far East. After an eventful stay in Shanghai, where he and his cargo are the victim of a malicious attack, he returns to his hometown of Dunkirk. Mollenard receives a frosty welcome from his wife Mathilde, who resents the way in which he has neglected his family for so many years. Mollenard’s only wish is to get back to sea as soon as he can, but a sudden heart-attack leaves him paralysed and entirely in his wife’s power...

Everyman Coupeau's attempts to stop drinking are routinely thwarted by the wicked and vengeful Virginie. Based on Zola's novel, Capellani's film is about the free fall of a group of working-class French folk into degradation and tragedy due to carelessness, jealousy, and alcohol abuse. At the time of its release, L'Assommoir was hugely successful.

The final days of Jesus from the time he enters the city of Jerusalem. Viewed as a threat, it is decided that he must be captured, tried, and executed as a criminal, a plan aided and abetted by disciple Judas Iscariot.

Lyrical biography of the classical composer, depicted as a romantic hero, an accursed artist.

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

After the death of her husband, Christine realizes she has possibly wasted her life by marrying him instead of the man towards whom, in her youth, she had a stronger inclination. To overcome these dreary thoughts, she decides to find out about him and the other men who danced with her during a ball that was a turning point in her life, many years ago. She pays a visit to those forgotten acquaintances one after the other; Christine is not only surprised to see how they have fared, but also discovers the impact she had, unknowingly, on the feelings and the destiny of these persons.

An ex-businessman, ruined and reduced to living under bridges, uses the name of one of his companions in misfortune, Rothchild, to organize a vast scam.

Willy Ferrière is a gambler living beyond his means, and his mistress is as greedy as he's dead broke. One day, he says out of loud in a a Montparnasse café that he would give 100,000 francs to get rid of his wealthy aunt so he could claim his inheritance. Someone secretly lets Willy know it's a deal. The old lady is murdered, and a low-life criminal is manipulated to be the perfect suspect. But Superintendant Maigret feels something is wrong.

Volpone, an elderly Venetian, connives with his money-crazed servant to convince his greedy friends that he is dying, knowing that each will try to curry favor with him in order to be named his heir. He is inundated with valuable gifts, and soon finds himself entangled deeper and deeper in a web of lies.

A village in the French Alps is rocked by a series of crimes, including the theft of a sacred ring and the murder of a man dressed as Père Noël (Father Christmas).

Former student Raskolnikov is pushed to murder when struggling to pay the rent on his apartment. When the murder is being investigated by the police, Raskolnikov struggles between trying to hide his guilt and the pressure to confess.

An honest civil servant learns about his wife’s infidelity. He pretends not to be aware of it and decides to start a businessman career. He soon becomes extremely wealthy and thinks he can win her back.

A small town postal official allows a military officer to sweep his lovely daughter away to St. Petersburg, assuming the man will do the right thing and marry her.Instead, a future of scandal and tragedy awaits her.

Adaptation of the Émile Gaboriau novel.

An aristocratic woman is coerced by her impoverished family into marrying a wealthy business tycoon.

For Les étoiles ne meurent jamais, director/archivist Max De Vaucorbeil has assembled precious film clips of such Gallic greats as Louis Jouvet, Raimu, Harry Baur, Louis Salou and Marguerite Moreno. Francois Perier's narration links the various vignettes together. In its own way, Les Etoiles ne Maurent Jamais can be seen as a precursor to those now-ubiquitous "tributes" on such cable services as American Movie Classics and Turner Classic Movies.

During the First World War, Russian officer Ignatoff, wounded, falls in love with his nurse, Natasha. But she is subject to an upcoming marriage of family convenience to Brioukow, a wealthy industrialist of peasant stock. Brioukow is unjustifiably jealous, since Natasha has not betrayed him. He forces Ignatoff into his debt as a means of humiliating him. When Ignatoff's new friend, Madame Sabline, offers to pay his debt, preventing his ruin, Ignatoff comes quickly to realize that Madame Sabline has an ulterior motive, one that could prove dangerous to more lives than just Ignatoff's.

Story of the Siberian monk Gregory Rasputin and the hold he exerted over the court of the last Russian czar, Nicholas.

When one of their number tries to tear away the veil from the face of a woman of Morocco, five French tourists find themselves cursed by an Arabic sorcerer to die in a specified order before the next new moon appears - and one by one, in different ways, they begin to die as predicted...

During a French construction project in the Sudan, a military doctor fights against leprosy and the natives seek protection against witch doctors.

Said Ali, an old and sick noble Arab, living on an island in the Red Sea, has no other occupation than collecting pearls. The spiteful Nadir tries to take possession of the treasure, he kills Said Aly but finds a terrible death by desecrating his tomb.

In Algiers, Cesar Sarati who grudges the dockers, is, without realizing it, in love with his niece. But Rose loves Gilbert, a former gambler and debauchee who, out of love for her, changes his life. On the wedding day, Sarati commits suicide.

A red-haired boy is his mother's punching bag; only his father's presence is a great comfort to him, but this weak man is under the shrew's thumb. His pain is so great he feels suicidal.

Produced for television by Claude-Jean Philippe, the « Encyclopédie audiovisuelle du cinéma », recounts the history of French cinema from its birth to the beginning of the 1960s. With commentary read by Jean Rochefort.