Hans Hirschmüller

Filminde, röportaj yapmak için gittiği ABD'de herşeyi yabancı ve itici bularak bir kimlik bunalımına giren ve amaçsızca turlayan Alman gazeteci Philip (Rüdiger Vogler)'in ülkesine geri dönmeye karar vermesi, havaalanında karşılaştığı mutsuz ve umutsuz bir kadının (Lisa Kreuzer) küçük kızı Alice'i (Yella Rottländer) kendisine emanet etmesiyle de yaşamının akışının tamamiyle değişmesi anlatılır * Wim Wenders'in yol üçlemesinin ilk filmi.

Hans, horgörüldüğü, sevilmediği, aşağılandığı için toplum içinde kendine yer bulmakta güçlük çeken bir seyyar satıcıdır . Çevresinden destek göremeyen Hans, bu çıkmazdan ölümüne alkol tüketerek kurtulabilecek midir?

A group of young slackers spend most of their time hanging out in front of a Munich apartment building. When a Greek immigrant named Jorgos moves in, however, their aimless lives are shaken up. Soon, new tensions arise both within the group and with Jorgos.

Small-time pimp Franz is torn between his mistress and Bruno, the gangster sent after him by a shady crime syndicate he has refused to join.

A German serial killer preys on boys and young men during the so-called years of crisis between the wars. Based on the true story of Fritz Haarmann, aka the Butcher of Hanover and the Vampire of Hanover.

People meet and chat at Ridolfo's Coffeehouse; the conversations are mostly about money, but also about feelings, ideals, friendship, love, fidelity and respectability.

Travelling between Germany, France, and Tunisia, Viola Shafik reconstructs and deconstructs the unknown life story of El Hedi Ben Salem through interviews with his companions and family members as well as archival material. With openness and slight naivety, the interviewees explain how “Ali” became an oriental object of projection for the Fassbinder group, while El Hedi Ben Salem, the human being, was overlooked in order to establish the foreigner as “other.” A no-frills examination of a piece of German and Munich film history.

Emma Morschel, known as Lämmchen, is expecting a child. So she marries her boyfriend, Johannes Pinneberg. The young marriage gets off to a rocky start: Lämmchen's parents, class-conscious workers, are opposed to their daughter marrying the lowly clerk.

Documentary about the making of Rainer Werner Fassbinder's 1972 German television series EIGHT HOURS DON'T MAKE A DAY, featuring interviews with actors Hanna Schygulla, Irm Hermann, Wolfgang Schenck, and Hans Hirschmüller.

About the making of "Der amerikanische Soldat/The American Soldier" in 1970.

A pregnant woman suffers severe head trauma in a car accident. The doctors are unable to help her, but at the request of her fiancé, they decide to keep her body functioning artificially in order to save the unborn child. The ethical issues involved in the case trigger fierce public controversy.

At Gestapo head quarters a young woman establishes a relationship with another inmate. This young woman is Sophie Scholl who tells the story of her life and of her resistance movement′s courageous fight against Hitler′s Nazi regime.

Theo Gromberg is a bon vivant, apparently with built-in guarantee to failure. Faithful to his side is his friend Enno, an Italian guest workers. Both have a dream: to which they want to get into the trucking business its own trucks.

A man bored with his wife goes to the Munich Oktoberfest. He meets a pregnant student who discusses the problems of bourgeois marriage with him and finally returns home disappointed.

Made during the last months of actor Kurt Raab, who died of AIDS in 1988. Raab, who had worked in both theatre and film, most notably with Fassbinder, was in the process of making a series of video sketches for a new production when he learned that he had AIDS. Despite his deteriorating health, and with the caring support of his friend Hans Hirshmuller, he carried on working. This tape is his last testimony.

Diziye konu olan olaylarda hep tanıdık temalar hakim. Almanya’da gündelik yaşamı etkileyen ya da geçmişte etkilemiş olan her konu, dizide ele alınıyor ya da alındı: Almanya’nın birleşmesi, terör, organ ticareti, küreselleşme, ırkçılık, uyuşturucu kullanımı, çevre skandalları, çocuk istismarı, işsizlik, sanayi suçları, yaşlı bakımıyla ilgili sorunlar, ya da eş bulma hizmetleri. Gerçek yaşamdakinden farklı olarak, toplumsal ayrılıklar “Tatort”ta her zaman çözülmese de, cinayetin faili her zaman bulunuyor ve pazar akşamı herkes yatağına huzur içinde gidiyor. Edebiyatbilimci Jochen Vogel’in sözleriyle “Tatort, Alman toplumunu anlatan bir roman.”

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Es muss nicht immer Kaviar sein is a TV adaption of a novel of the same name by Austrian author Johannes Mario Simmel. Directed by Thomas Engel Siegfried Rauch walks in the footsteps of O. W. Fischer who played the protagonist "Thomas Lieven" already in 1961, just one year after the bestseller had been released. The series is unique for providing a little cooking show at the end of each episode. The book also includes recipes because "Thomas Lieven" is an accomplished amateur cook.

The sprawling story of the everyday triumphs and travails of the young toolmaker Jochen and many of the people populating his world, including the woman he loves, his eccentric family, and his colleagues, with whom he bands together to improve conditions on the factory floor.