Gracie Fields

A young soldier on a pass in New York City visits the famed Stage Door Canteen, where famous stars of theatre and film appear and host a recreational center for servicemen during the war. The soldier meets a pretty young hostess and they enjoy the many entertainers and a growing romance.

An artist returning from years abroad takes the identity of his dead valet and gets married, but then there are complications.

Gracie plays a London publican's daughter named after Nell Gwynn, who much like the original, becomes romantically involved with a King(John Loder).

A woman believes her boyfriend died in the First World War, but he is now looking for her

When the textile mill closes, putting her out of work, Gracie finds herself experiencing all of the amusements of Blackpool.

A mill worker with show biz dreams catches a big break when she's discovered by an ailing composer who's seeking the right singer for his songs.

In this feature-length documentary from 1976, Leslie Mitchell and special guests recall the birth of BBC Television forty years before.

Gutsy lass Gracie rallies fellow stall-holders at Birkenhead Market to prevent its takeover and demolition by a department store chain. She invokes the Market's foundation by Royal Charter just before an inadvertent gas leak provides an explosive climax.

A perpetual dreamer talks his wife into moving with him from their home in Australia to South Africa, where he hopes to discover gold and finally become wealthy.

Wartime sweetheart Vera Lynn presents this documentary which sets archive footage and newsreel film from World War Two to the popular sounds of the day. Artists featured include Flanagan and Allen, Gracie Fields, George Formby, Bing Crosby, the Glenn Miller Orchestra, the Andrews Sisters and the Mills Brothers.

Gracie Fields' second film Looking on the Bright Side was a smash hit film of 1932. It contains a lot of her biggest hit songs of the period.

A vivacious actress needing work becomes a housekeeper for a crusty retired politician, and gives his life the shaking-up that it needs.

Constance Bennett both produced and starred in the espionager Paris Underground. Bennett and Gracie Fields play, respectively, an American and an English citizen trapped in Paris when the Nazis invade. The women team up to help Allied aviators escape from the occupied city into Free French territory. The screenplay was based on the true wartime activities of Etta Shiber, who engineered the escape of nearly 300 Allied pilots. British fans of comedienne Gracie Fields were put off by the scenes in which she is tortured by the Gestapo, while Constance Bennett's following had been rapidly dwindling since the 1930s; as a result, the heartfelt but tiresome Paris Underground failed to make a dent at the box-office. It would be Constance Bennett's last starring film--and Gracie Fields' last film, period.

Grace Milroy loses her job working at a factory. However, through a strange set of circumstances, she is taken on as housekeeper at the nearby Swinford Castle the home of the eccentric Duchess of Swinford.

A lancashire singer buys a pub in Clydebank and hits money troubles when the shipbyards are closed. She takes a petition to London to try to get them reopened.

A woman prevents a popular stage performer getting arrested for drunk driving, though has to pretend to be a rich benefactor when she next meets him.

Documentary telling the story of the ENSA performers who kept up the troops' morale during World War II, with contributions from Dame Vera Lynn, Eric Sykes and Tony Benn.

Entertainer quits a crooked London theater and sets up her troupe on her uncle's farm. A famous musician joins the group and helps them get a legitimate booking.

Four panelists must determine guests' occupations - and, in the case of famous guests, while blindfolded, their identity - by asking only "yes" or "no" questions.

An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.

The Ed Sullivan Show is an American TV variety show that originally ran on CBS from Sunday June 20, 1948 to Sunday June 6, 1971, and was hosted by New York entertainment columnist Ed Sullivan. It was replaced in September 1971 by the CBS Sunday Night Movie, which ran only one season and was eventually replaced by other shows. In 2002, The Ed Sullivan Show was ranked #15 on TV Guide's 50 Greatest TV Shows of All Time.

DuPont Show of the Month is an acclaimed 90-minute television anthology series that aired monthly on CBS from 1957 to 1961. The DuPont Company also sponsored a weekly half-hour anthology drama series hosted by June Allyson, The DuPont Show with June Allyson. During the Golden Age of Television, DuPont Show of the Month was one of numerous anthology series telecast between 1949 and 1962. Superficially, it resembled Playhouse 90 and other anthologies, but DuPont Show of the Month focused less on contemporary dramas and more on adaptations of literary classics, including Oliver Twist, The Prince and the Pauper, Billy Budd, The Prisoner of Zenda, A Tale of Two Cities and The Count of Monte Cristo.

“The Bell Telephone Hour” was a musical variety show that aired on “NBC” TV from 12 January 1959 to 14 June 1968 that showcased the best in Broadway, Classical, Concert, Jazz and Popular music each week. The series had its’ own house band appropriately named the “Bell Telephone Orchestra”. The show also had its’ own theme song being the “Bell Waltz” composed by “Donald Voorhees” who was also the show's Orchestra conductor. Some of the greatest violinists of the 1960’s performed on this show that aired in the old “Black & White” format. Some of these great violinists included “Erica Mornin”, “Isaac Stern", "Michael Rabin", "Ruggiero Ricci", "Yehudi Menuhin" and "Zino Francesacatti". From time to time some of the great singers and bandleaders of the 1960’s would perform on the show as well. Some of these were “Bing Crosby”, “Gordon MacRae”, “John Gary”, “Leslie Uggams”, “Mary Martin”, “Nelson Eddy”, “Patti Page” and “Roy Rogers”. The TV show followed on the heels of its’ predecessor with the same name on “NBC” radio that aired from 29 April 1940 to 1958 on Monday nights at 8 PM. The name of the show was derived from its’ Major sponsor “Bell Telephone Laboratories”. The TV version began airing on Friday nights at 8:30 PM once a month. It later was given it’s same time slot now airing every other week alternating with another show on the other weeks such as News shows and specials. The show time slot changed quite often over the years. In September 1960 it aired at 9 PM and in September 1961 it moved to 9:30 PM. In October 1963 it moved to Tuesday nights at 10 PM, September 1965 it moved to Sunday night at 6:30 PM and in September 1967 it made its' final move back to Friday night at 10 PM.

The Goodyear Television Playhouse is an American anthology series that was telecast live on NBC from 1951 to 1957 during the "Golden Age of Television". Sponsored by Goodyear, Goodyear alternated sponsorship with Philco, and the Philco Television Playhouse was seen on alternate weeks. In 1955, the title was shortened to The Goodyear Playhouse and it aired on alternate weeks with The Alcoa Hour. The three series were essentially the same, with the only real difference being the name of the sponsor. Producer Fred Coe nurtured and encouraged a group of young, mostly unknown writers that included Robert Alan Aurthur, George Baxt, Paddy Chayefsky, Horton Foote, Howard Richardson, Tad Mosel and Gore Vidal. Notable productions included Chayefsky's Marty starring Rod Steiger, Chayefsky's The Bachelor Party, Vidal's Visit to a Small Planet, Richardson's Ark of Safety and Foote's The Trip to Bountiful. From 1957 to 1960, it became a taped, half-hour series titled Goodyear Theater, seen on Mondays at 9:30pm.