Kiuchi Yoshikazu

Based on true story of the wife of Ando Momofuku, the businessman who founded Nissin Food Products Co. Ltd. and the inventor of instant ramen, the 99th Asadora follows the life of Tachibana Fukuko, a young woman who tries to survive tough times in Osaka with her husband from before WWII to the rapid economic development era. Together they overcome various setbacks before they succeed in creating instant noodles. (Source: MDL)

In the end of Meiji era, Takei Chiyo was born in a poor family in Osaka, and was sent to a theatre tea room as a servant when she was 9 years old. There, she was attracted by the world of theatre comedy. She grows up to be an actor and marries to Amami Ippei , but the war broke out and she was forced to stay away from acting for a while. However, when she comes back again, her acting in a radio drama impresses many people and makes herself one of the leading actors in western Japan.

Iwakura Mai lives with her parents Kota and Megumi and older brother Haruto. Her father Kota runs a small factory in Higashi Osaka, a district that is known for its craftsmen. Mai is shy and withdrawn. But when she visits her grandmother Shoko who lives on Nagasaki’s Goto Islands which has a rich natural environment, she is entranced by the Baramon kites that catch the wind and soar high in the sky. Wanting to fly high in the sky like these kites, Mai’s longing swells into a dream to become a pilot. Even though she works hard, the path to getting there is tougher than she had imagined. As Mai deepens her ties with the people living in her two hometowns of Higashi Osaka and Goto, her dream eventually takes a new form. She gathers enthusiastic friends to build a small electric plane that can fly to and from the islands. Her dream becomes a wing that carries everyone’s dreams and takes off.

Osaka was the the site of Expo ’70, and among the most memorable elements of the event, standing to this day, is the "Tower of the Sun", a 70-metre-tall sculpture/building envisioned and designed by renowned artist Taro Okamoto, who some call “the Japanese Picasso”. This film is a theatrical adaptation of "TAROMAN", a tokusatsu series re-envisioning Okamoto's most famous pieces as surrealist superheroes and villains, with Ultraman-like TAROMAN, based on the Tower itself, at the forefront of it all.