Jim Jarmusch

Slingblade, karmaşık bir ahlaki ikilem içinde kalmış Karl Childers’in gizemli, ruhani ve karamizah öyküsüdür. Çocukken çok dindar bir ailede büyüyen Karl, ailesi tarafından Tanrı’nın bir cezası olduğuna inandırılmıştır. Bir gün annesini kasabanın serserileri ile cinsel ilişki sırasından gören Karl, yaptıkları şeyin yanlış olduğunu düşünerek onları bıçaklayarak öldürür. Bu cinayet sebebiyle akıl hastanesine konur ve şimdi, 25 yıl sonra serbest kalarak tekrar topluma karışır.

Mahallelerinde canları sıkılan bir gurup hemen yakındaki bir tütün dükkanını ziyaret ederek orasını birtür buluşma ve eğlence yeri gibi kullanmaya başlarlar. Tütün dükkanı adeta bir kahvehaneye dönmüştür ve oraya gelen herkes çok güzel eğlenmeye başlamıştır. Ancak sanki bu yeni gelişmeden rahatsız olan dükkan sahibi orasını kapatmaya ve gösterişli bir vejetaryan lokanta olarak yeniden açmaya niyeti olduğunu onlara söylemiştir. Bu gelişme, oraya takılan herkesi çok üzmüştür ve artık birçok kişinin uğrağı haline gelen bu mekanı kaybetmemek için elbirliği ile karşı koyma çalışmalarını başlatırlar.

Film producer Sy Lerner makes a bet with a fellow film executive that he can turn any nobody into a star at the Cannes Film Festival. A New York cab driver who is visiting the festival is chosen as the test subject to settle the bet and Sy uses his skills of hype and manipulation to try and turn the cab driver named Frank into the talk of the town. Many celebrities make cameos throughout the film.

No other band in rock'n'roll history has rivaled The Stooges' combination of heavy primal throb, spiked psychedelia, blues-a-billy grind, complete with succinct angst-ridden lyrics, and a snarling, preening leopard of a frontman who somehow embodies Nijinsky, Bruce Lee, Harpo Marx, and Arthur Rimbaud all rolled into one. There is no precedent for The Stooges, while those inspired by them are now legion. The film will present the context of their emergence musically, culturally, politically, historically, and relate their adventures and misadventures while charting their inspirations and the reasons behind their initial commercial challenges, as well as their long-lasting legacy.

A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.

The Leningrad Cowboys, a group of Siberian musicians, and their manager, travel to America seeking fame and fortune. As they cross the country, trying to get to a wedding in Mexico, they are followed by the village idiot, who wishes to join the band.

Recorded live at the Coconut Grove in Los Angeles, Roy is joined by an eclectic ensemble of rock and roll superstars including Jackson Browne, Elvis Costello, T-Bone Burnett, J.D. Souther, Jennifer Warnes, k.d. lang, Bonnie Raitt, Bruce Springsteen and Tom Waits.

As the front man of the Clash from 1977 onwards, Joe Strummer changed people's lives forever. Four years after his death, his influence reaches out around the world, more strongly now than ever before. In "The Future Is Unwritten", from British film director Julien Temple, Joe Strummer is revealed not just as a legend or musician, but as a true communicator of our times. Drawing on both a shared punk history and the close personal friendship which developed over the last years of Joe's life, Julien Temple's film is a celebration of Joe Strummer - before, during and after the Clash.

A document of Neil Young and Crazy Horse's 1996 concert tour. Director Jarmusch conducts interviews about the band's long history, interspersed with backstage footage from the 1970s and 1980s.

A Paul Joyce documentary on the American independent film scene.

An aspiring young filmmaker gets involved with an eccentric gangster for the financing of his first film.

A Finnish taxi driver in Berlin gets in over his head when he accepts a fare from two men with briefcases full of money stolen from ruthless gangsters.

When Howard Brookner lost his life to AIDS in 1989, the 35-year-old director had completed two feature documentaries and was in post-production on his narrative debut, Bloodhounds of Broadway. Twenty-five years later, his nephew, Aaron, sets out on a quest to find the lost negative of Burroughs: The Movie, his uncle's critically-acclaimed portrait of legendary author William S. Burroughs. When Aaron uncovers Howard's extensive archive in Burroughs’ bunker, it not only revives the film for a new generation, but also opens a vibrant window on New York City’s creative culture from the 1970s and ‘80s, and inspires a wide-ranging exploration of his beloved uncle's legacy.

John Boorman met Lee Marvin in London when the latter was making The Dirty Dozen and immediately they struck up a friendship. Shortly afterwards they made two films together, the first of which was Point Blank, during which Boorman found that he learnt a lot about screen acting and how to direct from the contributions and support from Marvin. Later they worked together on Hell in the Pacific. With his friendship providing an insightful collection of memories of Marvin, Boorman leads this intimate documentary on the life of Lee Marvin.

A gang of bank robbers with a suitcase full of money go to the desert to hide out. After burying the loot, they find their way to a surreal town full of cowboys who drink an awful lot of coffee.

Exploring the pre-fame years of the celebrated American artist Jean-Michel Basquiat, and how New York City, its people, and tectonically shifting arts culture of the late 1970s and '80s shaped his vision.

In a documentary about Samuel Fuller, the spectator gets different impressions about the Hollywood director and his films. The film is divided into the three sections: The Typewriter, the Rifle and the Movie Camera. The first segment covers Fuller's past as a newsman where he began as a copy boy and ended as a reporter. Part two describes Fuller's experiences in World War II, in which he participated as a soldier. The last section focuses on Fuller as director. Tim Robbins interviews Samuel Fuller revealing the director's own memories and impressions. Beside the interview, Jim Jarmusch, Martin Scorsese and Quentin Tarantino accompany the documentary with their comments.

An East Village performance space fought against the Bowery homeless shelter who threatened to shut them down. Some of the most iconic figures in music have performed here.

A portrait of the American director Jim J. at work on the set of his latest film, Only Lovers Left Alive.

Nick Koenig, aka Hot Sugar, is in a hot mess. Considered a modern-day Mozart, the young electronic musician/producer records sounds from everyday life—from hanging up payphone receivers to Hurricane Sandy rain—and chops, loops and samples them into Grammy Award–nominated beats. He’s living the life every musician dreams of, complete with an internet-phenom girlfriend, rapper/singer “Kitty.” But when she dumps him, Hot Sugar is set adrift. Fleeing to Paris, he tries to regroup, searching for new sounds and a sense of self. Filmmaker Adam Lough mixes scenes of Hot Sugar at work on his vintage recording devices with surprising soul-searching reflections he offers to the camera. As tweets and posts about the broken couple blow up on the internet, Hot Sugar’s road trip presses onward, revealing even more exotic layers of the man and his music. Fun and flash, this lyrical journey offers audiences a fascinating peek into a modern artist’s creative process.

From the 1950s onwards, Erika and Ulrich Gregor brought countless film historical milestones to Berlin and shaped cinema discourse in post-war Germany. A look at the life and work of the couple without whom Arsenal and the Forum wouldn’t exist.

Born with a silver spoon, Jonathan Shaw chose, at the height of his career as a tattoo artist, to give up on his celebrity lifestyle in order to escape from his own vicious cycle.

For over 70 years, Jonas Mekas, internationally known as the "godfather" of avant-garde cinema, documented his life in what came to be known as his diary films. From his arrival in New York City as a displaced person in 1949 to his death in 2019, he chronicled the trauma and loss of exile while pioneering institutions to support the growth of independent film in the United States. Fragments of Paradise is an intimate look at his life and work constructed from thousands of hours of his own video and film diaries-including never-before-seen tapes and unpublished audio recordings. It is a story about finding beauty amidst profound loss, and a man who tried to make sense of it all... with a camera.

Bu animasyon komedi dizisi, Springfield'de diziye adını veren aileye odaklanmaktadır. Baba Homer, tipik bir aile babası değildir. Nükleer santralde çalışarak ailesine liderlik etmeye çalışır ancak çoğu zaman ailesi onu yönetir. Sevgi dolu, mavi saçlı aile reisi anne Marge, sorun çıkaran oğlu Bart, çok başarılı kızı Lisa ve bebek Maggie, ailenin diğer üyeleridir.

While attending a Hollywood premiere with a famous action star, a crazed fan pulls a gun—but her movie hunk turns into a coward, and it's Vallery who becomes the hero. Suddenly, she's thrown into a world of action and danger as owner of a Hollywood protection agency, Vallery Irons Protection (V.I.P.), taking risks to protect others at a price few are willing to pay.

Staten Island'da yüzlerce ve yüzlerce yıldır birlikte "yaşayan" üç vampirin günlük (veya daha doğrusu gece) hayatlarına belgesel tarzında bir bakış.

A cartoon superhero interacts with live guests via his television set in this parody talk show based on 1960s Hanna-Barbera cartoon character Space Ghost.

SüngerBob KareŞort veya SüngerBob Karepantolon, Nickelodeon kanalı için deniz biyolojisi eğitimcisi ve animatör Stephen Hillenburg tarafından yaratılmış bir Amerikan animasyon komedi televizyon dizisidir. Diziye adını veren SüngerBob ve arkadaşlarının Bikini Kasabası adlı su altı şehrindeki maceralarını anlatır.

Jonathan Ames, a young Brooklyn writer, is feeling lost. He's just gone through a painful break-up, thanks in part to his drinking, can't write his second novel, and carouses too much with his magazine editor. Rather than face reality, Jonathan turns instead to his fantasies — moonlighting as a private detective — because he wants to be a hero and a man of action.

Musician John Lurie knows nothing about fishing, but that doesn't stop him from embarking on fishing in exotic locations with friends.

In these insightful one-on-one interviews, the industry’s biggest and brightest join host Elvis Mitchell (film authoritarian and critic for The New York Times) in front of a live audience for an in-depth look at the art of filmmaking and a discussion about their latest and greatest works.