Federico Fellini

Gianni, Nicola ve Antonio 1944'te Nazi'lere karşı savaşırken dost olmuşlardır. Hayallerle doldurdukları savaşın sonunda normal hayatlarına dönerler. Film bu üç idealistin hayat hikayelerini ve hayatın kaçınılmaz gerçekleriyle nasıl başa çıktıklarını anlatmaktadır.

Rüyaların, tutkuların, anıların ve kadınların yönetmeni Rimini'li Federico Fellini, Roma ile İtalya'nın en sinematografik kentine yakından bakıyor ve kendi Roma'sını anlatıyor. Filmin bir diğer adının, 'Fellini'nin Roma'sı' olması son derece anlamlı.Yarı-otobiyografik, yarı düşsel Roma, sinemacının Rimini'den Roma'ya taşındığı dönemde yaşadıklarından esinleniyor. Peter Gonzales'in yönetmeni canlandırdığı filmde Marcello Mastroianni, Alberto Sordi ve Gore Vidal gibi oyuncular izleyiciyi selamlasa da, filmin başrolünde Roma var. Konuklarıyla anlam kazanan, rengini içinde yaşayan insanlardan alan o rengarenk şehir... Belki de Fellini'nin çılgın ve melankolik bilinçaltına en yakın olan yer...

Italy, Europe and America during the 'Dolce Vita' years narrated with unseen and rare footage from NBC Archives in New York.

A story about the mythical film director

Born in Mexico, Anthony Quinn became the family's main provider when his father died in an accident. Thus began the story of a man who had a thousand jobs before acting in a Cecil B. DeMille film…

After shooting to fame with Federico Fellini’s “La Dolce Vita” (1960), actor Marcello Mastroianni (1924-1996) starred in more than 160 films in his nearly half-a-century career. Directors Mario Canale and Annarosa Morri look into the melancholic charm of one of the most famous Italian actors through interviews with his two daughters, Barbara and Chiara; directors Fellini and Luchino Visconti; actresses Claudia Cardinale and Anouk Aimee; and in archival footage of Mastroianni himself. The subject matter ranges from Mastroianni’s passion for kidney-bean pasta and his addiction to the telephone to his famous laziness, humility and talent. Shown in black-and-white, Mastroianni — elegantly holding a cigarette in between his fingers — is undeniably the dandy.

II. Dünya Savaşı’ndan hemen sonra çekilmiş olan film, savaşta İtalya’da yaşananları anlatır. Film, yönetmenin savaş üçlemesinin ikincisidir ve aynı zamanda İtalyan Yeni Gerçekçilik akımında yer alır.

We thought we'd seen, read, and heard everything there was to see about the Cannes Film Festival, from the glitz and gossip to the scandals and censorship. And yet, Emmanuel Barnault's "Morceaux de Cannes" (Pieces of Cannes), by this leading expert on Italian and French cinema, convinces us otherwise. The third largest event in the world (after the Olympic Games and the FIFA World Cup) reveals its secrets only sparingly, as this film attests. The result of passionate research in the INA archives, these 52 minutes, without interviews or voice-over narration, string together rare and sometimes previously unseen footage. Taken together, they tell a surprising, original, and heartwarming story of the Festival. On the beach, on a street corner, in a restaurant, or in the privacy of a hotel room, these forgotten archives summon the greatest filmmakers, actors, and actresses of the last seventy years, from Jean Cocteau to David Lynch, for an anthology of the Festival's history.

Fellini’nin sirke ve gerçeküstüne duyduğu büyük ilgi, son başyapıtlarından biri olan Palyaçolar’da gün ışığına çıktı. Film Fellini’nin çocukluğunda palyaçolarla ilgili saplantısını yansıtıyor ve küçük bir çocuğun, odasının penceresinden, kurulmakta olan bir sirki izlemesiyle başlıyor. Her ne kadar komik olsa ve “belgesel komedi” olarak adlandırılsa da, bu film otorite, yoksulluk, tevazu ve kibir gibi daha derin insanlık durumlarını inceler, bunların tümü de yörenin seks delisi berduşu, cüce bir rahibe ve sakat bir Mussolini destekçisi gibi karakterler olan palyaçolar aracılığıyla verilir. Ardından, Fellini’nin gençliğindeki bu palyaçoları Paris’te aramaya koyulup başlarına neler geldiğini öğrenmeye çalışmasıyla film, anlatıdan ve düşsel havasından uzaklaşıp daha belgesele yakın bir yaklaşım benimser.

How a young and wild tomboy Tunisian girl became a great actress by accident. Claudia Cardinale : the fanciful destiny of a paradoxical movie star, who appeared in Federico Fellini's, Luchino Visconti's, Blake Edwards' and Sergio Leone's films.

A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.

Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.

A mental journey - historical, political, musical and metaphysical - in contemporary times, from the Sixties until nowadays.

Documentary with interviews and clips of Fellini's movies.

Bohemian Alex Morrison has just finished directing his first feature length movie. In its previews, the movie is considered a critical, artistic and surefire commercial success. As such, Alex seemingly has his choice of what his next project will be. As he makes the rounds both in the Hollywood community and European movie centers for ideas, he fantasizes about movie scenarios of those everyday situations he is in.

Cinecitta is today known as the center of the Italian film industry. But there is a dark past. The film city was solemnly inaugurated in 1937 by Mussolini. Here, propaganda films would be produced to strengthen the dictator's position.

How the cinema industry does not respect the author's work as it was conceived, how manipulates the motion pictures in order to make them easier to watch by an undemanding audience or even how mutilates them to adapt the original formats and runtimes to the restrictive frame of the television screen and the abusive requirements of advertising. (Followed by “Filmmakers in Action.”)

Federico Fellini was one of the most individual and thought provoking directors who based most of his films upon his own reflections, dreams, life events and fantasies, who did not convey any special message for humanity but regarded cinema simply as entertainment. Is there an answer to everything? Can it possibly be? If yes, then life can no longer be so curious, so dynamic, so creative...

A tribute that Wes Anderson wishes to pay to one of his favourite directors on the occasion of the 100th anniversary of his birth. Together with Francesco Zippel, Anderson has retraced some themes close to Fellini’s own approach to cinema.

A film of Enrico Berlinguer's funeral in Rome, briefly tracing his career as leader of the Italian Communist Party.

A documentary about the Italian cinema as art form and industry.

Traces the life of Anna Magnani, her creations, her successes, her triumphs, her boycotted career, her nonconformism, her anxieties, her generosity ... Punctuated with photos that tell her career in theater and cinema, Extracts of films, this documentary portrait also gives the floor to his friends and relatives, from Roberto Rossellini to Marcello Mastroianni, through Federico Fellini.

Television documentary about the making of Roberto Rossellini's 1945 film "Rome, Open City".

The Dick Cavett Show has been the title of several talk shows hosted by Dick Cavett on various television networks.

Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen... the biggest stars in cinema were welcomed by Christian Defaye on his show Spécial cinéma. Between intimate confessions from actors and immersion in the world of the greatest filmmakers, Christian Defaye took viewers on a journey into the fascinating world of cinema for nearly thirty years.

An annual American awards ceremony honoring cinematic achievements in the film industry. The various category winners are awarded a copy of a statuette, officially the Academy Award of Merit, that is better known by its nickname Oscar.

Le Grand Échiquier is a French variety television program created and presented by Jacques Chancel. It aired at 8:30 pm on the first channel of the ORTF from January 12, 1972 to July 12, 1972, then on the second color channel of the ORTF from September 1972 to December 1974, and finally on Antenne 2 from January 1975 to December 21, 1989. The program returned to France 2 on December 20, 2018 and is hosted by Anne-Sophie Lapix.

A four-part documentary series about the Italian director Federico Fellini.