Pierre-François Pistorio

The Mr. Men Show was an animated television series based on the original Mr. Men and Little Miss books created in the 1970s, 80s and 90s by British author Roger Hargreaves and his son Adam Hargreaves. Adapted from the published source material into a television variety program, The Mr. Men Show features comedy sketches, pantomimes, dance numbers and music videos. The TV series is directed by Mark Risley and executive produced by Eryk Casemiro & Kate Boutilier. Original score and songs are composed by Jared Faber. Season 1 first aired on February 4, 2008 and Season 2 aired on September 8, 2009.

An anthology of erotic stories by famous writers like Guy de Maupassant, Nicolas Edme Restif de La Bretonne, Marquis de Sade, Giovanni Boccaccio, Marquis de Foudras, Daniel Defoe, Anton Tchekov, Jin Ping Mei, and Aristophanes.

Mr Men and Little Miss aired in both the United Kingdom and the United States. In the United Kingdom, the program was fully animated, and the characters were voiced by British voice actors Geoffrey Palmer, Gordon Peters, and Jill Shilling. The show was narrated by Geoffrey Palmer. In the United States, the voices were dubbed into North American English by Canadian voice actors and the program had live-action segments between animated segments.

Kid Paddle is a Belgian, French and Canadian co-produced animated series. It aired on Teletoon, Sundays at 4:00 am, EST, but is currently on an indefinite hiatus. The show is based on the long running popular Franco-Belgian comic series of the same name, created by Michel Ledent.

Diabolik is an internationally co-produced animated television series, based on the Italian comic book series of the same name created by Angela and Luciana Giussani. The series features master thief Diabolik and his companion Eva, as they fight and gradually expos criminal organization known as the Brotherhood and his leader Dane, while evading Inspector Ginko.

In the heart of Central Park, lives a missing little girl, a savage named Toupou. She was taken in by the pigeons of the park and the squirrels and thus developed an animal behavior, on the margins of society. His meeting with little Norton, the mayor's son, shy and reserved, will change his life and together, the two new friends will experience all kinds of funny adventures and experience the situations that young children of their age are called to be. confronted ... but the particular personality of the little girl provokes, in this way, her share of stories!

Toplumun kurallarıyla boğuşan, cinsellik ve özgürlüklerinin karmaşasına düşen karakterlerle dolu, birbirine muğlak derecelerde bağlı olan bölümlerden oluşan bir Bunuel filmi. Filmde, bir yemek masası çevresinde klozetlere oturmuş insanların kimsenin görmediği yerlere çekilip yemek yemek için özürlerle sofradan kalkmaları gibi sahneler mevcut. Komik ve çılgın öğelerin bulunduğu filmde, Luis Bunuel sürrealistliğini doyasıya ortaya çıkarmıştır. Onlarca başyapıt çıkarmış bir yönetmenin en sıradışı çalışmalarından biri * bunuel: ironi ve absürtlük... toplumu yerden yere vurarak eleştiren, bitirmediği, yarım bıraktığı hikayeler ile insanı meraktan çıldırtan bir film * İnsanların özgürlüğü aradıkları ama onun anlamını bilmedikleri ve daha çok ondan korkmaları... Sahnelerde hep ters ilişki var, burada asıl özgürlük bir hayalet gibi (komünist manifestonun giriş bölümünde böyle bir hayalet benzetmesi yapılmakta) küçük burjuva ve konfor arayışındaki insanların arasında sadece geziniyor.

Octave has married Hyacinthe during the absence of Argante, his father.

Anthony Perkins’ face and name remain familiar to a younger 21st century audience, fond of giallo and slashers. But he has long struggled in the shadow of his most famous character, Norman Bates – the young man in Alfred Hitchcock’s masterpiece, “Psycho". We also discover that he was an amazing crooner. His greatest success, “Moonlight Swim”, will be taken up by Elvis Presley. He even directed “Psycho III” – proof of his reconciliation with his favorite bogeyman.

In 1916, Vincent van Horst leaves Europe to return to his Canadian homeland. There, he seeks his former love, Maria... but the lady's pride is hurt and she refuses to see him. Vincent then falls for a younger woman, Annie.

Before Nicholas had a family and children, he was a doctor. It was 10 years ago when he left them to create a new life. Now Nicholas is Lea. When a business trip brings Lea to Paris the urge to see her children again is too great to resist, Lea pretends to be a musical journalist and interviews her daughter Emma, a pianist. Through gradual revelation the children learn the truth. Lea’s unwavering determination and spirit lead her to find reconciliation with her family no matter what the price.

This 1991 production by the Lyon National Opera presents a welcome opportunity to revel in a uniquely Gallic confection rarely seen outside France. It's also a chance to enjoy one of Offenbach's most inventive, melodic scores in which the starring musical role and many of the best tunes go to the orchestra, here conducted by Jean-Yves Ossonce. This is no accident: the operetta was originally created for a company of actors who relied on pastiche and the composer's help to get them through their "numbers". Not so these singers, of course. As Metella, the languorous courtesan who is responsible for the unravelling debacle, Helene Delavault is in meltingly good voice for her show-stopping rondeau, "A minuit sonnant commence la fete". Her sparring suitors Gardefeu (Jean-Francois Sivadier) and, particularly, Bobinet (Jacques Verzier) combine marvellous visual comedy with fluid singing and there is some dazzling vocal work from the supporting cast. It's a long piece, but hugely enjoyable.