Sergio Leone

Indio adındaki bir kanun kaçağını yakalamak için iki kelle avcısı işbirliği yaparlar. Monco'nun kazanacağı para dışında dert ettiği bir şey yoktur. Ancak Mortimer'in kimsenin bilmediği bir sırrı vardır ve hesaplaşmak için büyük günün gelmesini beklemektedir. İki adamı da durduracak bir şey yoktur ve önlerine çıkan her şeyi yok etmeye hazırdırlar * Sert erkeklerin, hızla kılıfından çıkan silahların ve Hollywood'un birtakım ahlaki gerekçeleriyle ortaya çıkardığı western mitine inat eğlencelik şiddetin sahne aldığı "Bir Kaç Dolar İçin" türün meraklıları için bulunmaz fırsat

İkinci Dünya Savaşı sonrasında geçen hikaye, fakir bir babanın ve oğlunun dramını anlatıyor. Uzun süredir işsiz olan Antonio, sonunda para kazanabileceği bir iş bulur. Bisikletle dolaşıp duvarlara film afişleri asacaktır. İşinin ilk gününde bisikletini çaldıran Antonio, son ekmek kapısı olan bu bisikleti bir hırsıza kaptırmayacak ve oğluyla birlikte hırsızın peşine düşecektir.

The portrait of the last cowboy Hollywood legend dives into the 65 years of an extraordinary career in Hollywood, highlighted iconic films like The Good, the Bad and the Ugly, as well as Million Dollar Baby, Mystic River and Gran Torino all the way to Cry Macho in 2021. It is no small task to cover more than 60 years of cinema history, especially when it is trying to surveyed with such breadth and diversity: TV star, international star, controversial icon, contested director, filmmaker with a capital F, Eastwood has been through it all, experienced it all, and it is first of all this romantic trajectory, this true American pastoral that the documentary wants to tell with all the passion it possibly can.

Film yapımcıları Quentin Tarantino ve Ruggero Deodato ile yapılan röportajları içeren bu belgesel, Sergio Corbucci imzalı spagetti Western'lere saygı duruşu niteliğinde.

To mark the recent thirtieth anniversary of Sergio Leone’s death, this documentary sets out to pay tribute to one of the great legends of world cinema. The singular artistic vision of Sergio Leone has transcended national borders, creating the Spaghetti Western genre and transforming the international cinematic panorama forever with his innovative stylistic and narrative solutions, which have now become part of the language of the movies. The film, which is enriched with precious archive footage from the Cineteca di Bologna, including rare audio recordings and film clips shot behind the scenes, sees for the first time the direct participation of the Leone family and has interviews both with Leone’s longtime collaborators and with icons of Hollywood who have been profoundly influenced by his work.

With a focus on Clint Eastwood's career as a director, this documentary features movie clips, behind-the-scenes footage, interviews with people with whom he has worked, as well as comments from Clint Eastwood himself.

An idealistic first-time director lives for his art — until he meets a wife of an Italian producer at the Cannes Film Festival. A passionate affair begins, but the couple's romance is tested as they face the temptations of fame and fortune.

Province of Burgos, northern Spain, October 2015. A group of fans undertake the titanic task of restoring the location of the last scene of The Good, the Bad and the Ugly, the mythical spaghetti western directed by Italian filmmaker Sergio Leone in 1966.

The relations between Parma and cinema were so strong for almost the whole of the twentieth century that this city became an early laboratory of ideas and theories on cinema and a set chosen by some of the greatest Italian authors and beyond. Furthermore, a considerable number of directors, actors, screenwriters and set designers were born in Parma who have made their way internationally, testifying to the fact that in this small city in Northern Italy there was a decidedly cinematic air. Red armchairs takes up the thread of this story, wondering why, unique among the Italian provincial cities, Parma has given so much to the cinema, accompanying the viewer on a journey backwards that from the first projections of the Lumière cinema reaches the ultramodern experience of new multiplexes. During this journey we will meet the characters who created the conditions for this diffusion of cinematographic culture in Parma.

First part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Followed by The Wages of Sin.)

Cesare Mancini is a tram driver who lives in Bologna. One day he accidentally hits a woman on a bicycle, the accident costs Cesare the relegation to a ticket seller.

A short documentary based on Sergio Leone's life and career, and the making of the film "Once Upon a Time in America."

A vindication of the role of the technicians and artists who made spaghetti western genre possible, and a walk through the landscapes that made it possible to recreate in Spain, mainly in the desert of Almería, hundreds of adventures set in the remote American Far West.

The destiny of Sergio Leone from his poor childhood in a neighborhood under fascism in Rome until his last film in America. This guided the filmmaker's personal life and career to create his epic antiheroes and spaghetti westerns.

Third part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by The Wages of Sin.)

Profile of Clint Eastwood.

Second part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by An Opera of Violence; followed by Something to Do With Death.)

A visual history of Italian western cinema in the 60s and 70s.

The life of Antonio Vivaldi, called "the red priest", his relationship with the world and the Church, his spiritual battles, his love for a woman.

The film was originally called "The fires of San Martino". Left unfinished, it was finished in 1950 with the addition of some sequences.

A documentary about the Italian cinema as art form and industry.

The Milanese Luigi Pizzigoni, photographer, and the Neapolitan barber Peppino Avallone, resident in Milan, are opponents in the sports field. The first is a proud Inter supporter, while the second is from Napoli.

A talk show presented by Michel Drucker

Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen... the biggest stars in cinema were welcomed by Christian Defaye on his show Spécial cinéma. Between intimate confessions from actors and immersion in the world of the greatest filmmakers, Christian Defaye took viewers on a journey into the fascinating world of cinema for nearly thirty years.

Midi Première is a French variety show presented by Danièle Gilbert, directed by Jacques Pierre and broadcast from January 6, 1975 until January 1, 1982 on TF1. The program was generally broadcast between 12:15 p.m. and 12:55 p.m., then giving way to the 1:00 p.m. TV news. However, the broadcast schedule could change, depending on the guests, and the setting where the recording of the program was shot. Certain performances by artists who have become cult like the one where Ringo jostles with a demonstrator in interpretation (1977), that of Dalida with the title There is always a song with the soundtrack that does not start, twice, at the right speed (1978), Claude François and his Clodettes, who, in the provinces, are unable to join "the set" in order to interpret his song, the latter being taken by the crowd of delirious fans (summer 1977) . The group Supertramp performed there with the title "Dreamer" on March 8, 1975.