Lea Gerstenkorn

While her family is still at church, 27-year-old Monika sets the table for Christmas dinner at home. She's finally ready to do it: come out.

27-year-old Anna and Jonas, who is one year older, get to know each other through their university clique. The initial attraction leads to an unspectacular one-night stand that seems like the beginning of a light summer affair. However, the encounters between the two are also characterized by a lot of friction and provocation. Then something happens that completely changes their lives: after a party with lots of alcohol, the two have sex. Later, Anna thinks she was raped by Jonas. Anna feels traumatized and thinks she can remember her “no.” Jonas, on the other hand, remembers consensual sex. The only person Anna can initially confide in is her sister Daria, who advises her to report the crime. Eventually, those around you also find out about the accusation. Friends have to take a stand. The podcaster Kelly researches the events and tries to explore attitudes and discourses surrounding the case and its effects on victims, perpetrators and those around them.

In 2017, Julia C. Kaiser receives a scholarship as a filmmaker. The only problem is that she can't work. Reasons for this include confusing experiences with the acting production during the shooting of her last film. In order to free herself from this crisis, she organizes a workshop at the Hanover University of Music, Drama and Media as part of the scholarship. Together with the acting students, she tries to find out in recurring and changing film scenes and acting constellations, as well as in personal conversations, when we play which role - and whether we ever fail to do so.

Diziye konu olan olaylarda hep tanıdık temalar hakim. Almanya’da gündelik yaşamı etkileyen ya da geçmişte etkilemiş olan her konu, dizide ele alınıyor ya da alındı: Almanya’nın birleşmesi, terör, organ ticareti, küreselleşme, ırkçılık, uyuşturucu kullanımı, çevre skandalları, çocuk istismarı, işsizlik, sanayi suçları, yaşlı bakımıyla ilgili sorunlar, ya da eş bulma hizmetleri. Gerçek yaşamdakinden farklı olarak, toplumsal ayrılıklar “Tatort”ta her zaman çözülmese de, cinayetin faili her zaman bulunuyor ve pazar akşamı herkes yatağına huzur içinde gidiyor. Edebiyatbilimci Jochen Vogel’in sözleriyle “Tatort, Alman toplumunu anlatan bir roman.”

Uluslararası Uzay İstasyonu'nda ölümcül bir kaza meydana geldiğinde yalnız bir astronot Dünya'ya kahramanca bir dönüş yolculuğu yapar, ancak küçük kızı da dâhil olmak üzere hayatının önemli parçalarının değiştiğini fark eder.

Gözü pek bir girişimci mi, yoksa bir sahtekâr mı? Bir gazeteci, New York sosyetesini Alman bir mirasyedi olduğuna inandıran Anna Delvey'nin öyküsünün peşine düşer.