Zoltán Mucsi

Birimin başındaki isim olan Control’ün sağ koluyken, görevden uzaklaştırılan İngiliz casusu George Smiley (Gary Oldman), hükumet tarafından gizlice tekrar kiralanır. Zira, İngiliz Gizli İstihbarat Servisi Sirk’in içinde Sovyetler Birliği için çalışan ’köstebek’ bir ajan olduğu şüphesi tüm örgütü sarmıştır... Smiley şimdi gözden çıkartılan kafatası avcılarını himayesine alma pahasına Budapeşte’den İstanbul’a uzanan bir ihanet hikayesini çözerek itibarını geri kazanmaya çalışacaktır...

Yaşadığı ülkeden babası ile birlikte kaçmaya çalışan Aryan, sınıra vardıklarında ırkçı bir polis tarafından vurulur. Ölümün kıyısına kadar gelen Aryan hayatta kalmayı başarır ve mucizevi bir şekilde süper güçler kazanır. İçine girmiş olduğu yeni dünyaya alışmaya çalışan Aryan, tanıştığı ahlaksız bir doktorla kendisini farklı maceralar içerisinde bulur.

Budapeşte metrosunun karanlık dehlizlerini mekân tutan "Kontrol", bir grup bilet kontrolörünün yeraltında yaşadığı olaylara kara komedi türünde odaklanıyor. Bu genel tarife rağmen, aslında filmi bir türe sığdırmak pek olası değil. Luc Besson’un Metro’sundaki koreografiyi hatırlatan tavrıyla muhtelif insan portrelerine yer veren filmde, ortam yine alternatif bir yaşam ünitesi olarak sahneleniyor. Lakin esas mevzu, sembolize ettiği üzere, “araf” misali bir yerden bir yere geçiş hali, platformu olması. Bu ilk uzun metraj filmiyle ülkesinde gişe başarısı da yakalayan 30 yaşındaki Macar yönetmen Nimród Antal’ın derdi açık; kaos çivisi çıkmış dünyamızın, yeryüzünün sembolik bir resmini çizmek.

Directed, written, and co-produced by Zoltan Kamondi), Kisertesek ("Temptations") illustrates the struggle between ancient traditions and the modern world of restless young Marci (Marcell Miklos), a fatherless young man who is considered somewhat of an outcast within the community.

Relationship dramedy about an everyday couple adventuring through the confusing thrills of non-monogamy.

Three short stories dealing with the problem of refugees.

During the Seven Years War, Austrian Queen Maria Theresa sends her best general, András Hadik and his Hussars to raid Berlin and humiliate the Prussian King, Frederick the Great.

This is the story of present-day Hungary's most famous gay celebrity who openly admits his homosexuality and fights for gay rights in a society where so many alternative values are denied. But then something happens and he is shocked to discover his growing interest in the female of the species.

A Hungarian historical movie that tells the story of the Hungarian ancestors, the seven leaders, who are looking for their new homeland in the last years of the 9th century. Before they leave their original home in Asia, they have a farewell party. They wake up with a severe hangover after consuming large quantities of kumis. The seven leaders wake up to find that their people have disappeared.

Geri’s life flashes before him in the “Buhera Matrix,” a cringe-worthy slideshow of childhood photos from Pioneer camp to prom night. He relives the absurd clash between Mickey Mouse and socialist youth rituals, debates the perfect horse-chestnut hole size and survives the notorious fruit-game initiation. As the disastrous graduation and its Bavarian-style sacrifices cap off his painfully vivid memories, the film spins forward through Hungary’s late-20th-and-early-21st-century history through the eyes of a ’70s-born generation.

The film is a stage play hybrid showcasing dark and absurd sketches based on contemporary Hungarian news of the 2000's with campy, senseless musical interludes in-between. Highly experimental in nature that - like Marmite - will split its' crowd into ones that'll love it and others that'll loathe it. There's no middle grounds here. The topics included are: The Hungarian Olympians' doping scandal, political terrorism, the national elections... and more.

1979. Gábor H. works in a law enforcement institution. He robs a bank branch, gets into jail. 1989. Gábor H. and the similarly unemployed Sanyi want to get money by robbing.

What happens when two eccentric individuals—a grandfather and his grandson—are forced to spend an entire weekend together? Based on stories and screenplay written by Olivér Gömbös, a young creator on the autism spectrum. For many years, Olivér has been expressing himself and his view of the world through unique film narratives. With a talented creative team and outstanding actors, director Tamás Németh Pákolicz has helped bring Olivér’s greatest cinematic dream to life.

Ever since I started making films it has bothered me in a certain sense that film images are far too concrete, because technically they try to imitate the sense of space characteristic of everyday life. So the story ignites the imagination only to be slowed down by the images and stops the viewer from taking a flight of fantasy. I have always been searching for an intrinsically different tool in filmmaking. One that could record space in its temporal progression. I would never have thought it existed!

Nina loves to make up stories, she wants to become a writer. Though she has her creative talent from her filmmaker father, there’s just one problem: Her clumsy magician brother Junior is bored of her stories. And since her mother died early, it’s difficult for Nina when a new love comes into her dad’s life. With the guidance of a bohemian writer next door, Nina uses writing to process the loss of her mother and open her heart to a new family member and first love. And suddenly, Nina realizes, her life is becoming a novel!

Drop dead please! Following the sudden death of a mysterious engine driver in his sixties, the Wife, the Lover, her illegitimate Daughter and an increasing number of shady characters from his spurious past want to know the true identity of the man they loved. They are dying to know which of them was really loved by him, and where he has hidden the fantastic fruit of his double life. In their deadly struggle, our heroes find themselves in the center of a satirical crime comedy, the sinful roots of which stretch back to the eighties, the closing decade of the socialist era.

Waiters’ competition at Heroes’ Square in the late thirties. Dressed as waiters, Kapa and Pepe awake in the bronze chariot of the millennial sculpture group. They drive along the Danube promenade, and on the concrete reinforcement of the demolished Budapest rondella hotel they get involved in a showdown of political background. In the burnt-down Sports Hall the waiters train for a last supper, Pepe and Kapa run around the big laid table with trays in their hands. While doing so, Pepe keeps crying out: "I am the best one, I am the most beautiful one, I am the king, I am the god..." Sitting in a boat on the Danube, a ship goes past them, and the Niagara falls, majestic and breathtaking, resound in their ears. On each passing away something new will come to life – as rapped by Sub Bass Monster.

For Kálmán, button football is a serious sport. He and his team are preparing for the European Championship. They could have a good chance of qualifying, but they are disqualified for financial reasons at the last minute. With an unexpected twist, a billionaire mistakenly transfers 100 million forints onto their account.

The crew of Tibi Balogh sets out on a journey across Hungary to get the ancient Gold Owl statue, as well as the Milk Man. The treasure is worth millions, who gets there first?

After they got imprisoned, small-time criminals Kuplung and Csumpi tell their stories to their cell-mate of how they have planned the most imperfect robbery. Their big idea was to rob the Money-liquidation Warehouse. The movie shows how they fielded a team to execute the robbing and how everything went wrong.

The story shows Emma's and Böbe's fight for survival, for keeping their position in society which they achieved with hard work in the previous regime. They don't want to lose their place and become village girls again.

Péter Sóvári is a successful actor and notorious womanizer. Director Lajos Borsai, equally fond of the playboy lifestyle but in dire financial straits, aims to secure his fortune by wooing Mexican soap-opera tycoon Dulcinea de la Rosa as both wife and backer for his script. Their paths collide when both men fall in love with rising star Ibolya.