Gabi Herz

Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.

Three women, three different stories, one room in a psychiatric clinic. A strong and tumultuous relationship erupts among them, evolving into an energetic, honest and erotic bond. This takes them to a point where their hopes may be fulfilled… in very different ways.

The notoriously single and not-so-successful womanizer Max has settled down perfectly into his bachelor life when suddenly the enchanting Lisa, sister of his flatmate and partner Ulli, appears on his doorstep and asks to stay for the next four weeks. Nothing better than that, Max thinks to himself and smells prey. But in no time at all, Lisa's appeal is gone when Max realizes that she hasn't come alone: she has her sweet baby Maya with her - and that's the last straw for Max. How is he and Ulli supposed to win the city council's architectural competition if a toddler is constantly bawling in their ears? Ulli insists on helping Lisa and puts a gun to Max's head: either mother and child can stay - or he will leave the apartment they share.

A child with a bleeding nose, sitting at the window in a bus and his young father whose nose is bleeding too. The young father tries to wipe the blood from the child’s nose, but because his own nose is bleeding too, It keeps on dripping on his shirt, and whenever he tries to wipe his own blood away, the same happens to the little boy – not about this is the Film. In the Film can be seen a Boy, a Girl, a Dog, a Boat and a River – and all this through a prism of tears in different geometric shapes.

After attending a wedding on a steamboat traveling down the river Spree, three friends from Hamburg become stranded in a newly reunified Berlin. They begin a restless odyssey through the wastelands of a metropolis wavering between an unpredictable future and a lingering past.

"Frontalwatte" is like running against a hard wall and falling down softly. Franz, Adrian and Anastasia stumble through a pointless world. They kill time by viewing apartments, jaw operations, incest and poetry slams. Their search for identity becomes a search for the best fitting role.

Bianca is cool, confident, successful at work and proud of her independence. For her, men are annoying bores - she only has an affair for the sake of convenience. Until one day the painter Ion makes her an immoral offer at a private view...

Within four episodes ("Er am Ende", "Muss ich aufpassen", "Eva" and "Are You Lonesome Tonight?" ) are being told adventures of love sick Felix. On Sylt he meets two nymphomaniac women, in Hamburg he meets Eva, a girl who is even more love sick and later he meets Luci who gives him an indecent proposal. Thus he flees again...

Jenny is on the road in her film producer's Rolls-Royce, which she has to drive to a film shoot and a wedding. When she gets lost at night, she finds a wrecked car in the ditch and rescues a skinhead.

The film tells the story of Faust who unites with the devil in search of ultimate wisdom. He realizes too late, that winning Gretchen's heart with the devil's help means destroying her life.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

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Tanınmış psikiyatrist Viktor Larenz'in 13 yaşındaki kızı Josy, hiçbir tanık, hiçbir iz ve bir ceset olmadan, açıklanamayan bir şekilde ortadan kaybolmuştur. İki yıl sonra gizemli bir kadın ortaya çıkar. Viktor'u kızının ortadan kaybolmasıyla yüzleşmeye zorlar ve onu psikolojik sınırlarına iter.