Peter Gál

Filmler5

• Film5.2

  Dram

  The top sport was also closely monitored in the communist era, and officials were naturally bothered that the pentathlon team failed to win the World Championships. But the measures that should have ensured redress were caught up in a web of behind-the-scenes machinations that backfired on the athletes themselves, their endurance and their family backgrounds. While the film has critical ambitions and wants to reveal much of what should have remained hidden from the public eye, it is a rather clumsy and schematic view, not very convincing in terms of realisation.

  Stupně poražených

  1988 · 4 votes

• Film7.7

  AileFantastik

  Woodcutter Ondra, who for his bold nature is called Nebojsa. He goes into the world to learn fear. During his journey, on which he is accompanied by a cowardly thief Ferka, he can deal with a bunch of bandits, vicious mill, fiery rock and eventually he must confront the evil wizard who swore a beautiful princess. Will Ondra do all his courage and ingenuity to liberate Princess?

  Nebojsa

  Don't Be Afraid

  1989 · 7 votes

• Film7.0

  Aile

  In the frontier village Vetrov boys from the children's home called Indians lead a bitter "war" with the local Símáks. Before a battle the Indians have a meeting in the sandpit with a smoke signaling. The smoke brings to the sandpit a frontier guard Tomás with a police dog Ranek. The children learn from Tomás that Rank served out and that it shall be destroyed. The nine-year old Fanda writes a letter to the "minister of the frontier guards" in which he asks to let Ranek live. To save Ranek's life he also visits the local frontier guard commander. In the end it is decided that children from the children's home may keep Ranek.

  Indiáni z Větrova

  Indians from Vetrov

  1979 · 3 votes

• Film4.5

  Dram

  The story of a young man who found the meaning of love and a place in life at the cost of a loss.

  Kariéra

  1985 · 2 votes

• Film9.0

  Dram

  Building themes, however modified, permeated the nationalised cinema throughout its existence. This time, director Július Matula has focused on a young engineer who, with high hopes, accepts a position in a famous agricultural cooperative. However, he soon discovers that behind the proclaimed phrases there is in fact hypocrisy and protectionism. The authors criticise the fact that incompetence is often covered up, that shortcomings end up being cleverly camouflaged, that the social mood favours the mediocre and the adaptable. The hauers present a statement that is courageous, so to speak, within the limits of the law, and call for increased work consciousness.

  Hauři

  1988 · 1 votes