Bulle Ogier

Birlikte yemek yemek isteyen bir grup üst sınıf insanın karşısına sürekli absürd, garip ve sürreal engeller çıkar. Grup ise bu engelleri son derece doğal bir şeymiş gibi karşılar. Filmde aynı zamanda dört karakterin rüyalarına da yer verilir. Filmin rasyonel olmak gibi bir endişesi bulunmamaktadır.

A has-been French filmmaker wants a Hong Kong actress to be the heroine in a rendering of Les Vampires.

Paris ve şimdiden kış. Sarah ve Jean birbirlerini seven, yıllardır beraber yaşayan bir çift. Aşkları onları mutlu ediyor ve güçlendiriyor. Asla sönmeyecek arzuları ile beraber aralarında karşılıklı bir güven var. Ancak bir sabah, kendisini Jean ile tanıştıran François, Sarah’ın hayatına tekrar giriyor. Ve François, Sarah’ın daha önce Jean için tereddüt etmeden terk ettiği kişi.

Julie, a daydreaming librarian, meets Céline, an enigmatic magician, and together they become the heroines of a time-warping adventure involving a haunted house, psychotropic candy, and a murder-mystery melodrama.

After breaking into a house he believes is empty, thief Olivier is caught by the owner, Ariane, who turns out to be a dominatrix. Improbably falling for her, Olivier returns periodically, and an impulsive romance blossoms despite Ariane's profession. Soon Olivier becomes more familiar with her work, even joining in on occasion. However, when he discovers that Ariane has a son, he attempts to "fix" her, hoping to give her a better life.

This satire concerns three French singing idols and their attempt to stay in the public eye. A press conference, backstage hedonism, psychedelia, manipulative managers and disc jockeys are portrayed as the pop culture is thoroughly and effectively lampooned in this independent feature.

We thought we'd seen, read, and heard everything there was to see about the Cannes Film Festival, from the glitz and gossip to the scandals and censorship. And yet, Emmanuel Barnault's "Morceaux de Cannes" (Pieces of Cannes), by this leading expert on Italian and French cinema, convinces us otherwise. The third largest event in the world (after the Olympic Games and the FIFA World Cup) reveals its secrets only sparingly, as this film attests. The result of passionate research in the INA archives, these 52 minutes, without interviews or voice-over narration, string together rare and sometimes previously unseen footage. Taken together, they tell a surprising, original, and heartwarming story of the Festival. On the beach, on a street corner, in a restaurant, or in the privacy of a hotel room, these forgotten archives summon the greatest filmmakers, actors, and actresses of the last seventy years, from Jean Cocteau to David Lynch, for an anthology of the Festival's history.

Marie is just out from prison when she runs into Baptiste, a young paranoid needing companionship. In their pursuit of a mysterious briefcase carried by Marie's former lover, they roam the street of Paris, transformed into a giant board game, a maze spotted with mysterious traps, puzzling clues, and chance encounters. Maybe they are bricks in some sinister scheme, maybe they are playing a board game, maybe it's a fairy tale, maybe it's yet something else...

A troubled marriage is tested by the couple's involvement in a theatrical production of Racine’s Andromaque.

A middle-aged sales rep drops everything to track down the killers of his cop friend. Two years earlier, an older gambler forms an intense bond with a naive young man, who changes his name to please him.

Okay, Marie is a little tired of the insouciance of her husband Sam, framework sup unemployed for 2 years. Agree, it is very tempted to be seduced by this beautiful stranger who made him the Court. Okay, there is also the daughter piano competition... If this balance light and crazy about standing, an unexpected event throws the family on an even crazier way.

One of Werner Schroeter's most important and inventive works, this threadbare evocation of Jean Genet's notorious Querelle depicts the erotic adventures of two sailors through the world's seaports in the manner of a cut-rate silent movie.

In 1917, the First World War is raging. Julien is from Luxemburg, so instead of having to go to war he studies piano in Paris. One day his friend Jacques, also a musician and now a fighter pilot on the front, invites him to spend a few days in his family's empty house in Bray. The housekeeper, a beautiful stoic woman lets Julien in, but his friend is late and he is obliged to wait. In the meantime, he starts reminiscing of the pre-war days spent with his friend and Jacques' girlfriend Odile.

Anna, Joyce, Claude, and Cécile are four young actresses sharing a Paris apartment while attending intense acting workshops led by their demanding teacher Constance. As they rehearse scenes and navigate the tensions of living together, their personal lives begin to grow complicated when Joyce becomes involved with a mysterious older man whose presence slowly pulls the others into a web of secrets and suspicions, blurring the boundary between the roles they perform and the lives they're actually living.

Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.

In a small Breton town, a 10-year-old girl is found murdered. René, her art teacher, a professional painter, is the last person to have seen her alive. The inspector in charge of the investigation immediately questions him. In this small provincial town where people all know each other and regularly meet at the Bar des Amis, René is increasingly unsettled by the other inhabitants' suspicions and by the inspector's investigation. Children stop coming to him for lessons. His wife, Viviane, a district nurse, protects him and supports him with her love. However, a self-centred media-star writer adds to René's confusion...

A journey in the company of Bernadette Lafont, French Cinema’s most atypical actress. Tracing her career from pin-up girl, to New Wave model of sexual freedom, to drug-dealing granny in the film Paulette, by way of La Fiancée du Pirate and Les Stances à Sophie, this film pays tribute to her extraordinary life and artistic odyssey. Her grand-daughters, Anna, Juliette and Solène, revisit the dreams of Bernadette, in the family home in the Cevennes region where they, like her, grew up. Her close friends, Bulle Ogier and Jean-Pierre Kalfon, reminisce on their artistic and human complicity. Throughout the film, Bernadette Lafont in person, with her inimitable character actress voice, re-evokes a life in cinema marked with insolence, courage and freedom.

Four wedding anniversaries serve to chronicle the beginning and end of a thirty-year marriage.

Complications abound in this French film, which tells the story of a filmmaker who is attempting to put his real life into a movie; his interactions with the people in the movie he is filming create reverberations in his "real" life, although the past remains unchanged. Among the complications is his growing regard for the woman who plays his cinematic wife. She may wind up replacing his actual wife in real life. One of the highlights of this film is the insight it gives into the actual mechanics of filmmaking.

Tecavüzden kurtulan genç bir kadının kırılgan doğasını ve bariz bir intihar girişimini konu alan bu paranoyak filmde kafa karıştırıcı gerçekler ortaya çıkıyor. Bir gerçeklikte, o erkeklerin katil bir yok edicisidir. Bir diğerinde, iyileşmesine yardım etmeye çalışan kocası (William Baldwin) ile Jamaika balayındaki yeni eş. Hangisinin gerçek olduğu, hikaye ilerledikçe ortaya çıkan sorudur.

Bisexual attorney Alain is bedding his female boss, his murderer client, the client's hairdresser girlfriend, and a precocious boy who knows what he wants and tries to convince Alain that he can 'have it all'.

Several lives intersect when a middle-aged woman is left by her husband, and she decides to trek him down with the help of her equally troubled sister.

Aging beautician Angèle, already wounded by a long-ago romance, gets awkwardly dumped at a train station. Witnessing how she turns around a humiliating situation, younger sculptor Antoine becomes so smitten that he breaks up with his fiancée and sets out to win Angèle's heart. Meanwhile, Angèle attempts to quash the budding romance of her young co-worker, Marie, and a much older widowed client, despite their obvious rapport.

In the Bellinsky family: there is Solomon the father, 80 years old, brimming with life. He is fighting not to be buried too quickly, between tap dance lessons under the high patronage of Fred Astaire and the search for a companion... The mother, Geneviève, dreams of only one thing: quietly continuing her infantilisation, with her household help, protector and guardian angel, Mr Mootoousamy.

A talk show presented by Michel Drucker

Beneath her eccentric appearance, Captain Marleau is a formidable detective. Her Sherlock Holmes deerstalker cap, her character, her unusual appearance, her humor, her unpredictable behavior--Captain Marleau is not your average gendarme. She never rushes an investigation; she becomes the investigation and relentlessly pursues the suspects.

Following the May 1968 civil unrest in France, two theater groups rehearse plays by Aeschylus while two solitary individuals wander the Parisian streets hustling the populace for cash.

The Dossiers of Inspector Lavardin is a French television series in four 90-minute episodes, created by Dominique Roulet and Claude Chabrol and broadcast between September 15, 1988 and February 1, 1990 on TF1. It follows the two films Chicken in Vinegar and Inspector Lavardin directed by Claude Chabrol and already featuring Jean Poiret in the role of Lavardin. This short series depicts the investigations of Inspector Lavardin, a tongue-in-cheek policeman known for his bad manners.

Lagardère is a French miniseries consisting of six 50-minute episodes, created by Marcel Jullian based on Paul Féval's novel Le Bossu (the eighth film adaptation outside of theater, out of 10 known adaptations), and some of the sequels imagined by Paul Féval Jr.1, directed by Jean-Pierre Decourt, and broadcast from September 20 to October 25, 1967, on the first channel of ORTF.