Andrea Feldman

Filmler6

• Film5.8

  KomediDram

  Former child star Joe Davis, reduced to living in a cheap Hollywood motel while struggling for acting jobs, is lusted after by nearly every woman he meets, including Jessica Todd, a tightly wound feminist who has recently come out as a lesbian. When Jessica's mother, Sally, an emotionally needy has-been actress, meets Joe, she moves him into her enormous, tacky mansion as her new boy toy and attempts to get him acting work.

  Heat

  1972 · 28 votes

• Film5.7

  Dram

  The movie follows Joe, a heroin addict, throughout his quest to score more drugs. The episodic plot occurs over a single day and centers on Joe's problematic relationship with his on-off, sexually frustrated girlfriend. During the course of the day, Joe overdoses in front of an upper-class couple, attempts to fool Welfare into approving his methadone treatment by having Holly fake a pregnancy, and frustrates the women in his life with his drug-induced impotence.

  Trash

  1970 · 40 votes

• Film5.2

  MüzikBelgesel

  This documentary on rock 'n' roll groupies, including the infamous Plaster Casters, features performances (musical) by such bands as Ten Years After, Terry Reid, Spooky Tooth, and Cat Mother.

  Groupies

  1970 · 6 votes

• Film5.0

  Belgesel

  Cleopatra situates itself in the same relationship to Hollywood as the Warhol/Morrisey films of the period. It corresponds to Joseph Mankiewicz's 1963 Cleopatra, starring Elizabeth Taylor and Richard Burton which Auder's cast watched and used as the starting point for scene by scene improvisation Auder drew his cast from Warhol's ensemble – including not only Viva and Louis Waldon, but also Taylor Mead, Ondine, Andrea Feldman, Gerard Melanga and others.

  Cleopatra

  1970 · 6 votes

• Film8.7

  Warhol's Factory visits Los Angeles.

  Imitation of Christ

  1967 · 3 votes

• Film4.7

  Photographed entirely in color, Four Stars was projected in its complete length of nearly 25 hours (allowing for projection overlap of the 35-minute reels) only once, at the Film-Makers' Cinematheque in New York City. The imagery in the film is dense, wearying and beautiful, but ultimately hard to decipher, for, in contrast to his earlier, and more famous film Chelsea Girls, made in 1966, Warhol insisted that two reels be screened simultaneously on top of each other on a single screen, rather than side-by-side. The film's title is a pun on the rating system used by critics to rank films, with "four stars" being the highest rating. From Wikipedia.

  Four Stars

  1967 · 3 votes