Jaime Chávarri
Yönetmen · d. 1943 · Madrid, España
Spanish film director born in Madrid. Graduated in Law, he never practiced as a lawyer. He later studied for two years at the Escuela Oficial de Cinematografía and worked as a film critic for the magazine Film Ideal while making several short films in super-8. His first solo feature film was Los viajes escolares (1974). In 1976 he released El desencanto, a biographical documentary about the poet Leopoldo Panero. The film was awarded the Best Film Award by the Círculo de Escritores Cinematográficos. A un dios desconocido (1977) starred Héctor Alterio and its script was written by Elías Querejeta. It was followed by Dedicatoria (1980) and Bearn o la sala de las muñecas (1983), starring Fernando Rey, Imanol Arias and Ángela Molina. One of his most recognized works is Las bicicletas son para el verano (1984), based on a play by Fernando Fernán Gómez. The film, starring Agustín González, Victoria Abril, Marisa Paredes and Gabino Diego, is set during the Spanish Civil War. El río de oro (1986) stars Ángela Molina. It is followed by Las cosas del querer (1989), in whose script Fernando Colomo participated. Tierno verano de lujurias y azoteas (1992) is a comedy starring Gabino Diego, Marisa Paredes and Imanol Arias. In 1994 he directed the sequel to Las cosas del querer with the same actors. A year later he released Gran Slalom (1996), with a script by Rafael Azcona. The film stars Juanjo Puigcorbé and Pilar Bardem, among others. The following year he directed a Spanish-Argentine co-production entitled Sus ojos se cerraron y el mundo sigue andando (1997). In 2002 he directed Besos para todos, starring Emma Suárez and Eloy Azorín and in 2004 El año del diluvio, an adaptation of the novel by Eduardo Mendoza. His latest feature film was Camarón (2005), for which he co-wrote the script with Álvaro del Amo. The film is based on the biography of the flamenco singer José Monje Cruz, Camarón de la Isla, who is given life by the actor Óscar Jaenada in a splendid characterization. The film won three Goya awards for Best Costume Design, Best Makeup and Hairstyling and Best Leading Actor.
Filmler21
Film6.7DramGerilimETA örgütüne sızmak için her şeyi arkasında bırakan genç bir ajan, teröristlerin Fransa'nın güneyindeki saklanma yerlerini bulmak için hayatını tehlikeye atar.
Film7.1KomediDramEv hanımı Gloria, Madrid’de küçük bir apartman dairesinde taksici kocası, hafif deli kayınvalidesi, biri uyuşturucu satıcısı ve diğeri gay olan çocukları ile birlikte yaşamaktadır. En yakın arkadaşı bir telekız olan Cristal’dır. Gloria temizlikçilik yaparak para biriktirmeye çalışmaktadır. Kocası Antonio eski bir Alman şarkıcıya takıntılıdır. Gloria, Antonio ile yaşadığı bir tartışmada kafasına odun ile vurup ölümüne sebep olur ve hayatı arapsaçına döner.
Film6.7DramGerilimBoğa güreşçisi Diego, güreş sırasında yaralanınca emekli edilir. İçindeki savaşma ve öldürme dürtüsüne hakim olamayan Diego, hedefini boğalardan kadınlara değiştirir. Üstündeki gerginliği atıp rahatlamanın tek yolunun onları öldürmek olduğunu fark eden Diego’nun yolu, araştırması sırasında katilin tarzına hayran olan avukat Maria ile kesişir * film almodovarın amatör döneminde ortaya koyulmuş bir eser olsa gerek ki hem teknik açıdan hem de bunlar dışında göze batan bir çok eksiklik film hakkında olumsuz düşünmeye itiyor.çoğu diyalog gereksiz,birçok sahne ise birbiriyle bağdaştırılmayı beklerken öylece ortada kalmış. ama bana kalırsa üzerinde tekrar düşünülmesi gereken bir film,eğer yeniden çekilip titiz bir çalışma sonucu tekrar ortaya çıkarsa şimdiki halinden çok daha başarılı olacağına eminim çünkü işlenmeyi hakeden bir konusu var
Matador
1986 · 307 votes
Film5.4KomediDramMadrid’in kozmopolit atmosferine şehirdeki kiliselerin oluşturduğu tezattan bir insan sureti yaratılacak olsaydı ismi herhalde Gonzalo Tamayo olurdu. Gonzalo kuzenine âşık, babasının ayak işleriyle oradan oraya koşturmaktan bıkmış, tek bir ders yüzünden üniversiteden bir türlü mezun olamayan bir felsefe öğrencisidir. Çevresindeki insanların dayatmalarından sıyrılarak ipleri eline almak için kendi tarihini değiştirmeye karar verir ve bebekken ona sorulmadan yapılan vaftizle kaydolduğu Katolik Kilisesi defterlerinden kaydını sildirmek için başvurur. Ancak bu beklediğinden çok daha zorlu bir sınav olacaktır. Gonzalo’yu doğal bir oyunculukla canlandıran Alvaro Ogalla ve filmin yönetmeni Federico Veiroj’un birlikte kaleme aldıkları bu eğlenceli absürt komedi, Buñuel sürrealizmine benzerliğiyle dikkat çekiyor.
- Film6.3Belgesel
Salamanca director Chema de la Peña recalls in this feature documentary professionals early filmmakers like Fernando Colomo, Fernando Trueba, Imanol Uribe, Carmen Maura and Antonio Resines, protagonists of the so called 'New Spanish Cinema' in the 80s. His first films were produced between friends, her back to the industry. Rolled with minimal budget and with the sole intention of having fun ... And big surprise were critical and box office successes. And also true generational manifestos.
Un cine como tú en un país como éste
2010 · 3 votes
Film8.3Sombras y luces: Cien años de cine español
1996 · 3 votes
FilmBelgeselThey are the first and the last, those who imagine stories and give voice to the characters who live them. However, they never speak. But now, they emerge from the shadows of a poorly lit room and tell their secrets, their tricks, their influences; they tell their own story, that of those who face the blank page, the absolute nothingness; that of those who are the true authors, those who create and destroy entire universes. They are the screenwriters.
Film10.0Pili is a middle-age woman. She owns a tabacco shop in a working class neighberhood of Madrid, and she is a gambler. Enraged by the prize of a slot machine, she will chase Ying and Li-Sung throughout the neighborhood. How far will she be willing to go?
Cuento Chino
2019 · 1 votes
Film5.7MüzikKomediA band of young musicians will do the impossible to boycott a song they didn't like that's supposed to represent Spain in a famous musical contest.
Un, dos, tres, al escondite inglés
1969 · 12 votes
Film6.0Belgesel24 horas en la vida de Querejeta
2012 · 1 votes
- Film5.8Belgesel
The making of Iván Zulueta's film Arrebato (1979). Interviews with cast, crew, and producers.
Arrebatos
1998 · 4 votes
Film6.7BelgeselLike so many other actors, Ava Gardner hated to watch her films. She said that the woman on the screen wasn't her. But all films tell two stories: the plot and the tale of the bodies filmed. This film narrates what happened between two images: a first shot of 'Pandora' and a first shot of 'Harem', the first and last movie filmed by the actress in Spain. Ava must certainly have thought that neither of these two women had anything in common with herself.
Film6.3KomediHonorio Sigüenza is a man in his forties who has always lived under the yoke of his possessive mother. When his mother dies, he undergoes a radical transformation that will lead him to live numerous love affairs in the face of the disapproval of his cousin Veni, who wanted to marry him.
Film8.0BelgeselTarihHow does the vision of the brilliant Spanish filmmaker Luis García Berlanga (1921-2010) remain relevant in a time whose popular culture has little to do with his own? Since to understand the secrets of an artist it is essential to know the person behind, his family, his friends, his collaborators, as well as prestigious filmmakers and actors trace a collective portrait of a creator as singular as he is universal.
Berlanga!!
2021 · 1 votes
Film7.1KomediAfter the death of General Franco, the Leguineche family leaves their estate of Los Tejadillos, where they have remained for decades in voluntary exile, with the purpose of returning to Madrid to actively participate in the social events of the aristocracy and to get closer to the closest circle of the Spanish monarch. The obsession of the old marquis is centered on getting in touch with the most illustrious surnames, to ascend socially and to resume the pomp and courtly life that his family lost a long time ago. To this end, he decides to move into an old palace he owns, located in the center of the capital, but not before overcoming the difficulties posed by his wife, who deeply hates both her husband and her son. To regain control of the palace, the Marquis of Leguineche tries to handicap his wife, arguing an incurable mental illness, and then undertake a reform of the place in order to adapt it to aristocratic life.
Film4.1KomediA set of nine stories whose central theme is eroticism. The different directors of the film deal from philosophical aspects to others that are almost pornographic, but always with a common denominator: sensuality.
Film9.0DramA flor de piel (C)
1974 · 1 votes
Film5.8KorkuFour part anthology horror film, with segments featuring witchcraft, ghosts, Frankenstein and his monster, and ancient Christians battling Celtic vampires.
Film7.5BelgeselMüzikA journey through the different creative facets of Luis Eduardo Aute: singer and songwriter, painter, poet, filmmaker. Collaborators and friends tell the life of this total artist and reveal the impact his work has had in the past, has in the present and will have in the future.
Aute retrato
2019 · 2 votes
Film6.0BelgeselArrebato (1980) is the great cult movie of today's Spanish cinema and Iván Zulueta, its director, an accursed filmmaker. Arrebato was the film that forecast the end of the movida, a dark and harrowing reel whose history and intra-history are intimately linked. Arrebato acts as a premonition of the director’s own life. Just like his actors, Zulueta will end up being brought down by drugs and the cinema and, like them, will also disappear.
Film6.5DramElena, a shy and unmarried girl, belonging to the upper middle class and somewhat marginalized from the general environment, embarks on a trip to the family farmhouse one morning, and when she returns to the city that same day, at night, she is forced to take a strange woman in her car.
Ida y vuelta
1968 · 6 votes