Pierluigi Gigante

Gerçek olaylardan esinlenen bu dram filminde 1970'lerin Roması'nda gelecek vadeden bir ressam, yeraltı suç çeteleri için ünlü tabloların taklitlerini yapar.

Daniela struggles with the traumas of a troubled past, while Massimo conceals unspeakable secrets behind his talent as a pianist, which has earned him the nickname Golden Hands. Their chance meeting at Pachanga on a Lazio beach in winter will change the direction of their lives. Their stolen glances, awkward silences, and attraction to one another will spark a relationship that rekindles hope that they can turn their lives around. While they take refuge in each other, however, the ghosts from the past are waiting to pounce. And when they do, nothing will go the way they expected. An existential noir about guilt and innocence, fate, and a desperate will to live.

Civilisation is coming to an end. The death of his only relative gives a feral boy the pretext to journey beyond the confines of his home environment; only by doing this will he be able to decipher his father's journal, the most valuable artefact in his legacy. This singular contribution to the post-apocalyptic sci-fi genre tells of a humanity in crisis, while at the same time conveying the adventurous spirit of adolescence.

In 1956, Roberto Rossellini was in the throes of a personal and artistic crisis. His recent films with Ingrid Bergman had flopped, their marriage was falling apart, and the press was relentless. When Bergman returned to Hollywood, Rossellini accepted an invitation from Indian Prime Minister Nehru to document India's progress. With doubts and a suitcase full of spaghetti, he set out to find a creative and emotional rebirth in India, inspired by a culture that balanced tradition and modernity.

Massimo Sisti is a reputable professional with a nice house, a happy marriage, and two loving daughters, whose life is turned upside down when one day he finds a little girl tied up in his basement.

In early 20th-century Naples, a theatrical parody lands beloved thespian and playwright Eduardo Scarpetta in court, facing a malicious lawsuit that could compromise his freedom of expression and the economic security of his extended family—including his son's, young Eduardo De Filippo.

A chef who yearns for an international reputation helps his son try to win back his ex by arranging to cater her St. Moritz wedding to another man.

On the 20th anniversary of Federico Fellini's death, Ettore Scola, a devoted admirer of the incomparable maestro, commemorates the lesser-known aspects of his personality, employing interviews, photographs, behind-the-scenes footage as well as his drawings and film clips.

The tormented life of Dante Alighieri, from solitary childhood to death in exile, seen through Giovanni Boccaccio’s journey to rehabilitate his memory.

Alba has Down's Syndrome and was left in the hospital when she was born. Thirty families rejected her before the court decided to entrust her to Luca: a Catholic — and gay — single man.

Alex is a popular web star, always filming every minute of his life for his fans to see. His sister, Deborah, is quite the opposite, shy and reclusive for her birthday, Alex decides to throw a huge party in a supposedly haunted castle, drawing a big crowd, but they are not alone there the eclipse is nigh, and something unspeakable is awakening in the depths of the castle.

Therapist Olga runs an exclusive therapeutic community for people deeply marked by trauma in a remote countryside farmhouse. By her side is her son Lorenzo, fragile and troubled, bound to her by a deeply complex and intimate relationship, The arrival of enigmatic Tommaso, who seems to know long-buried and unspeakable secrets, disrupts the group’s fragile balance and profoundly undermines the bond between mother and son. As manipulation and guilt intensify, the line between healing and madness becomes increasingly blurred, leading to an inevitable reckoning.

Alfredo talks to himself or rather talks with a cigarette—bad thing loneliness, real loneliness, especially at the age of seventy. Alfredo is a man who has loved another man, Mario. He loved him so much that he found the courage to come out and lose his job and family. Mario, on the other hand, continued his married life, then became a father and finally a grandfather, because he is gay, but only part-time. Alfredo cannot bring himself to let him go, but neither can he live that relationship in the middle, so separation becomes inevitable here. At first, Alfredo convinces himself that he can escape the melancholy but then he accidentally slips on his partner's shirt and sees their whole life together again. Yes because all it takes is a scent, a smell to return there, where one was loved. Mario no longer wants to separate himself from that smell, which turns into an obsession, convinced that once it is gone, the last traces of their love will also disappear.

Roberto Saviano'nun mafyadan tehditler almasına neden olan kitap uyarlaması dizide; Napolili bir suç örgütü olan Camorra’nın iç yüzü, mafya babası Pietro Savastano’nun 30 yaşlarındaki sağ kolu olan Ciro’nun gözünden anlatılıyor. Uyuşturucu satışı başta olmak üzere her türlü yasa dışı faaliyet tamamen onların kontrolündedir. Fakat Don Pietro’nun yaşlandığı, gücünün artık azaldığı düşünülmekte ve bu da beraberinde Savastanolar için gün geçtikçe daha da büyüyen var olma mücadelesini getirmektedir.

Bir gösterinin doğurduğu vahim sonuçlar, iş hayatıyla özel hayatı ayrı tutmaya çalışan çevik kuvvet ekibinin üyeleri arasında tansiyonun yükselmesine yol açar.