Minna Wündrich

Two twin brothers are living on a different sides of Berlin Wall after being separated after birth.

With his uncouth manner, Professor Pohl doesn’t enjoy the best reputation at the university where he works. To make matters worse, he makes a racist remark when student Naima arrives late for his lecture. Unfortunately for him, a video of his verbal outburst spreads like wildfire on the Internet, and the university’s president, Lambrecht, is called to deal with the incident. But Pohl is not dismissed. Instead, he is put to the task of helping Naima prepare for an important debating competition. The lecturer and the student could not be more different, yet they are thrown together to work as a team.

Ivo works as a palliative home-care nurse. Every day, she visits families, couples and single people. They live in small flats and large houses. They all have different lives and deaths. They all have different ways of dealing with the time that remains. At home, Ivo’s teenage daughter has long since become independent. From morning to night, Ivo drives around in her old Skoda which she has made into her personal living space. Here, she eats her meals, works, sings, swears and dreams. One of her patients, Solveigh, has become a close friend. Ivo has also formed a relationship with Solveigh’s husband, Franz. Day after day, the two work together to care for Solveigh. And they sleep with each other. Solveigh’s strength is diminishing and she soon has to rely on support for the simplest tasks. She wants the final decision to be her own: she wants Ivo to help her die.

Antonia Hofmaier and her son Linus actually only want to pay a short visit to the North Sea island of Langeoog: Antonia needs the signature of her father, with whom she has had no contact for almost twenty years, to sell her parents' house in Munich.

Mehmet Akif Büyükatalay'ın yönettiği Histeri, 1993'teki Solingen faciasını konu alan bir filmin çekim sürecinde patlak veren gizemli olayları merkezine alıyor. Senaryonun gerçek hayatla kesişmesi, sette yanmış bir Kur'an'ın bulunmasıyla başlayan kaos, film ekibini hem sanatsal hem de politik bir girdabın içine çekiyor. Stajyer Elif karakteri üzerinden izleyiciye aktarılan sırlar ve suçlamalar, Almanya'nın güncel toplumsal gerilimlerine ayna tutarken, "film içinde film" yapısıyla katmanlı bir anlatı sunuyor.