Jacques Denis

Two men, fortyish, worn out by their wives, abandon everything to go and live in the back of beyond. There they meet a truculent priest, a boozer, Émile who recalls them to life's simple pleasures. Calm is what they want. But soon their example inspires thousands of disorientated males...

1950lerin Batı Afrikasında yaşayan fransız bir genç kızın duygusal çatışmalarını ve dönemin koloni hayatını ele alınmaktadır... Chocolatda, izleyiciyi yıllar sonra çocukluğunun geçtiği Kameruna geri dönen ve geçmişi anımsayan bir kadının yaşadıklarına tanık ediyor. Küçüklüğünde farklı değerlendirdiği Kamerunun aslında Fransız sömürüsü altında ne acılar çektiğini anlayan kahramanımız, geri dönüşlerle ilerleyen film boyunca sömürgeci sistemin vahşetinin farkına varıyor

Başkanın suikastının ardından resmi soruşturma tek suçluya işaret ederek hızla kapanır. Ancak dürüst Savcı Henri Volney, olayın bir komplo olduğuna inanır ve kendi tehlikeli bağımsız soruşturmasını başlatır. Gerçeğe yaklaştıkça, sistemdeki güçlü ve tehlikeli isimlerle karşı karşıya gelir ve hayatı tehdit altına girer

Robert Avranche, a middle-aged, alcoholic garage owner, is sitting on a train, reflecting on the emptiness of his life. An attractive young woman, Donatienne, suddenly enters the compartment and offers to make love to him. Robert accepts but, when the woman leaves the train afterwards, he decides to follow her...

Industrious accountant David Martinaud claims to be visiting his parents every weekend, but it's merely a cover for the labor-intensive refurbishing of his country cottage. The reason for David's secrecy is that his childhood crush, Lise, lives nearby, and, although she's married, he still believes they'll get together. His devotion to the idea borders on mania, and, when Lise's husband is accidentally killed, he quickly spirals out of control.

Michel Descombes is a watchmaker who lives in Lyon with his teenage son Bernard. When the police visit and inform him that Bernard has killed a man and is on the run with a girl, Michel realises that he knew far less about his son than he thought.

A look at the lives of several men and women in their 30s as they confront the slim gains of the "revolutionary" sixties. Max, a dissatisfied copy editor; Myriam, a redhead into tantric sex; and Marie, a supermarket checker who gives unauthorized discounts to the elderly, search for renewed meaning on a communal farm. The title character, a six-year-old child, is the carrier of their hopes for the future.

This comedy brings Pierre Richard and Michel Piccoli together onscreen once again. In the story, former professor Henri Toussaint Piccoli has been locked away in a psychiatric ward for some years for trying to strangle his wife when he found her in bed with another man. Now she has a terminal illness, and wants some sort of reconciliation with him. His therapist (Richard) decides to permit him to visit with her, provided he comes along. Except for his wide mood swings and occasional outbursts of lewd muttering, the professor "passes" for sane fairly easily. Not so the psychotic (Dominique Pinon) who stows away in the psychiatrist's car, who constantly calls attention to the other two.

Malisard is a reporter at "Soir de Paris", his colleague Prévot is a photographer. Together, they roam the streets of Paris.

Writer Paul attempts to interview Rosemonde, a young woman who killed an alleged rapist in self-defense six years prior, for a true crime television program. When Rosemonde refuses to divulge details of the events, Paul encourages his actress girlfriend to befriend her, but the three are repeatedly sidetracked from their initial commission.

A couple deal with their problems like any other, while actors read Friedrich Engels' "The Origin of the Family, Private Property and the State", and in interviews, the director discusses the status of women in 1978.

Arthur and Marcel, two firemen, keep boredom at bay by improvising on stage, one on a keyboard the other on drums, tunes, poems and songs. Carol arrives, in search of her lover Armand. Accompanied by the musicians, she sings of her strange loves.

In 1937, the young French engineer Jo Dupuche landed a job in Ecuador, with the promise of a better life. While he stops on a Caribbean island, he discovers that the mine where he was hired has gone bankrupt and finds himself penniless. Trapped with his wife in the tropics, the couple must cope. While his wife finds work thanks to white settlers, Jo is housed in a ghetto where he forms a romantic relationship with a young prostitute. Shot on 35mm in Cuba at the end of the 1980s with all the constraints inherent to the country, this TV film paints an uncompromising picture of colonialism in line with the eponymous novel by Simenon (1934).

A lazy surveyor is thwarted by two women whose houses he is surveying for destruction to make way for a park. In another realm of the story, a man is given a hat by another man, who asks him to give his fiancé a gift. However, he mistakenly gives the gift to another girl entirely, and makes love to her.

Paul is married, a successful engineer, and a conservative candidate in an upcoming local election. He falls in love with Adriana, a café waitress from Italy. Paul's party is very critical of foreign labour and wants to keep Switzerland to the Swiss. Where Paul falls deeper and deeper into the relationship and is ready to leave his wife, Adriana feels the social pressure growing and has to make her own decision.

A retired old man sees his life turned upside down by the discovery of the corpse of a young woman.

In Brazzaville, in 1944, Alex Emmerich was sentenced to wander the seas by Hélène Latray, the wife of Félix Beauvois, the man Alex loved. In 1962, exiled on Hatray cruises and feeling the coming death, Alex decides to compose for his love a testament: the photographic report of his agony.

An unknown Polish writer can't publish his novels, so his ex-wife decides to help him and get some of the profit for herself. She finally finds a publisher, but there's a strange single condition that could cost the writer his life.

On an island, clones are secretly raised.

In the 1930s a young fellow, Simon Chalumet, is sent to a military school by his overbearing father, an ex-soldier who has little sympathy for his son's more gentle temperament, or for his interest in films.

A father is scheming to have his slightly mental daughter from an earlier marriage killed by allowing a murderous psychopath to be released from the asylum and led to his house. However, the psychopath and the daughter fall for each other.

Pierre and Paul, journalist and writer respectively, team up to write a screenplay based on the real story of a young woman accused by her uncle of trying to kill him. They decide to meet her.

Several mountaineers attempt to climb La face de l'Ogre near Chamonix. Their starting point is a small mountain hotel from where many tourists observe them. Among these is Hélène, who has been staying there for a few weeks but who is excluded by the other tourists. Then she meets a city girl named Marion and they immediately become friends. She tells him that she is waiting for her husband who has tried to climb the mountain and should be back any day. But then the weather turns sour, which causes hope to wane but also brings women together in anxiety. Finally the weather improves and Marion's husband comes back but not Hélène's and she must finally accept the truth.