Zouzou

A sleazy Paris nightclub owner and ex-detective flies to Hong Kong to rescue the young son of a friend murdered by the Chinese mob.

Psychological drama of the compelling relationship between a young French engineer and the girl he takes into his home after his wife has left him with their baby son.

When an industrialist's wife and kids are kidnapped by terrorists in Greece, the woman's ex-husband comes to the rescue with a plan involving hang gliders.

Hali vakti yerinde bir yönetici olan Frédéric, mutlu bir evliliğe sahip olsa da, başka kadınlarla ilgilenmekten kendini alamaz. Arzularına gem vurmaya çalışsa da, eski zamanlardan tanıdığı Chloe bir gün ofisinde belirince, duyguları allak bullak olur.

Two CIA bunglers botch a Soviet defection, then both sides mark them for termination.

A look at the relationships and rivalries within The Rolling Stones in their formative years, as well as the creative musical genius of Brian Jones, key to the success of the band.

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.

Les Contes Secrets ou les Rohmériens features interviews with 16 actors who have appeared in Rohmer's films, and they talk on camera about his unusual working methods, his personality, and his spare but evocative signature style. Among the thespians who share their memories are Jean-Louis Trinitignant, Marie-Christine Barrault, Zouzou, Jean-Claude Brialy, Béatrice Romand, Françoise Fabian, and Andre Dussolier; the film also includes rare footage of Rohmer himself at work on the set of his 1978 effort Perceval.

Since the 1960s, the Rolling Stones, the incarnation of "sex, drugs and rock'n'roll", have had a special relationship with France. From the chaotic concert at the Salle Vallier in Marseille in 1966, to the recording of "Exile on Main Street", their album written under the influence in a villa on the Côte d'Azur, to Mick Jagger's mythical wedding in Saint-Tropez, the British rock band has lived through some crazy French years. Never-before-seen images and interviews with collaborators, rock critics and musicians lift the veil on the Stones' passionate relationship with France.

Everything starts when a journalist François decides to investigate the world of working class people. He gets into the lives of Claude, a worker and his wife Lily who has left him.

The story is based on Voltaire's tale "Le monde comme il va" ("The world as it is"). Sent by the genie who presides over the destiny of Persepolis (Paris!), the Scythian Babouc carefully informs himself of everything, to tell the genie whether or not to destroy the city. This is the pretext for a series of interviews, scenes taken on the spot or reconstructed in the studio. We meet a musician who lives for his art and a Marxist historian, both of them optimists in the end; but also a war widow and an economically weak old lady: while the "fureur de vivre" gives free rein to the Golf Drouot and socialites hide their turpitudes behind a façade of good manners. A large, poorly housed family bravely faces up to its fate, and the children are happy; a working-class household talks about the union struggle, inhumane working conditions and reasons for hope. Finally, a poet sums it all up by talking about his commitment to the service of mankind.

When his uncle Paul died, Lucien Berlemont inherited a telescope and a sextant, which only aggravated his aversion to the high seas. At the age of 20, he began taking clandestine navigation courses. During his vacations in St-Lunac, even Mr. Dumesnil's daughters struggled to distract him from his marine reveries. But one evening, he inadvertently finds himself locked up with Marie-Angeline; the consequences of this prolonged evening force him to make a decision and commit himself, for better or for worse, to one of the Dumesnil girls.

An experimental and poetic portrait of a woman.

After a terrorist attack against a train, the police arrest the young laborer Stefano Baldini, member of a group of militant leftists. Entrusted for interrogation to Sergeant Pendicò and special agents Lorusso and Spasiani, Stefano dies, after four days, in unclear circumstances. Doubting the official version of the police, the second time in which a young person died in custody, journalist Cristina Visconti tries, with the aid of the sister of Stefano, to discover the truth. They rub up against a conspiracy of silence that encircles the acts of Pendicò and his associates. Frustrated beyond reason, Cristina tries a desperate ploy: publishing a story without evidence in the newspaper, accusing the three agents of having caused the death of Stefano with their blows. Cristina is put on trial for defamation. Can she avoid going to jail and also reveal the facts surrounding Stefano's death?

A thriller in which the characters are Latin-American exiles living in Paris. It is also a comedy about artists who play at revolution rather than actually participate in one

Efsanevi model, sanatçı, müzisyen Zouzou’nun Mary Magdalene’yi, Fransız oyuncu Pierre Clémenti’nin İsa’yı oynadığı, yönetmenin kendisinin de yanlış yola sapmış bir havari olarak yer aldığı İncil’le ilgili serbest bir alegori.

30 years after their artistic revolution, members of the Zanzibar group meet in 1999 in Saint-Sulpice Square in Paris (France) in front of Gérard Courant's camera.

In a deliberately erratic and disjointed fashion, this film follows the adventures of Bernard (Jean-Pierre Leaud). A young man from the provinces, he makes his pilgrimage to Paris and seeks adventure while living on a barge.

A survival, silent black & white film shot with a hand camera, a journey into Philippe Garrel's intimate family album featuring the two women who counted in his cinematographic life: Nico and Zouzou.

A family's life is transformed into an object of art.

La Concentration features an androgynous young man (Jean-Pierre Léaud) and woman (Zouzou), dressed only in their underwear, locked in a room with a bed.

In 1963, 22-year-old Bertrand Blier invited 11 of his peers to come to a film studio and talk about their lives. The record of what was said is a discussion of values that remains relevant and fascinating today. The footage was shot just five years prior to May 1968, and the atmosphere of that time is clearly discernible: these young people may not yet be revolutionaries, but there is clearly a ferment in the air.

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